INSERT INTO `wp_posts` VALUES (890,1,'2018-03-14 20:39:43','2018-03-15 03:39:43','<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Margaret-10.jpeg\"><img class=\"size-medium wp-image-815 alignnone\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Margaret-10-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" /></a>\r\n\r\n\r\n2/1/18, 8 pm\r\nEither/Or performs Raphael Cendo portrait  concert at Miller Theatre, Columbia University.\r\n\r\n1/27/18, 11 am\r\nThrilled to perform Menjie Qi\'s Spirit of the Sword at the 2018 Splice Festival.  Dalton Recital Hall, Western Michigan University, Kalamazoo, MI.\r\n\r\n1/21/18, 11 am\r\nMusic for Autism:  Percussia presents a program of interactive music for this very special organization and audience!!  Third Street Settlement.\r\n\r\n12/8-9\r\nYear 3 of my ongoing collaborative installation series with Juraj Kojs during Art Basel/Miami -- we\'re in Wynwood in front of O Cinema again presenting a music fair --- I\'ll be donning the red burqua of love and giving nonsexual, consensual hugs!\r\n\r\n11/19/18, 7pm\r\nNew Music on the Point fundraiser -- This concert for NMOP (the magical Vermont festival led by Amy Williams that fosters composer/performer collaboration) is having a fundraiser/concert/party ---- Performers include the JACK quartet, Jen Beattie, Adam Marks, Jan Williams, Robert Black and others -- I\'ll be playing works by Eve Beglarian, Kerrith Livengood and George Lewis --- great time and music guaranteed!!!  MC Gallery\r\n\r\n10/27/17, 8 pm\r\nEither/Or:  Tombeau for Ana-Maria Avram.......after the devastating news of AMA\'s sudden passing, we are gathering to celebrate her extraordinary life and talent!!  Joined by Vasko Dukovski, Mario Diaz de Leon, Russell Greenberg and Zach Rowden, it\'s going to be the most kickass memorial concert ever!!......Issue Project Room\r\n\r\n9/23-10/15/17\r\nRhoda and the Fossil Hunt:  a children\'s opera  ----I\'m just subbing in this American Modern Ensemble production, but if you are free please check it out.  It\'s completely charming and performed in the dinosaur room at the Museum of Natural History!!!\r\n\r\n9/9/17, 10-5\r\nCome spend Saturday, 9/9 in Burlington Vermont at the North Country Electronic Music Festival.  P<span class=\"_4n-j _fbReactionComponent__eventDetailsContentTags fsl\" data-testid=\"event-permalink-details\">resented by TURNmusic in cooperation with the South End Art Hop, and hosted by Kavlos &amp; Damian, I will be performing some gorgeous music by Eve Beglarian -- including the premiere of Tower of Ivory!!   Our set will be around 4</span> at ArtsRiot (400 Pine Street)....if you\'re in the area, please stop by!\r\n\r\n7/15/17\r\nNew York City Electronic Music Festival -- performing Sandra Gonzalez\'s Vértigo y transmutación on the 8 pm show, National Sawdust.\r\n\r\n6/22/17\r\nPerforming Arthur Kampela\'s Happy Days at Ben Richter\'s CD release concert at 26 Willow Place, Brooklyn.\r\n\r\n6/15-18/17\r\nLAOpera and Beth Morrison Projects present Kamala Sankaram\'s opera THUMBPRINT at REDCat Arts Center, LA.   We are honored and humbled to welcome Mukhtar Mai - whose extraordinary life the opera is based.\r\n\r\n5/16/17, 8 pm\r\nNIME 2017/ Copenhagen! - ML plays new interactive interface solo works by Milica Paranosic, Rikard Lindell, Jean-Francois Charles, Chris Chafe, Spencer Topel, Bob Pritchard (and sensor suit!) at Koncertkirken.  It\'s going to be a show!!!\r\n\r\n5/3/17/8 pm\r\nEnsemble Echappe performs works by Matthew Ricketts, Eric Guinivan and Fred Lerdahl, DiMenna Center.\r\n\r\n3/5/17, 6 pm\r\nEnsemble Ipse performs works by Carl, Lee, Broberg, Duykers, Diponio, and a premiere by Larry Polansky!  Shapeshifter Lab, Brooklyn\r\n\r\n2/18/17, 8 pm\r\nEither/Or performs at The Library of Congress, Washington DC.   Our beautiful band is playing works by Braxton, Ligeti, Thorvaldsdottir, Furrer, and Carrick!!\r\n\r\n2/11/17, 2 pm\r\nPercussia presents Immigrant Dream and International Express at the Queens Museum - featuring works by Quentin Chiappetta, Carlo Nicolau, and Dennis Tobenski. Queens Museum New York City Bldg, Flushing Meadows.\r\n\r\n2/2/17, 8pm\r\nEither/Or presents the Beat Furrer portrait concert at Miller Theatre.   Honored to play Ira Arca with Ken Filiano and hear my bandmates present other gems by this Austrian master!\r\n\r\n1/21/17, 9 pm\r\nI am thrilled to play a small role in James Moore\'s phenomenal residency at The Stone in a concert of the music of his grandmother, Virginia Seay!!!  Written in the 1940\'s, her compositional voice was searing -- she would have been thrilled to have her work played hours after the Women\'s March!!!\r\n\r\n12/17/16\r\nThe remarkable program Exploring the Metropolis has paired incomparable Cenk Ergun with choreographer Ursula Eagley to create a new work at the Jamaica Arts Center.  With Eric Umble and Jason Treuting, this collaboration is very special!\r\n\r\n12/15/16, 8 pm\r\nExperiments in Opera -- amazing new experimental chamber operas that include works by Lainie Fefferman, Matt Welch, Jason Cady, and Roddy Bottum\'s The Ride (for 2 rock star singers, synth, drums and 4 flutes of course!!!).  Merkin Hall\r\n\r\n12/8/16\r\nJBB and I take the visual portrait concert on the road (to beantown!) --- Entitled \"Jean Baptiste Barriere: on the Frontiers of Music and Technology,\"  JBB will present a short lecture followed by the full reconfigured Saariaho/Barriere show at Le Laboratoire Cambridge (650 Kendall Street, Boston)\r\n\r\n12/2-3\r\nML and the Feta Foundation peeps take on Art Basel......this year Juraj let me out of the cage and created a mobile installation in the form of a Wedding Party to promote love and happiness in a tense post-election world!  Joined by my darling flower girl Emma, we will explore the streets of Wynwood, Miami ---- come join the party!!\r\n\r\n11/6/16\r\nMartin turns 70!!!  Please join Lisa Moore, me and a host of superstars to celebrate the music of the brilliant Martin Bresnick as he celebrates his 70th birthday ---the music is simply gorgeous!   National Sawdust\r\n\r\n11/3/16, 7:30\r\nSolo visual portrait concert of Kaija Saariaho and Jean-Baptiste Barriere.......A collaboration between NYU Music Department and Mannes/The New School, co-sponsored by the Washington Square Contemporary Music Society, I have been reunited with 2 of my favorite collaborators to present some of my very favorite flute music in a uniquely interdisciplinary way!!!   New School\'s Tishman Auditorium, free admission.......must-see.....\r\n\r\n10/13/16, 6:30\r\nThrilled to perform at the Exploring the Metropolis benefit honoring dear friend and colleague Richard Carrick (will be playing his La Scene Miniature).  Symphony House (235 W. 56th St).\r\n\r\n9/23/16, 8 pm\r\nThe debut concert of IPSE ensemble!!! So thrilled to be a part of this killer group --- the inaugural concert features works by Harrison, Fujikura, Fure, Duykers, DiPonio, and Frasconi.  Tenri Cultural Institute.\r\n\r\n7/15/16, 6 and 6:30 pm\r\nTap it Out!!\r\nCome watch me and 100 of my tap buddies create a cappella loveliness with our feet (and hands!)!  As part of the Tap City Festival, this annual event is guaranteed to put a smile on your face and a spring in your step!!......at Five Points Foley Square (111 Worth Street)\r\n\r\n7/5/16, 7 pm\r\nExtraordinarily honored to join the brilliant forces of pianist Aki Takahashi and percussionist David Shively in a performance of the recently discovered <em>Cheap Imitation</em> by Morton Feldman at <a href=\"http://lpr.com/lpr_events/aki-takahashi-july-5th-2016/\">Le Poisson Rouge </a> in a program entitled CAGE, FELDMAN interprets CAGE, CAGE interprets SATIE.   Aki worked closely with both Cage and Feldman and her performances of their music should not be missed!!!<strong>  </strong>It is my great privilege to perform (and record!) this little known work by Feldman with her!\r\n\r\n6/30/16\r\nConvex/Concave:  the music of Arthur Kampela and Gene Pritsker at le Poisson Rouge.\r\n\r\n6/5-18\r\nNEW MUSIC ON THE POINT!!!  living in rustic, rural Vermont at this fabulous festival working on and premiering many great pieces and questionable dance moves!!.....Lake Dunmore\r\n\r\n6/4/16, 2:45 pm\r\nPercussia presents The International Express featuring works by Quentin Chiappetta, Alexis Lamb, Matthew Welch, and Carlo Nicolau at the Jackson Heights Library - - free and fun!!\r\n\r\n5/20/16, 3:15 pm\r\nPercussia presents Good Clean Fun II!!!  Ingrid and I load up her shopping cart and head to JH Laundromat (Jackson Heights, Queens) to play works by Harrison, Abdo Dagher, Irish folk tunes, Indonesian classics and video game music!!\r\n\r\n5/12/16, 7 PM\r\nComposers Concordance presents Glen Velez (and me) ---So thrilled and humbled to perform on the same program with this legendary percussionist, much less with him!!!  Works by Gene Pritsker (premiere), Robin de Raaffe, Eric Lyon (premiere), Max Duykers, and Glen Velez!!  Goddard Riverside Center (Columbus and 92nd).\r\n\r\n5/5/16, 7 PM\r\nBMP presents Keeril Makan\'s opera PERSONA at the Isabella Stewart Gardner museum (Boston).  This piece (directed by Jay Scheib) is too good to miss!\r\n\r\n4/30/16, 8 PM\r\nColumbia Composers Forum.  The inimitable Jocelin Pan and I perform Nina C. Young\'s fabulous piece L\'Heure Bleue.  St. Peter\'s Church (W. 20th st).\r\n\r\n4/14/16, 8 PM\r\nInterpretations series presents Marek Choloniewski, Roulette.\r\n\r\nApril 2, 5 and 8 pm\r\nPeriapsis Open Series presents new collaborative works between choreographers and composers including DoubleTake Dance and Emily Wagner! GK arts center, 29 Jay Street, Brooklyn.\r\n\r\nMarch 28, 8 pm\r\nRite of Spring Dance Party!  with the Experiental Orchestra conducted by James Blachly at National Sawdust.\r\n\r\nMarch 25-26\r\nThe Metropolitan Museum and Analog Arts presents the US premiere of Stockhausen\'s KLANG cycle!!  This massive, amazing work is being presented at The Met, The Cloisters and The Breuer Building.  My performances are :\r\n3/25, 5:30 - Harmonien (solo fl) at The Met in The Blanche and A.L. Levine Court.\r\n3/26, 12:45 - Schonheit (fl, bass cl, tpt) at The Cloisters, Pontaut Chapter House room\r\n3/26, 2:15 - Schonheit, The Cloisters, Pontaut Chapter House room\r\n3/26, 3:15ish? - Harmonien, The Cloisters, Langon Chapel\r\n\r\n3/11/16, 8 pm\r\nAnti-Social Music vs. Andie Springer.  Many great new very fresh works including a new theater piece by Max Duykers inspired by my favorite film, Tarkovsky\'s Stalker.   I--beam, Brooklyn\r\n\r\nMarch 1-5, 2016\r\nRomanian Spectralism!! Either/Or has set up shop at Columbia University\'s Miller Theater to work with the legendary Iancu Dumistrescu --- a visionary and sonic wizard who crafts music with  his sheer presence!    2 Pop-ups and a Portrait:\r\n\r\nMarch 1, 6 PM  Parallels and Precursors\r\nMusic of Bartók, Enescu, Niculescu, and premieres from guest composers Ana-Maria Avram and Iancu Dumitrescu.  On-stage at Miller Theatre with beer and wine!\r\n\r\nMarch 3, 6 PM - Ana-Maria Avram\r\nNew and recent chamber music from Ana-Maria Avram (including a gorgeous Bass Flute solo!!!).  On-stage at Miller Theatre with beer from Harlem Brewing Co.\r\n\r\nMarch 5, 8 PM - Iancu Dumitrescu\r\nMiller Theatre\'s Composer Portraits and Either/Or present a rare US portrait concert of the legendary Iancu Dumitrescu.  Works ranging from soloist with electronics to large ensemble, including 2 World Premieres and 2 US Premieres.\r\n\r\n2/12/16, 7:30 pm\r\nDaniel Goode\'s 80th birthday concert, #2!!!!  Some of dearest Daniel\'s greatest hits are being presented including Tunnel Funnel conducted by David Gilbert.  The Cell Theater.\r\n\r\n1/10/16, 5:30 pm\r\nNew York Flute Club presents a tribute to my dear teacher and friend Harold Jones featuring many of his colleagues and friends (including yours truly and Hubert Laws).  Baruch College.\r\n\r\n12/19, 3 and 7 PM\r\nMiller Theatre presents Saint-Saen\'s Carnival of the Animals!!  With the puppetry and direction of Lake Bell and poetry of Ogden Nash, a new holiday tradition is created ---for children of ALL ages!!!\r\n\r\n11/14/15, 7:30 pm\r\nMusic Reginae Concert Series presents Percussia in \"Made in Queens\", a program devoted to Queens-based composers including Carlo Nicolau, Anjelica Negron, Charles Griffin, and Johanna M. Beyer.  Church-in-the-Gardens, Forest Hills, Queens.\r\n\r\n11/13/15, 7:30 pm\r\nTribeca New Music presents An American Maverick: Jerome Kitzke at 60.   A huge musical celebration of this incredible composer\'s life featuring an insanely talented roster of performer/friends and truly great works including the world premiere of Pte Tokahewin Ska.  DiMenna Center, NYC.\r\n\r\n10/23-24/15\r\n<a href=\"http://www.bethmorrisonprojects.org/#!persona/c1t0c\">Persona</a> - world premiere run of a new opera inspired by the Bergman film of the same name.  Music by Keeril Makan, Libretto/Direction by Jay Scheib.  <a href=\"http://nationalsawdust.org/event/beth-morrison-projects-presents-persona-2/\">National Sawdust\r\n</a>\r\n10/22/15, 8 pm\r\nVox Novus 15th anniversary festival featuring works by Eve Beglarian, Rob Voisey and Mark Lackey.  GalleryMC.\r\n\r\n10/20/15, 7:30 pm\r\n<a href=\"https://www.facebook.com/events/1632654526988436/\">Serenade for Harold </a>-- ML performs the Gordon Jacob Flute Concerto with The Antara Ensemble in a tribute concert honoring Harold Jones (my dear friend/teacher/mentor who founded the orchestra 20 years ago).  St. Peter\'s Church, 346 West 20th Street.\r\n\r\n10/13/15\r\nThe Legend of Zelda\'s Symphony of the Goddesses performs on Late Night with Stephen Colbert!!! (insanely fun!)\r\n\r\n10/9-10/15, 7:30\r\nBonfire of the Vanities the opera.  Music by Stefania de Kennesy/libretto and direction by Michael Bergmann. El Museo del Barrio.\r\n\r\n10/8/15, 8 pm\r\nMilica Paranosic\' Tekchic Tek-Cessories inaugural launch featuring performances and a fashion show.\r\n\r\n7/11/15, 2 and 3 PM\r\nTap It Out!!  Join me and 100 tap dancing pals as we perform a cappella in Times Square as the culminating event of the American Tap Dance Foundation\'s 2015 Tap City Festival.  Father Duffy Square (46th between b\'way and 7th in times square) --- Pure unadulterated fun!!!\r\n\r\n6/25/15, 3:30  and 8 PM\r\nNYCEMF -- works by Yu Chung Tseng and Christian Banasik.  The Playhouse, Abrons Art Center.\r\n\r\n6/22/15, 8 PM\r\nNew York City Electronic Music Festival -- works by Ai Negishi and Amanda Stuart. The Playhouse, Abrons Art Center.\r\n\r\n6/13/15, 8 PM\r\nsfSoundSalonSeries presents ML and Elliot Simpson performing solo works by Larry Polansky (Piker!). Center for New Music, San Francisco.\r\n\r\n5/30/15, 8 PM\r\nPAN-demonium!  ML guests on this great solo viola show by the incredible Jocelin Pan.  Tenri Cultural Institute.\r\n\r\n5/28/15, 8 PM\r\nCircuit Bridges collaboration with Dutch composer collective Soundings. Premieres by Petrovic and Paranosic.  MC Gallery.\r\n\r\n5/17/15, 3 PM\r\nThe music and art of Alexa Babakhanian. St. Mark\'s Church.\r\n\r\n5/9/15, 9:30 PM\r\n(Con)temporary (In)sights series presents the music of Marcelo Toledo. Spectrum.\r\n\r\n4/26/15, 3 PM\r\nBowerbird presents Morton Feldman\'s <em>For Philip Guston</em>. (Dave, Rick, and I take it on the road to Philly!) The Rotunda, Philadelphia.\r\n\r\n4/22/15, 8 PM\r\nThe music of Stephen Prina.  The Kitchen, NYC.\r\n\r\n4/21/15, 7:30 PM\r\nNew York Composers Circle - works by Duykers, Legname, Marlow, Brooks, and others.  St. Peter\'s Church (Citicorp Center, NYC)\r\n\r\n4/16/15, 8:30 PM\r\nMarcelo Toledo/Arthur Kampela concert-happening at the Firehouse Space (246 Frost St, Brooklyn)\r\n\r\n3/16/15, 8 PM\r\nMilica Paranosic and her Bruka Band perform her work at Sylvana.\r\n\r\n3/15/15, 12:30 AM\r\nNew York Flute Club Flute Fair \"Premieres\" concert.  ML presents works by Pritsker and Matthusen.  Faculty House at Columbia University, Presidential Ballroom\r\n\r\n3/14/15, 9:30 PM\r\n(Con)temporary (In)sights series presents the music of Arthur Kampela. Spectrum.\r\n\r\n3/9/15, 8 PM\r\nNic Collins with Either/Or at Roulette\r\n\r\n2/27-3/1/15\r\nEither/Or performs at the CSUF New Music Festival, Cal State University Fullerton Meng Concert Hall\r\n2/27, 8 PM - Elliott Sharp concert\r\n2/28, 8 PM - music by Richard Carrick, Elliott Sharp and Pamela Madsen\r\n3/1, 2 PM - Morton Feldman\'s <em>For Philip Guston</em>\r\n\r\n2/10/15, 8 pm\r\nPrinceton Composers Concert with American Modern Ensemble, Taplin auditorium, Princeton University\r\n\r\n1/22/15, 7 pm\r\nArthur Kampela retrospective concert at the German Consulate.\r\n\r\n12/6/14, 7 pm\r\nML premieres Lady M -- a mini concerto/drama for flute and strings by Milica Paranosic that explores the tragic trajectory of the Scottish play\'s heroine.  The program entitled Sweet Concordant Strings is part of the Composers Concordance annual festival and celebrates the 450th anniversary of Shakespeare\'s birth.  West Park Presbyterian Church (165 West 86th Street, NE corner of 86th and Amsterdam)\r\n\r\n12/5/14, 8 pm\r\nEither/Or presents the music of Keeril Makan in the Miller Theatre Portrait Series.\r\n\r\n11/29/14\r\nML \'performs\' in the Composers Concordance Wingjammer concert at 7 PM -- then joins Arthur Kampela and band at 9:30 for a fun-filled night of avant-sambas, atonal bossas and virtuosic solos! -- both events at Spectrum (121 Ludlow, 2nd fl).\r\n\r\n11/8/14, 4 pm\r\nBig Screen-Small Screen.  Percussia performs music from TV themes to ringtones.  St. Mark\'s Episcopal Church (33-50 82nd St., Jackson Heights)\r\n\r\n10/14/14, 6 pm\r\nEither/Or performs the first Pop-Up concert of the season at Miller Theatre.  Works by Radulescu, Lucier and Feldman (Why Patterns?).\r\n\r\n10/12/14, 7 and 8:30\r\nIt\'s A Secret -- the immersive music theater piece by Jue Wang and Adam Mirza explores the \'challenged\' relationship between Alice James (sister of Henry) and her father.   NYU, room 220.\r\n\r\n9/29/14, 8 PM\r\nEscape, My Solo...ML joins forces with Vancouver-based mixed media wizard Bob Pritchard to create an evening of theatrical works for flute(s) and mixed media.  Music by Stockhausen, Steenhuisen, Kampela, Pritchard and Adrian Knight (world premiere).  Gallery MC (549 w. 52nd, 8th floor)\r\n\r\n7/24/14, 8 PM\r\nCircuit Bridges No. 6.  ML and Milica Paranosic team up once again (this time in matching poofy dresses!).  MC Gallery.\r\n\r\n7/9/14, 1 PM\r\nConcrete Timbre presents Voices of justice and consanguinity... as part of the undergroundzero festival 2014 - featuring music by Ann Warren.  Frances Tauvern Museum (64 Pearl St.).\r\n\r\n6/29/14, 3 PM\r\nThe Festival concludes with a special event for Either/Or\'s 10th birthday:  Morton Feldman\'s rarely heard 5 hour epic masterpiece, For Philip Guston --- This is truly one of my favorite works of all time -- it is exquisite!!   Issue Project Room (22 Boerum Place, Brooklyn)\r\n\r\n6/26/14, 8 PM\r\nEither/Or Spring Festival 2014 -- June 26th will feature E/O soloists ML, Vasko Dukovski, Aaron Baird and David Shively in a theatrical melange of works by Lucier, Kagel, Druckman and others - including Stockhausen\'s theater piece Zungenspitzentanz (from Samstag auch Licht) where ML will transform from a sweet to a very demonic kitty!!!.....Whitebox Art Center (329 Broome St)\r\n\r\n6/6/14, 7:30 PM\r\nThe music of Barbara Monk Feldman with Aki Takahashi and the Downtown Ensemble.  The DTE loft (167 Spring St, Bell #3).\r\n\r\n5/29/14, 8:30 PM\r\nPerspectives Ensemble presents The Intimate World of Toshio Hosokawa.  Thrilled to join this illustrious ensemble, ML will play Hosokawa\'s gorgeous bass flute work Atem-Lied.  Tenri Cultural Institute (43 W 13th st, NYC) - Free admission.\r\n\r\n5/10/14, 7 PM\r\nRetro-Spectrum (aka Milica\'s birthday party/concert!!!!) --- Milica Paranosic and friends present her works from the past 10 years!  Spectrum, NYC.\r\n\r\n4/29/14, 8 PM\r\nJohn Halle CD release party!  ML reprises her \"performance\" in Halle\'s legendary Full Spectrum Dominance --- no flutes on this gig -- just voice and tap shoes!!!  Galapagos.\r\n\r\n4/28/14, 8:15 PM\r\nPost-Tension: New electro-acoustic works by NYU undergraduate composers.  ML joins Tom Chiu in premieres by Douridas, Insalaco, Cotto, Nicholas, Barickman, Schmidt, Terruso, Borchers, Barickman, Steinken, Merizalde, Stein.  NYU Silver Center, Room 220.\r\n\r\n4/24/14, 8 PM\r\nCircuit Bridges series.  ML plays works by Gene Pritsker and Melissa Grey, MC Gallery.\r\n\r\n4/19/14, 8 PM\r\nComposers Concordance presents All About Japan.  ML performs works by Pritzker, Bechtold, and Cooper.  Goddard Riverside Community Center.\r\n\r\n4/12/14, 8 PM\r\nEither/Or performs new works by Columbia University graduate composers (Christopher Trapani, Alec Hall, Paul Clift, Yoshiaki Onishi, Natacha Diels, Nina C. Young, Taylor Brook), DiMenna Center, Cary Hall, NYC.\r\n\r\n4/11/14, 8 PM\r\n2014 Tri-Centric Music Festival presents Anthony Braxton\'s Composition No 146 (Moogie and Stetson) for 12 flutes, 2 tubas and percussion!!!  Roulette.\r\n\r\n3/29/14\r\nJean-Baptiste Barriere day!!!\r\nDistant Mirrors - a real-time collaboration between flutists Camilla Hoitenga, at the Musee Gadagne in Lyon, France and ML playing live on the Miller Theatre stage.  Musicians and audience alike will be able to view a large video score, which uses color and images to guide the performers\' actions, changing and adapting as the performance proceeds.  Camilla and I will play together via the internet, creating a collective memory that transcends geographic barriers.  Two performances at noon and 1 pm (duration ca. 20 minutes).  Columbia University\'s Miller Theatre (116th and Broadway).\r\n\r\nJBB Portrait Concert - Miller Theatre, 8 PM\r\nThis seamless evening showcases the scope of this multimedia pioneer\'s career spanning from his 1983 seminal electronic work Chreode to the premiere of Ekstasis.  Directed  by Aleksi Barriere, I am thrilled to present the theatrical premiere of Crossing the Blind Forest -- this is a must-see!!!!\r\n\r\n3/5-8/14\r\nWAKE -- conceived and directed by the incredible Mei Ann Teo and staring Marnie Breckinridge, this ventive music theatre work/modern tragedy investigates the  psychic effects of guilt, grief and ultimately forgiveness.......heartbreaking, uplifting, and gorgeous.......The Connelly Theater, 220 E 4th St.\r\n\r\n2/28/14, 7:30\r\nthrilled to join Tenth Intervention in Music from the Lyonosphere - the music of Eric Lyon and friends -- includes a premiere by Elizabeth Hoffman, a new version of The Lancaster Overture and a fan favorite Onceathon II: the Kiss of Constable!!!....Spectrum, NYC\r\n\r\n2/22-3/2/14\r\nthe little OPERA theatre of ny presents Rossini\'s Opportunity Makes the Thief , James Bagwell-conductor, Philip Shneidman- director, 59 E 59th - theater B.\r\n\r\n2/18/14, 8 pm\r\nNY Composers Circle -- works include premieres by Richard Brooks and Max Duykers, St. Peter\'s Church, Citicorp Center.\r\n\r\n2/15/14, 7:30 pm\r\nGlass Farm presents \'dream voyage\' -- works by Schneider, Scartazzini, and Ives with the fabulous guest artist Michael Leibundgut.  Symphony Space\'s Thalia Theater.\r\n\r\n1/24/15, 7:30 pm\r\nComposers Concordance Founders concert presents works by Joseph Pehrson, Patrick Hardish, Dan Cooper, Gene Pritzker, and Milica Paranosic, Turtle Bay Music School.\r\n\r\n1/15/14, 3:30 pm\r\nOPERA America presents The New Works Forum Showcase  -- The Summer King by Daniel Sonenberg (produced by American Opera Projects), The Dimenna Center (Cary Hall)\r\n\r\n1/10-18/14\r\nPrototype Festival: world premiere run of Thumbprint -the compelling new opera by composer Kamala Sankaram and librettist Susan Yankowitz which chronicles the journey of Mukhtar Mai (an illiterate woman gang-raped as retribution for an \'honor crime\' her brother allegedly committed who becomes the first woman in Pakistan to bring her attackers to justice and in turn vows to build schools to educate women) ---it is a powerful work about a truly singular, exceptional human being Baruch Performing Arts Center, NYC.\r\n\r\n12/14/13, 7:30 PM\r\nSticks &amp; Stones - Glass Farm Ensemble is joined by Ensemble TaG in a concert of conceptual music including works by Jacques Demierre, Christian Wolff, Peter Ablinger, Denis Schuler, and Craig Shepard.  Symphony Space\'s Leonard Nimoy Thalia theater.\r\n\r\n12/5/13, 8 PM\r\nEither/Or presents the exquisite music of Icelandic composer Anna Thorvaldsdottir as part of the Miller Theater Portrait Series ----- gorgeous music!!!!\r\n\r\n11/22/13, 8 PM\r\nPhoenix Concerts present Nordic Currents II - new music from Scandinavia featuring works by Kokkonen, Leyman, Rautavaara, Saariaho, Skouen, and Tarrodi,  curated by Thomas Bagwell. St. Matthew &amp; St. Timothy (26 W. 84th Street)\r\n\r\n11/15/13, 8 PM\r\nAACM presents Either/Or, George Lewis and Discopoet Khari B. in a one of a kind portrait concert featuring Lewis\' chamber music (including the East Coast premiere of Hexis!) and George playing his purple trombone!!!  Truly phenomenal music/composer/artist!!!....Community Church of Manhattan 40 East 35th Street (bet Madison and Park Avenues)\r\n\r\n11/1/13, 7:30\r\nGlass Farm Ensemble season opener featuring works by Krause, Guttierez, Harvey, and Troxler, Symphony Space\'s Thalia Leonard Nimoy Theater.\r\n\r\n10/26/13 in Wilmington, NC<b>\r\n</b>FABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nSaturday, October 26, 2013, at 8pm, at Kenan Auditorium, University of North Carolina, Wilmington, NC.  For tickets and more information, visit the <a href=\"http://uncw.edu/arts/fables.html\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>\r\n\r\n10/17/13, 8 PM\r\nI am joining my Either/Or buddies as a soloist in The Cage 100 Party Pieces - world premieres by 124 German and US composers!  Miller Theater, Columbia University.\r\n\r\n10/10/13 in College Station, TX\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nThursday, October 10, 2013, at 8pm, at The Academy for the Visual and Performing Arts at Texas A&amp;M University, 273 Liberal Arts and Humanities Building, College Station, TX.  For tickets and more information, visit the <a href=\"http://academyarts.tamu.edu/2013/08/09/2013-2014-season/\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n10/02/13 in Boulder, CO\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nWednesday, October 2, 2013, at 7:30pm, at Macky Auditorium at Colorado University, 1595 Pleasant St, Boulder, CO. For tickets and more information, visit the <a href=\"http://www.cupresents.org/events/armitage-gone-dance-fables-global-warming\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n09/28/13 in Lawrence, KS\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance<b>\r\n</b>Saturday, September 28, 2013, at 7:30pm, at the Lied Center of Kansas, 1600 Stewart Drive, Lawrence, KS.  For tickets and more information, visit the <a href=\"http://lied.ku.edu/events/fables.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n9/24/13 in Urbana, IL\r\nI am thrilled to join composer Corey Dargel, visual director Doug Fitch and the fabulous ArmitageGone!dance company in FABLES ON GLOBAL WARMING -- a cautionary tale of caring for the planet told through the exquisite vision of Karole Armitage.<b>.....</b>\r\nWORLD PREMIERE, September 24, 2013, at 7:30pm, at Colwell Playhouse at the Krannert Center at the University of Illinois, Urbana-Champaign, 500 S. Goodwin Ave., Urbana, IL.  For tickets and more information, visit the <a href=\"http://www.krannertcenter.com/performance.aspx?id=20137189596710128174106178\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n7/2/13, 7:30 PM\r\nGlass Farm Ensemble at Symphony Space\'s Thalia Leonard Nimoy Theater featuring works by Rzewski, Jarrell, Zimmerlin, Saariaho and a new work by Paula Matthusen.\r\n\r\n5/30-31/13, 8 PM\r\nEither/Or Spring Festival at The Kitchen featuring 10 premieres including works by Miya Masaoka, Richard Carrick, and Jin Hi Kim.\r\n\r\n5/23/13, 9:30\r\nComposers Concordance Records presents the CD release concert of Samplestra - the electro-acoustic music of Gene Pritsker at DROM NYC (85 Ave A).\r\n\r\n5/9/13, 8 PM\r\nTribeca New Music Festival - Concert #1 Art of the Salon - ML makes her TNMF debut in staged performances of works by Jacob TV -- his seminal work Lipstick and and new piece written for ML entitled IT, The Cell Theatre (338 W. 23rd st)\r\n\r\n4/28/13, 1 - 2:30 PM\r\nWestFest Dance Festival, Westbeth Arts Center.\r\n\r\n4/6/13, 7:30\r\nGlass Farm presents FOCUS, a multimedia event featuring Feldman\'s Why Patterns with Sylwia Zytynska and guest performers, Symphony Space Thalia Theater.\r\n\r\n4/4/13, 8 PM\r\nRebecca Saunders portrait concert at Miller Theater. Either/Or performs the beautifully, delicate work of Saunders including the US premiere of murmurs.\r\n\r\n3/28-29/13, 8 PM\r\nKevin James\' Vanishing Languages Project with [kaj] ensemble, Speak Percussion and Ethel. Roulette.\r\n\r\n3/17/13, 10 PM\r\nThe incredible Will Lang\'s trombone recital featuring works by bach, xenakis, kurtag (the little fix for trombone, piccolo, and guitar), frith, and others, The Stone.\r\n\r\n3/17/13, 10 AM\r\nMorning New Music - ml performs Jacob TV\'s Lipstick at the 2013 New York Flute Fair, The Lighthouse (111 East 59th Street).\r\n\r\n3/3/13\r\nml joins the Lucky Dragons once again for the latest installment of Actual Reality - an omni experience......this time at MOMA\'s PS1 in LIC,  performances at 12, 1:30, 3, and 4:30, free with museum admission.\r\n\r\n2/19/13, 8 PM\r\nGlass Farm Ensemble performs music of the New York Composers Circle, St. Peter\'s Church (citicorp bldg).\r\n\r\n2/4/13, 8 PM\r\nEither/Or and other great nyc groups join forces to celebrate the life of Ralph Kaminsky and his commitment to new music....a great man who made a huge impact and will be missed......Merkin Concert Hall.  E/O opens the program with Scelsi\'s Pranam II.\r\n\r\n1/18/13, 7:30 pm\r\nGlass Farm Ensemble presents <em>Circle</em> - a program of new works by Marti, Schneider, Burkhart, Camarero at Symphony Space\'s Thalia Theater.\r\n\r\n1/9-15/13\r\nWorld premiere run of Mohammed Fairouz\'s grippingly poignant chamber opera Sumeida\'s Song in the Prototype Festival.  all performances at HERE arts center.\r\n1/9 - 8:30 pm\r\n1/10 - 8:30 pm\r\n1/11 - 8:30 pm\r\n1/13 - 4 pm\r\n1/14 - 8:30 pm\r\n1/15 - 8:30 pm\r\n\r\n12/12/12, 8 pm\r\nColumbia Composers Concert - ml performs works by Roberto Toscano and Tyshawn Sorey.  Roulette, Brooklyn.\r\n\r\n12/11/12, 8:30 pm\r\nNYU Composers Concert at Tenri Cultural Institute, NYC.\r\n\r\n12/8/12\r\nPercussia holiday concert.\r\n\r\n12/1/12, 3-6 pm\r\nComposers Concordance composers play composers marathon at Drom NYC (85 Avenue A)\r\n\r\n11/29/12, 5:15 pm\r\n<a href=\"http://http://calendar.yale.edu/cal/beinecke/month/20121125/Music/CAL-2c9cb3cc-3adcd7e8-013b-0b0c0b46-0000403fbedework@yale.edu/\">Re-Mapped, Re-Wired IV!</a>  Yale College New Music concert at the Beinecke Rare Book and Manuscript Library, 121 Wall St, New Haven, CT.\r\n\r\n11/14/12, 7 pm\r\nEither/Or presents Feldman\'s <em>Why Patterns?</em>  and Erik Griswold at Spectrum (121 Ludlow, 2nd fl)\r\n\r\n11/11/12, 3 pm\r\nML and Yvonne Troxler play a flute and piano recital!!!! Slated are works by Martin, Schnyder, Stockhausen, Reynolds, and Jolivet.  Bloomingdale School of Music (323 W. 108th Street) - FREE!\r\n\r\n10/12/12, 7:30 PM\r\nGlass Farm Ensemble presents <em>Fanfares</em> - a program of works by Leroux, Mantovani, Ligeti, Maderna and Troxler - at Symphony Space Thalia Theater.\r\n\r\n9/27/12, 1 PM\r\n<a href=\"http://www.trinitywallstreet.org/music/\">Trinity Wall Street\'</a>s contemporary music ensemble, NOVUS NY, presents Twelve in 12 - music by the last twelve winners of the Pulitzer Prize in Music - with music director Julian Wachner.  9/13/12 at 1 PM features works by John Adams (Son of Chamber Symphony), Henry Brant (Four Skeleton Pieces) and Steve Reich (Daniel Variations).  74 Trinity Place, FREE.\r\n\r\n9/19-22/12\r\nML makes harmonica debut in Kurtag\'s \"Quasi Una Fantasia\" with the <a href=\"http://www.nyphil.org\">New York Philharmonic</a>.\r\n\r\n9/14/12, 7 PM\r\n<a href=\"http://www.theredshell.com/nintendo/ds/nintendos-the-legend-of-zelda-symphony-of-the-goddesses-concert-tour-special-in-store-event-in-new-york-015043.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+TheRedShell+%28The+Red+Shell%29\">Nintendo\'s \"The Legend of Zelda:Symphony of the Goddesses\"</a> concert tour lands in NYC\'s Nintendo World Store (10 Rockefeller Plaza) featuring a chamber ensemble conducted by Eimear Noone.  Excerpts can be viewed <a href=\"http://www.youtube.com/watch?v=Y1_LHj2erdA\">here</a> and <a href=\"http://www.youtube.com/watch?v=ox8voYbDUC4\">here</a>.\r\n\r\n9/13/12, 1 PM\r\nTwelve in 12 - <a href=\"http://www.trinitywallstreet.org/music/\">Trinity Wall Street\'</a>s contemporary music ensemble, NOVUS NY, presents Twelve in 12 - music by the last twelve winners of the Pulitzer Prize in Music - with music director Julian Wachner.  9/13/12 at 1 PM features works by Jennifer Higdon, John Corigliano, and David Lang.  74 Trinity Place, FREE.  To view webcast, click <a href=\"http://www.trinitywallstreet.org/webcasts/videos/music-arts/concerts-at-one/concerts-at-one-3\">here</a>.\r\n\r\n9/5-8/12\r\n<a href=\"https://cagecentennialmiami.wordpress.com\">CageCentennialMiami</a> --  if by chance you happen to be in Miami, celebrate John Cage\'s centennial at this fabulous festival curated by Juraj Kojs.  ML will play a program of music by American Experimental composers (Tenney, Polansky, Beglarian, Alexander, Lyon, Duffalo, Matthusen) on 9/6.   On 9/8, Cage: Music and Words with Juraj and ML (Music For ..., Ryonji, One<sup>12</sup>).  Both concerts at 9 pm at Audioteque, 924 Lincoln Road, Studio 201, Miami Beach.\r\n\r\n8/21-23/12, 7:30 pm\r\nthe [kaj] ensemble - equipped with ipads - premieres Kevin James\' 100 waltzes for John Cage.  DiMenna Center, 450 West 37th Street, brownpapertickets.com for ticket info. (<a href=\"http://www.nytimes.com/2012/08/23/arts/music/kevin-james-and-kaj-take-john-cage-as-inspiration.html\">NY times review</a>)\r\n\r\n7/2/12, 1 pm\r\nInverted Sky, a kite installation/flute concerto by visual artist Erika Harsch and composer Julian Wachner, performed by ML at the River to River Festival at Rockefeller Park. (raindate, 7/3/12)\r\n\r\n6/25/12, 8 pm\r\nPaola Prestini\'s OCEANIC VERSES, River to River Festival, Schimmel Center for the Arts at Pace University\r\n\r\n6/23/12, 7:30\r\nPaola Prestini\'s OCEANIC VERSES, Kennedy Center\r\n\r\n6/15/12, 7:30\r\nGlass Farm Ensemble performs works by Troxler, Cage and Vivier at Symphony Space Thalia Theatre.\r\n\r\n5/16/12, 8:30 pm\r\n<a href=\"http://repmus.ircam.fr/improtechpny/\">ImproTech Paris-NYC 2012</a> 0pening concert at <a href=\"http://www.roulette.org\">Roulette</a>, featuring music and performances by George Lewis, Vijay Iyer, Mari Kimura, Steve Coleman and others (including me playing a wonderful multimedia work by Jean-Baptiste Barriere) -- guaranteed to be a great show!\r\n\r\n4/29/12, 3 pm\r\nWilliams College Dept of Music presents \"Composers and their Laptops\" -- ML performs the first incarnation of a new collaborative theater piece by Juraj Kojs and Kathryn Alexander. Williams College\'s Chapin Hall.\r\n\r\n4/27/12, 8 pm\r\nEither/Or Spring Festival - Night Two.....works by Cage, Lewis, Sharp, Saunders, Grisey.  The Kitchen, 512 W. 19th Street, $12.\r\n\r\n4/26/12, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or Spring Festival</a> - Night One......works by Zorn, Coleman, Thomalia, Feldman, Lewis.  <a href=\"http://www.thekitchen.org\">The Kitchen</a>, 512 W. 19th Street, $12.\r\n\r\n4/10/12\r\n<a href=\"http://www.millertheatre.com\">Miller Theatre</a> Pop-Up concert with Jean-Baptiste Barriere.  Columbia University.\r\n\r\n4/6/12, 7:30 pm\r\nAn evening of works by USF School of Music faculty member, Paul Reller (including In Praise of Buddy Hackett and the premiere of Greyfield).  Barness Recital Hall, University of South Florida (Tampa).\r\n\r\n3/24/12, 7 pm\r\nML performs in a concert of works by students of Jean-Baptiste Barriere\'s Columbia University Musical Interactivity course including a new work by Natacha Diels and a interactive musical theater piece for flute, piano, electronics, and sculptural articulation (!!) by Zosha Dicastri ---- this is a must see!  <a href=\"http://www.millertheatre.com\">Miller Theater</a>, Columbia University.\r\n\r\n3/22/12, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or</a> performs Karen Rehnqvist portrait concert at Miller Theater, Columbia University.\r\n\r\n3/18/12, 8 pm\r\nArgento Ensemble premieres 6 new works by Columbia University composers, <a href=\"http://www.stpeterschelsea.com\">St. Peter\'s Episcopal Church</a>.\r\n\r\n3/16/12, 8 PM\r\nArgento Ensemble premieres 6 new works by Columbia University composers, College of New Jersey.\r\n\r\n3/9/12, 7:30 PM\r\nGlass Farm Ensemble presents RECALL - music by Sciarrino, Berg, Benjamin, and Laveglia. <a href=\"http://www.symphonyspace.org\">Symphony Space Thalia Theater</a>.\r\n\r\n2/15/12, 8 PM\r\n<em>Actual Reality</em> by the <a href=\"http://www.luckydragons.bandcamp.org\">Lucky Dragons</a> at RPI\'s <a href=\"http://www.empac.rpi.edu/\">EMPAC</a> (Troy, NY)\r\n\r\n1/30/12, 7:30-?\r\nMC Mondays, Milica Paranosic\' marvelous monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>. ml plays??? (requests anyone?!?)\r\n\r\n1/29/12, 7 pm\r\n<a href=\"http://www.composersconcordance.com\">Composers Concordance</a> Marathon presenting composers performing their own music.  ML assists both serbian bombshell <a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a> and brazilian dynamo <a href=\"http://www.myspace.com/loopb\">Loop B</a>.  <a href=\"http://www.dromnyc.com\">Drom</a> (85 Avenue A), NYC.\r\n\r\n1/28/12, 8 pm (w/ 7:15 pre-concert installation)\r\n<a href=\"http://www.eitherormusic.org\">Either/Or</a> presents the first all-Horatiu Radalescu concert in NYC, ML performs his epic Dizzy Divinity I, <a href=\"http://www.parkavenuechristian.com\">Park Avenue Christian Church</a> (85th and Park).\r\n\r\n12/20/11, 8 pm\r\nNY Composers Circle celebrates the life of Dinu Ghezzo, St. Peter\'s Church, Citicorp Center, NYC\r\n\r\n12/9/11, 7:30 pm\r\n<a href=\"http://www.musicatfirstsite.com\">Music At First</a> series presents <a href=\"http://www.mollythompsonmusic.com\">Molly Thompson</a> and Lukas Ligeti. ML performs Molly\'s ferociously tender <em>The Great Hush</em>.\r\n\r\n12/6/11, 7:30 pm\r\nNYU Principles of Musical Analysis  composer concert.\r\n\r\n12/3/11, 8 pm\r\nLike Winter Waiting by John Foley, St. Frances Xavier, NYC.\r\n\r\n11/28/11, 7:30-?\r\nMC Mondays, Milica Paranosic\' marvelous monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>.  This time, ml kicks off the season with Telemann and the perennial holiday classics Eric Lyon\'s Fanfare for Gordon Mumma and Jacob TV\'s Jesus is Coming.\r\n\r\n11/5/11, 8 pm\r\nThe music of Michael Vincent Waller, <a href=\"http://theinvisibledog.org\">The Invisible Dog</a>, Brooklyn, NY.\r\n\r\n10/23/11, 4 pm\r\nPercussia plays works by Vinao, Negron, Douglas and Through Fire and Flames at <a href=\"http://www.saintmarks.net\">St Mark\'s Churc</a>h in Jackson Heights.\r\n\r\n9/26/11, 7:30-?\r\nMC Mondays, Milica Paranosic kicks off her monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>.  ml plays treats by MP and Lynn Bechtold.\r\n\r\n9/23/11, 8 pm\r\nKOCHO -ML joins the amazing Seattle based performance troupe Fisher Ensemble in this fusionof Noh theater, chamber opera and indian-inspired music.  Directed by the fabulous Benjamin Mosse, this is a must-see!   <a href=\"http://www.galapagosartspace.com\">Galapagos Art Space</a>, DUMBO Brooklyn.\r\n\r\n9/11/11, 8:46 am --\r\nMUSIC AFTER - ML performs Eve Beglarian\'s soulful<em> I Will Not Be Sad in this World</em>, Joyce Soho, NYC.\r\n\r\n8/30/11, 7 pm\r\nPercussia really plays Live at the Gantries on a beautiful night!!!\r\n\r\nIRENE CANCELS SHOW!\r\n8/27/11, 8 pm\r\nThe music of Michael Vincent Waller at <a href=\"http://www.theinvisibledog.org\">Invisible Dog Art Center</a>.\r\n\r\nRAINED OUT!!\r\n8/9/11, 7 pm (rain date 8/30)\r\nPercussia plays Live at the Gantries - Gantry Plaza State Park, Long Island City.\r\n\r\n7/30/11, 4 pm\r\nThe NYC Summer Mahler Project - James Blachly conducts The Sheep Island Ensemble in  Mahler 1 at Trinity Church Wall Street.\r\n\r\n7/2/11, 1 &amp; 3 pm (rain date July 3)\r\nTerry Riley\'s In C at <a href=\"http://riteofsummer.com/2011/04/05/hello-world/\">The Rite of Summer Music Festival</a>, Colonels Row, Governors Island\r\n\r\n6/10/11\r\nML performing Arthur Kampela\'s Happy Days, location tba\r\n\r\n6/9/11, 8 pm\r\nThe Stone (Ave C and 2nd St)\r\nNew World Records presents ML with Matthew Gold and Larry Polansky featuring works from my NWR cd IO by Lois V Vierk, Larry Polansky, James Tenney and the premiere of a new solo work by Cornelius Dufallo.....a fashionably late (?) cd release concert!?!\r\n\r\n6/4/11, 8 pm\r\nThe Stone (Ave C and 2nd St)\r\nML guests in on Larry Polansky\'s New World Records-curated Stone set.\r\n\r\n6/3/11, 8 pm\r\nEither/Or Spring Festival\r\n<a href=\"http://www.thekitchen.org/event/262/0/1/\">The Kitchen</a>, 512 W. 19th St, NYC\r\n\r\n**\r\n\r\n<strong>Past Performances:</strong>\r\n\r\n5/20/11, 7:30 pm\r\nThe <a href=\"http://www.musicatfirstsite.com\">Music at First</a> series presents Margaret Lancaster and the Deprivation Choir. ML\'s must-see solo event of the season featuring works of Paul Steenhuisen, Arthur Kampela, Corey Dargel, Paula Matthusen, Jacob Ter Veldhuis, Wil Smith and many theatrics!!  First Presbyterian Church of Brooklyn, 124 Henry Street, Brooklyn.\r\n\r\n5/17/11, 7 pm\r\nPercussia performs for NYSCA at the Omega Institute, Rhinebeck, NY\r\n\r\n5/13/11, 8 pm\r\nFisher Ensemble at The Stone.\r\n\r\n5/10/11, 8 until??\r\nCBCB Concert (aka Milica Paranosic\' birthday party!!!) composers concordance ensemble meets bruka band!!   Come celebrate one of my favorite people - there will be food, drink, and crazy performances! -<a href=\"http://www.gallerymc.org/h/\"> Gallery MC</a> (549 W 52nd street, 8th floor)\r\n\r\n5/5/11, 8 pm\r\nML presents Betsey Biggs\' solo multimedia theater piece PARALLEL LIVES w/ director Hillary Spector at Brown University\'s Granoff Center\r\n\r\n4/28 - 5/1/11\r\nThe<a href=\"http://www.abronsartscenter.org\"> Abron Arts Center</a> presents Anita Cheng Dance and Gordon Beeferman: Habitats.  April 28-30 at 8 pm, May 1 at 5 pm.  Tickets $15.\r\n\r\n4/15/11, 8 pm\r\nEither/Or presents the music of Chaya Czernowin on the Composer Portrait Series at Miller Theater.  ML joins a truly all-star cast in the NY premiere of Winter Songs II:Stones.\r\n\r\n4/13/11, 8 pm\r\nimprov with performance artist Richard Olson in a Movement Research Open Performance program,  Dance Theater Workshop 3rd floor studio (219 W. 19th street)\r\n\r\n4/5-7/11\r\nML returns to her homeland - rehearsing, giving masterclasses and playing a killer electronic and computer music concert at the <a href=\"http://louisville.edu/music/university-electronic-and-computer-music-3.ics/view\">University of Louisville</a>\'s Bird Hall (4/7 - 7 pm).  Also featured is monster/sweetie composer/saxophonist Keir Neuringer.  Works by Keir, Kaija Saariaho, John Ritz, Zach Thomas, and the fantastic Krzysztof Wolek.\r\n\r\n3/9/11, 7:30 pm\r\n<a href=\"http://www.arts.rpi.edu/pl/iear-events/larry-polansky\">Renssalaer Polytechnic Institute </a>(RPI) and iEar present the music of Larry Polansky. Joining larry and me are devin maxwell, amy beals, and pauline oliveros!  It will be a very special night of music!!!  West Hall Auditorium, RPI, Troy, NY\r\n\r\n2/6/11, 2:30-??\r\nMomenta Quartet\'s 2nd Annual Kampelathon, after the open rehearsals, interviews, and discussions about the complexity of Arthur Kampela\'s music, much frivolity with ensue featuring ML madly performing AK\'s Happy Days (around 8), 67 Metropolitan Ave, 4th fl, Williamsburg, Brooklyn.\r\n\r\n2/5/11, 6 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble </a>presents <em>a man a woman and a dog</em> - works by Mantovani, McBride, Morton, Feuter and Ives (whoopee ti yi yo!!!), Baryshnikov Arts Center, 450 West 37th Street.\r\n\r\n1/26 - 2/5, 8:30 pm\r\n<strong>MOSHEH a videOpera</strong> composed and designed by <a href=\"http://www.yoavgal.com\">Yoav Gal</a>, directed by Kameron Steele.\r\nThis amazing (sold-out!) production featured me on stage with Moses doing 3 things that i very much like: acting, dancing, and playing the flute (just like my bio says!!)\r\n<a href=\"http://www.HERE.org\">HERE Arts Center</a>, 145 6th Ave, NYC.\r\n\r\n11/22/10, 7 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or Ensemble</a> performs music of David Brynjar Franzson and Helmut Lachenmann, The Tank, 354 W. 45th Street, NYC.\r\n\r\n11/9/10, 7 pm\r\n<a href=\"http://ww.percussia.org\">Percussia</a> and the TransWorld Performance Arts Ensemble perform music of Ugandan composer Justinian Tamusuza, Yeh Art Gallery, St. John\'s University, Queens, NYC.\r\n\r\n10/31/10, 5 pm\r\n<a href=\"http://www.emf.org\">EMF</a>\'s Ear to the Earth festival - ml joined by a halloween parade of new music glitterati including Joan LaBarbara and Shiau-Uen Ding and forces linked telematically from IU to present Scott Deal\'s and Matthew Burtner\'s <em>Music and Media from Auksalaq</em> - a telematic work that explores glabal climate change from a northern geographic adn cultural perspective.  Using networked technology, videography, music, voice, visual arts and interviews to create an interactive, eco-musical, multi-disciplinary experience.  NYU\'s Frederick Loewe Theatre, 35 W. 4th Street, NYC.\r\n\r\n6/22/10, 6 pm\r\n<a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a>\' Give2Grow benefit!!  The Harlem Branch Library.\r\n\r\n6/18/10, 9 am\r\nNY Philharmonic\'s Very Young Composers concert - works by talented fifth graders from manhattan\'s PS 59.\r\n\r\n6/15/10, 8 pm\r\nWorld premiere of John Eaton\'s pocket opera The Curious Case of Benjamin Button, Symphony Space, NYC.\r\n\r\n6/1-2/10 - <a href=\"http://www.icmc2010.org\">2010 International Computer Music Conference</a>\r\n6/1 - ml performs works by <a href=\"http://www.krzysztofwolek.com\">Krzysztof Wolek</a> and Lydia Ayers, Miller Theater, NYC.\r\n6/2 - ml plays Towdah by Joao Pedro Oliveira, Miller Theater, NYC.\r\n5/30/10, 7 pm\r\n21st Annual Tap Extravaganza -- ml dances in the premiere of Lynn Schwab\'s <em>Waters of March</em>, Bayard Rustin High School, NYC.\r\n\r\n5/19/10, 8 pm\r\n<a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a>\' multi-disciplinary <em>Goddess Tales</em> (where ml makes here guitar debut!!!), Galapagos Art Space, NYC.\r\n\r\n5/5/10, 8pm\r\n<a href=\"http://streetcannibals.com\">International Street Cannibals</a> - in this installment, ml and <a href=\"http://www.rumbatap.com\">Max Pollak</a> create theatrical madness to music by Dan Cooper, St. Marks Church, NYC\r\n\r\n5/4/10, 8 pm\r\nColumbia Composers Concert  by counter)induction, Columbia University, NYC.\r\n\r\n4/23/10, 8 pm\r\nml performs Elizabeth Hoffman\'s Tranced Placed at Stony Brook University, Staller Center for the Arts.\r\n\r\n4/21/10, 5:15 pm\r\nYale Gamelan ensemble and ml premiere <a href=\"http://www.kojs.net/Doorways.html\">Doorways</a> for fl/picc and Javanese gamelan by <a href=\"http://www.kojs.net\">Juraj Kojs</a>, <a href=\"http://calendar.yale.edu/cal/beinecke/day/20100421/All/CAL-2c9cb3cd-27da0d74-0127-f3a166a0-00004466bedework@yale.edu/\">Beinecke Library</a>, Yale University, New Haven, CT.\r\n\r\n4/19/10, 8 pm\r\nThe International Street Cannibals - ml plays works by Pehrson and Kampela and various traditional jewish songs.  The Players Theater, NYC.\r\n\r\n3/28/10, 1 pm\r\nML joins Milica Paranosic in the Composer\'s Voice concert series, Jan Hus Church, NYC\r\n\r\n3/26-27/10, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">EitherOR</a> 2010 Spring Festival, Tenri Cultural Institute, NYC.\r\n3/26 - works by Saunders, Lang, Barrett, Kurtag, Rehnqvist\r\n3/27 - works by Hills, Baca, Beglarian, Iddon, Griswold\r\n\r\n3/25/10, 7:15\r\n<a href=\"http://www.nycemf.org\">New York City Electronic Music Festival</a> features ML playing electro-acoustic works by Allen, Fineberg, Hopkins, Leventhal, and <a href=\"http://www.krzysztofwolek.com\">Wolek</a>.  Galapagos Art Space, NYC.\r\n\r\nML joins Seattle performance troupe <a href=\"http://www.fisherensemble.org\">Fisher Ensemble</a> in <em>At the Hawk\'s Well</em>, a music theater piece based on the play of W.B. Yeats and described by the <a href=\" http://www.nytimes.com/2010/03/22/arts/music/22fisher.html?ref=music\">NY Times</a> as \"a strong, unified and strikingly individual utterance of unambiguous beauty.\"\r\n3/17/10, noon -- Cathedral of Saint Paul, Boston, MA\r\n3/20/10, 2pm &amp; 8 pm - Judson Memorial Church, NYC\r\n\r\n3/5/10, 8 pm\r\nThe 12th Biennial Symposium on Arts and Technology, ML performs Arguro by <a href=\"http://www.krzysztofwolek.com\">Krzysztof Wolek</a>.  Ammerman Center, Connecticut College (New London, CT)\r\n\r\n3/3/10, 8 pm\r\nML presents Wired Women!!  — solo show/electroacoustic extravaganza featuring new works by some of her favorite women composers: Eve Beglarian, Elizabeth Hoffman, Paula Matthusen, Milica Paranosic, Kaija Saariaho, Kamala Sankaram, Molly Thompson………<a href=\"http://www.myspace.com/womenswork\">Women’s Work</a> 2010 concert series, Greenwich House Music School.\r\n\r\n2/26/10, 8 pm\r\n<a href=\"http://www.eitherormusic.org\"><em>EitherOR</em></a> Chaya Czernowin Portrait Festival 2010.  ML performs CC\'s monumental INA for bass flute and tape. Tenri Cultural Institute, NYC.\r\n\r\n2/7/10, 4 pm\r\nGlass Farm Ensemble celebrates its 10th anniversary in a program featuring works by Tuur, Troxler, Kocher, and Andriessen.  Baryshnikov Arts Center, NYC.\r\n\r\n12/13/09, 2 pm\r\nML guests with Alaria in the world premiere of Andy Tierstein\'s The Shooting of Dan McGrew, Weill Recital Hall at Carnegie Hall\r\n\r\n12/7/09, 8 pm\r\nNYU Principles of Composition undergraduate composers\' concert.\r\n\r\n12/2/09, 4 pm\r\nPercussia, St. John\'s University, works by Harrison, Farr, Griffin and the premiere of Alejandro Vinao\'s Los Pies del Viento (trio version)\r\n\r\n11/24/09, 8 pm\r\nML plays with the Either/Or Ensemble at the Stone. works by Boccadoro, Saariaho, Kurtag, Lang, Cardew.\r\n\r\n11/20-21/09\r\nML is guest artist at New Music Miami ISCM Festival Series\r\n11/20 - woodwind and composer workshops at Florida International University\r\n11/21 - interdisciplinary solo concert with the FIU New Music Ensemble.  works by Martin Supper, Arthur Kampela, Aurelio de la Vega, Kaiji Saariaho, Orlando Garcia, Nick Brooke, Paul Steenhuisen, Paula Matthusen, Jacob Ter Veldhuis, Francesco Antonioni.\r\n\r\n11/11/09\r\nComposer workshop at NYU\r\n\r\n11/10/09\r\nFlute workshop at Greenwich House.\r\n\r\n11/6/09\r\nPercussia sets up shop at Drew University giving a lecture and concert of their gamelan inspired program incuding works by McPhee, Farr, Brooke, Vivier and others.\r\n\r\n10/28/09, 8 pm\r\nML joins The International Street Cannibals in \"from the Holding Tank #12 - Boccherini\'s Boudoir\" playing works by Kurtag, Boccherini, and Pritzker with the likes of Matt Herskowitz, Michiyo Suzuki and Max Pollak!\r\n\r\n10/16/09, 8 pm\r\nFlexible Orchestra - FLUTES PLUS!  11 flutes kept in line by the amazing Tara Simoncic playing works by Schickele, Kennan, Wechsler, Corner and premieres by Daniel Goode, Lembit Beecher, Jordan Nobles, and Kamala Sankaram.\r\n\r\n10/10/09, 3:30 pm\r\nPercussia presents works by Keesecker, Ordway, Roberts, Tobenski, Welch, Vinao.\r\n\r\n10/1-4/09\r\nGlass Farm Ensemble tours Switzerland!!  works by Laveglia, Kurtag, Ter Veldhuis, Bartok.\r\n10/1 - Luzern - <a href=\"http://www.sudpol.ch\">Sudpol Musik Tanz Theater\r\n</a> 10/2 - Zurich - Lavatersaal\r\n10/4 - Basel - Qu.Ba<a href=\"http://www.sudpol.ch\">\r\n</a>\r\n\r\n9/26-27/09, 3 pm\r\nThe Tempest, Brave New World Repertory Theater, on the Coney Island Boardwalk!\r\n\r\n6/10/09, 7 pm\r\n<a href=\"http://users.rcn.com/jpehrson/compcord.html\">Composers Concordance</a> presents <em>On the Moon and Beyond</em>, premieres by Pritzker, Cooper, Pehrson, , Hardish, Luening, Chelsea Art Museum (556 W. 22nd St @ 11th Ave), NYC.\r\n\r\n5/16/09, 5 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble</a>, works by Harvey, Fedele, Shai, Gubler, Baryshnikov Arts Center, 450 West 37th Street (between 9th and 10th Avenues)\r\n\r\n5/7/09, 6-8\r\nRichard Kostelanetz\' OPENINGS @ the <a href=\"http://www.artcurrents.org/\">AC [ Institute Direct Chapel]</a>, 547 W. 27th St, 5th Floor.\r\n\r\n4/17/09, 8:30 pm\r\nthe first workshop of Ha-Yang Kim\'s Three Childs w/ML, Nadia Sirota, Marco Cappelli, <a href=\"http://roulette.org/\">Roulette</a>, NYC.\r\n\r\n3/28/09, 8 pm\r\nML performs w/ Arthur Kampela at <a href=\"http://www. issueprojectroom.org/\">Issue Project Room</a><a href=\"http://issueprojectroom.org/\">.</a>\r\n\r\n3/15/09, 12:30 pm\r\n<a href=\"http://www.nyfluteclub.org/html/flute_fair.html\">NY Flute Fair</a> -- ML performs Saariaho, Maresz, Saariaho, Laguardia High School\r\n\r\n2/12/09 - 3/8/09\r\nMabou Mines DOLLHOUSE @ <a href=\"http://www.stannswarehouse.org\">St. Ann\'s Warehouse</a> --- after 5.5 years, this is the alleged final run -- not to be missed!!!\r\n\r\n11/30/08\r\nComposer\'s Voice concert series featuring works with text by Steenhuisen and Saariaho, Jan Hus Church, NYC.\r\n\r\n11/7/08\r\nML plays with Arthur Kampela\'s avant-samba band @ the Underscore.\r\n\r\n10/28/08\r\ncomposer workshops at Columbia University and New York University\r\n\r\n10/21/08, 8 pm\r\nPrinceton Composers Ensemble, ML performs interdisciplinary pieces by NIck Brooke and the world premiere of <a href=\"http://www.music.princeton.edu/~bb/work/parallellivesnew.html\">Betsey Biggs</a>\' <em>Parallel Lives</em> (directed by Hillary Spector), Taplin Auditorium in Fine Hall.\r\n\r\n10/10/08, 8 pm\r\nML does her solo thing at the <a href=\"http://www.slamfestival.org\">SLAM Festival</a> playing works by Ricardo Dal Farra, Rodrigo Sigal, and Arthur Kampela.  Also featured are Jorge Grossman and Marisol Jiminez,  The Chapel Performance Space, Seattle, WA.\r\n\r\n10/9/08, 8 pm\r\nML performs with Cristina Valdes at the <a href=\"http://www.slamfestival.org\">SLAM Festival</a>,  The Chapel Performance Space, Seattle, WA\r\n\r\n9/21/08\r\nthe [k a j] ensemble presents Kevin James\' <a href=\"http://www.portraitsproject.com/HTML/QuileutePage.html\"><em>Counting in Quileute</em></a>, 2, 3:30, 5, 7.\r\n\r\n9/6/08\r\nrecently released pox victim joins <a href=\"http://www.percussia.org\">Percussia</a> at the Langston Hughes library in a gamelan inspired program featuring works by McPhee, Farr, Reich, Farrin, and Welch.\r\n\r\n8/18/08\r\nML locks the door and goes into quarantine with adult chicken pox!\r\n\r\n8/12/08\r\nML joins supahbad Sound Liberation at <a href=\"http://www.fatbabynyc.com\">Fat Baby</a>, NYC\r\n\r\n7/21 - 24/08\r\n<a href=\"http://www.greekfestival.gr/archivedevent?id=156&amp;lang=en\">DOLLHOUSE Greece</a>!!!  Oopa!!\r\n\r\n6/13/08, 8 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble</a> presents works by Scelsi, Laveglia, Kurtag, Schneider, and Herbert, Baryshnikove Arts Center, NYC.\r\n\r\n6/3/08, 5-9:30 pm\r\nML performs Morton Feldman\'s masterpiece <em>For Philip Guston</em> at <a href=\"http://www.spoletousa.org\">Spoleto Festival USA</a>, Simons Center Recital Hall\r\n\r\n5/9/08, 8:30 pm\r\nthe music of Ha-Yang Kim at Roulette, NYC.\r\n\r\n5/4/08, 8 pm\r\nGarden Party! ML joined by post-modern balladeer Corey Dargel to present a bed of flowery treats by Dargel, Tenney, Saariaho, Lyon, and Jacob TV. The Stone, NYC.\r\n\r\n4/30/08, 8 pm\r\nML guests with <a href=\"http://www.sequitur.org\">Sequitur</a> in NY premiere of Kurt Rohde\'s Double Trouble. Other works by Mazzoli, Bresnick, Biscardi,  Belcastro, and Fiday.  Merkin Concert Hall, NYC\r\n\r\n4/19/08, 7 pm\r\n<a href=\"https://staging.margaretlancaster.com/www.sfnm.org\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Fe New Music</a> presents the music of Kaija Saariaho, Stieren Hall, Santa Fe, NM\r\n\r\nMeet the Composer New Music for Soloist Champions project presents ML in 3 premiere concerts of Joan La Barbara\'s ATMOS, a new theater work for solo flutes and sonic atmosphere (<a href=\"https://staging.margaretlancaster.com/www.meetthecomposer.org\">meetthecomposer.org</a>)\r\n\r\n3/15/08, 8 pm - Hallwalls Contemporary Arts Center, Buffalo, NY, <a href=\"https://staging.margaretlancaster.com/www.hallwalls.org/music_03.html\" target=\"_blank\" rel=\"noopener noreferrer\">hallwalls.org/music_03.html\r\n</a>3/19/08, 8 pm - Symphony Space, Peter Jay Sharp Theater, <a href=\"https://staging.margaretlancaster.com/www.symphonyspace.org/event/2248\" target=\"_blank\" rel=\"noopener noreferrer\">symphonyspace.org/event/2248</a>\r\n3/24/08, 8 pm - SUNY Purchase\r\n\r\n3/7-10/08\r\nMabou Mines DOLLHOUSE, Festival IbericoAmericano de Teatro de Bogota, Bogota, Columbia.\r\n\r\n2/25/08 - 7:30 pm\r\nWilliam Paterson University New Music Series - guest artist performing Jolivet\'s Deuxieme Concerto pour flute, Shea Auditorium.\r\n\r\n2/16/08 - 8 pm\r\nThe International Street Cannibals present STRIKE! A dance, boxing, and chamber music happening, Gleason\'s Gym - Brooklyn.\r\n\r\n1/27/08 - 4 pm\r\nPercussia performs works by Maul, Gordon, Ptaszynska, Farr, Richter, Piazzolla, Sundays Afternoons Live series, Old Greenwich, CT\r\n\r\nSanta Fe New Music presents The Colors of Music Festival, guest artist ML (<a href=\"https://staging.margaretlancaster.com/www.sfnm.org\" target=\"_blank\" rel=\"noopener noreferrer\">sfnm.org</a>):\r\n\r\n1/17/08 - Toneland Security - ML\'s solo show - Charlotte Jackson Project Space, 7 pm\r\n1/19/08 - Morton Feldman\'s For Philip Guston with Dave Tolen &amp; Debbie Wagner, SITE Santa Fe, 1 - 5:18pm.\r\n\r\n1/5/08 - 8 pm\r\nGlass Farm Ensemble, works by Laveglia, Ter Veldhuis, Kurtag, Bartok, Baryshnikov Arts Center, NYC.\r\n\r\n12/2/07\r\nPercussia performs works by Farr, McDonald, Dagher, Gordon, Griffin and others, Hart Memorial Library.\r\n\r\n11/26/07 - 7:30 pm\r\nWilliam Paterson University New Music Series - guest artist performing Crumb &amp; Sollberger, Shea Auditorium.\r\n\r\n11/10/07 - 3 pm\r\nPercussia performs works by Tobenski, Tamusuza, Maul, Richter, Gordon, Langston Hughes Library, NYC.\r\n\r\n11/8/07 - 8 pm\r\n17th Bi-Annual International Electroacoustic Music Festival, guest artist performing works by Eric Lyon, Jan Hus Presbyterian Church, NYC.\r\n\r\n10/25-11/4/07\r\nMabou Mines DOLLHOUSE, Teatro Espanol, Madrid, Spain.\r\n\r\n10/21/07 - 8:30 pm\r\nRoulette presents the music of Lois V Vierk, ML performs IO, 20 Greene St, <a href=\"https://staging.margaretlancaster.com/www.roulette.org\" target=\"_blank\" rel=\"noopener noreferrer\">roulette.org</a>.\r\n\r\n10/10-13/07\r\nMabou Mines DOLLHOUSE, Dialog Festival, Wroclaw, Poland.\r\n\r\n10/1/07\r\nMusic With A View series, ML premieres David Shohl\'s work-in-progress Swan Dive with David Cossin &amp; Peter Jarvis, The Flea Theater.\r\n\r\n8/24-28/07\r\nMabou Mines DOLLHOUSE, Edinburgh International Festival, King\'s Theatre.\r\n\r\n8/3-5/07\r\nLove or Lack Thereof - performances by Joshua Johnson, Ashley Carter Dance Company and the premiere of Crashbox, a new tap piece choreographed and performed by ML &amp; super madrileno Vanessa Martinez! The Stella Adler Studios, NYC.\r\n\r\n6/21-23/07\r\nMabou Mines DOLLHOUSE, Singapore Arts Festival\r\n\r\n6/11/07\r\nCCi\'s Serial Underground presents ML playing works by Francesco Antionioni, Ter Veldhuis, and Vierk with guests Larry Polansky &amp; Matthew Gold, Cornelia Street Cafe.\r\n\r\n5/21-23/07\r\nMabou Mines DOLLHOUSE at the Auditorium Parco Della Musica, Rome, Italy\r\n\r\n5/4/07 - 8 pm\r\nGRAB IT! Instrumental and video work of Jacob ter Veldhuis.....this is is a must see!! I\'ll be performing boombox flute solo Lipstick and it\'s FREE!\r\nWhitney Museum of American Art at Altria\r\n120 Park Avenue at 42nd Street\r\n\r\n4/19/07 - 12 pm\r\nPercussia presents a program of flute and percussion music at the Institute for Earth, Oceans and Science, University of New Hampshire, Durham.\r\n\r\n4/13/07 - 8 pm\r\nWilliams College presents EPH Musik, works by Vierk, Alexander, Adams and others.\r\nBrooks-Rogers recital hall, Williams College, Williamstown, MA\r\n\r\n3/11/07 - 8 pm\r\ncounter)induction presents Pachinko Parlor, new works by Japanese composers (Kondo, Fujikura, Michizuki, Hosokawa, Uchida, Osada).\r\nTenri Cultural Institute\r\n\r\n3/9/07 - 7:30 pm\r\nNew York Composers Circle featuring a John Eaton premiere, Leonard Nimoy Thalia at Symphony Space.\r\n\r\n2/28/07 - 7 pm\r\nSUBTROPICS Marathon\r\nworks by Brooke, Tenney, Reller, Lyon, Krause.\r\nCarnival Center\'s studio theater, Miami\r\n\r\n2/12/07\r\nCCi\'s Serial Underground series presents ML and Corey Dargel in the premiere of his BORN AND RAISED (version 2.0), Cornelia Street Cafe\r\n\r\n1/24 - 2/4/07\r\nMabou Mines DOLLHOUSE\r\nHarbourfront Centre, Toronto\r\n\r\n1/13/07 - 8 pm\r\nGlass Farm Ensemble presents JUNGLE\r\nmusic by Hurel, Mantovani, Troxler, Fitzell, Shohl.\r\nperformers: ML, Meighan Stoops, Matthew Gold, Yvonne Troxler...www.glassfarm.org\r\nTenri Cultural Institute (43A W. 13th St)\r\nsuggested donation $15\r\n\r\n1/12/07 - 7 pm\r\nGlass Farm Ensemble presents JUNGLE\r\nmusic by Hurel, Mantovani, Troxler, Fitzell, Shohl.\r\nperformers: ML, Meighan Stoops, Matthew Gold, Yvonne Troxler.\r\nBloomingdale School of Music (323 W 108th St.)\r\nfree!!\r\n\r\n11/28 - 12/10/06\r\nMabou Mines DOLLHOUSE\r\nUCLAlive series\r\nFreud Playhouse, UCLA, Los Angeles\r\n\r\n11/11/06 - 6 pm\r\nHabitats Festival\r\nVariations II by John Cage with Ne(x)tworks\r\nBrooklyn Lyceum\r\n\r\n11/10/06 - 8 pm\r\nComposers Concordance\r\nworks by Ushio Torikai, JoyEllen Snellgrove, Ron Mazurek, Harvey Sollberger, etc. ML performs with percussionist Peter Jarvis\r\nGreenwich House Music School, (46 Barrow)\r\n\r\n10/25-29/06\r\nMabou Mines DOLLHOUSE\r\nFestival de OTONO\r\nTeatro Espanol, Madrid\r\n\r\n10/20/06 - 8 pm\r\nConfessions of the Woman in the Dunes\r\nmusic and libretto by Kenji Bunch\r\nfeaturing Joan La Barbara and Ne(x)tworks\r\nIssue Project Room\r\n\r\n10/7/06 - 10 pm\r\nThe New Yorker Festival (www/festival.newyorker.com)\r\nComposers on the Edge\r\nMason Bates, Corey Dargel, Nico Muhly, and Joanna Newsom talk with Alex Ross:A Conversation with Music\r\nBargeMusic (fulton ferry landing, b\'lyn)\r\n\r\n10/7/06 - 8 pm\r\n\"STRIKE!\"\r\nGleason\'s Gym and the International Street Cannibals present a benefit to fund youth workshops for the arts...Gleason\'s Gym (83 Front Street, B\'lyn)\r\n\r\n8/8/06\r\nCCI and the Serial Underground Festival presents a ML solo concert at the <a href=\"https://staging.margaretlancaster.com/www.corneliastreetcafe.com/\">Cornelia Street Cafe</a>.....\r\nguest artist Corey Dargel, music by Nick Brooke, <a href=\"https://staging.margaretlancaster.com/www.evbvd.com/\">Eve Beglarian</a>, Ryan Carter, Molly Thompson, <a href=\"https://staging.margaretlancaster.com/www.automaticheartbreak.com/\">Corey Dargel</a> , and Steve Reich.....info:<a href=\"https://staging.margaretlancaster.com/www.composerscollab.org/upcoming_events/index.html\">CCi</a>.\r\n\r\n7/15-22/06\r\nMabou Mines DOLLHOUSE @\r\nThe Brisbane Festival, Gardens Theater, Brisbane Australia\r\n\r\n7/2/06\r\nAvant-Gong Mini-Festival - music of Nick Brooke - The Stone NYC\r\n\r\n6/13- 7/2/06\r\nShakespeare on the Sound presents MACBETH (music by Milica Paranosic), Rowayton, CT\r\n\r\nMabou Mines DOLLHOUSE:\r\n5/21-28/06 Israel\r\n5/29-6/5/06 Hong Kong\r\n\r\n5/7/06 - 4:30 pm\r\nOne-Two-Three-Go! Version 3.0 and <a href=\"http://www.strangemusic.com/\">sTRANGEmUSIC</a> presents ML in a solo electro-acoustic concert full of surprises!!! Theaterlab (137 W. 14th St.)\r\n\r\n5/6/06 - 7 pm\r\nConcordia Conservatory Annual Chamber Music Series (Bronxville, NY), ML is featured in Bach\'s Brandenburg Concerto No. 4, other performers include Elizabeth Lim and Lawrence Dutton.\r\n\r\n5/3/06 - 8 pm\r\nItalian Academy of Advanced Studies at Columbia University (Casa Italiana - 1161 Amsterdam Ave @ 118th St) - ML joins Italian pianist Emanuele Arciuli in the series entitled THREE ITALIAN MEN- music by Beethoven, Vivier, Messaien, Rzewski\r\n\r\n4/29/06\r\nNai-Ni Chen Dance Company, New Jersey Performing Arts Center, music by Joan LaBarbara.\r\n\r\n4/19/06\r\nSILOMUSIC: <a href=\"http://www.nextworksmusic.net/\">Ne(x)tworks</a> @ Issue Project Room, Brooklyn, NY -- Selections from Kenji Bunch\'s new opera Woman in the Dunes\r\n\r\n3/29 - 4/9/06\r\n<a href=\"http://www.maboumines.org/\">Mabou Mines</a> DOLLHOUSE New England Tour:\r\n3/29 - Rhode Island College/Nazarian Ctr for the Performing Arts (Providence)\r\n3/31-4/1 (2&amp;8) - Yale Repertory Theater/Long Wharf Theater (New Haven)\r\n4/4-5 - Dartmouth College/The Hopkins Center\r\n4/7 - MASS MOCA (North Adams)\r\n4/9 - Purchase College SUNY\r\n\r\n3/5/06\r\nThe International Street Cannibals, St. Mark\'s (2nd Ave at 10th St), ML performs Sciarrino, Pritzker, and Lyon.\r\n\r\n2/18/06\r\n<a href=\"http://www.talujon.com/\">Talujon Percussion Quartet</a>, with guest artists Todd Reynolds and ML, Symphony Space, featuring the music of Lou Harrison and Talujon.\r\n\r\n2/17/06\r\n<a href=\"http://www.counterinduction.com/\">Counter)induction</a>, guest artist, Tenri Cultural Institute, \"Sonati\" - a concert of music by contemporary Italian composers including Sciarrino, Scelsi, Vacchi, Francesconi, Turcotte.\r\n\r\n1/22/06\r\n<a href=\"http://www.composerscollab.org/\">Composers Collaborative Inc.</a>, APAP showcase, Cornelia St. Cafe, works by fried, distler, and busby\r\n\r\n1/13/06\r\n<a href=\"http://www.glassfarm.org/\">Glass Farm Ensemble</a>, Tenri Cultural Institute, music by Burkhardt, Shohl, Montovani, and Kagel\r\n\r\n1/3/06\r\nEaton Buffet - music of John Eaton, St. Peter\'s Church (citicorp bldg.), NYC\r\n\r\n2005\r\n\r\n12/19/05\r\nchamber music @ Maripol - musical fun w/conrad harris, dov schindlein and the fabulous kim sisters!\r\n\r\n11/30 - 12/18/05\r\nMabou Mines DOLLHOUSE @ The Museum of Contemporary Art (Chicago, IL)\r\n\r\n11/16 - 20/05\r\nMabou Mines DOLLHOUSE @ Wexner Center (Columbus, OH)\r\n\r\n11/9 - 13/05\r\nMabou Mines DOLLHOUSE @ Walker Arts Center (Minneapolis)\r\n\r\n10/17/05\r\n<a href=\"http://www.7lezards.com/\">7 Lezards</a> - 2 sets -- solo electro-acoustic and duo improv with Peter Herbert ( 10, rue des Rosiers, Paris)\r\n\r\n10/11 - 23/05\r\nMabou Mines DOLLHOUSE @ Strasbourg Festival, Theatre National de Strasbourg\r\n\r\n10/5 - 9/05\r\nMabou Mines DOLLHOUSE @ Theatre National Populaire Villeurbanne (Lyon, France)\r\n\r\n9/27 - 10/2/05\r\nMabou Mines DOLLHOUSE @ Paris Festival d\'Automne, Theatre Nationale de la Colline\r\n\r\n9/14/05\r\n<a href=\"http://www.meetthecomposer.org/\">MEET THE COMPOSER</a> at the Mercantile Library (17 E. 47th Street)- inaugural concert w/ Eve Beglarian &amp; Corey Dargel.\r\n\r\n8/16/05\r\nGene Pritzker concert at the Cutting Room (19 W. 24th St), $10 (Sorrow Like Pleasure Creates its own Atmosphere premiere)\r\n\r\n7/12-16/05\r\nLincoln Center Festival: Merce Cunningham Dance Company\'s OCEAN, The Rose Room, NYC.\r\n\r\n6/29 - 7/2/05\r\nMabou Mines\' DOLLHOUSE at Theater Der Welt, Stuttgart, Germany\r\n\r\n6/20/05 - 6:30 PM\r\nOne-Two-Three-Go! series: w/ Eve Beglarian and Corey Dargel, Opia (130 East 57th street)\r\n\r\nSPOLETO FESTIVAL USA\r\n5/26 - 6/12/05: Mabou Mines\' DOLLHOUSE\r\n6/8/05 - Music in Time Series -- solo works by Nick Brooke, Paul Steenhuisen and Jacob Ter Veldhuis.\r\n\r\n5/11/05\r\nA Portrait of James Tenney, The Whitney Museum of American Art at Altria (120 Park Avenue at 42nd Street), NYC, FREE\r\n\r\n5/8/05 - 8PM\r\nJames Tenney: Postal Pieces, The Project Room (619 East 6th Street), www.issueprojectroom.org\r\n\r\n4/29/05\r\nDowntownEnsemble presents The Flexible Orchestra, St. Peter\'s Church, NYC, works by Polansky, Vierk, Finckel, Zummo, Goode.\r\n\r\n4/15-16/05\r\nShangri-la by Susie Ibarra, The Kitchen, NYC\r\n4/2/05\r\nBONK Festival of New Music - Solo interdisciplinary show, Salvador Dali Museum (St. Petersburg, FL), works by Stockhausen, Steenhuisen, Applebaum, Constable, Brooke, Ter Veldhuis, Rogers, and premiere by Francis Schwartz.\r\n4/1/05\r\nBONK Festival of New Music - Soloist with the University of South Florida Percussion Ensemble, Tampa Bay Performing Arts Center (FL), works by Rogers and Lyon.\r\n3/30/05\r\nThe Bilitis Songbook by Eve Beglarian and Phil Kline produced by Arts at St. Ann\'s, Joe\'s Pub, NYC\r\n2/28/05\r\n21st Century Schizoid Music Series: the music of Nicholas Brooke, Cornelia Street Cafe, NYC\r\n\r\n2/5/05\r\nComposers Concordance presents \"Improvisionaries!\", The Cutting Room, NYC, works by Beglarian and Simons\r\n\r\n2/3/05\r\nNew Music by Drew Krause and Eric Lyon, solo and chamber works, North River Music Series, Greenwich House Music School\r\n\r\n1/21/05\r\nLecture and Solo Recital, Stanford University, Campbell Recital Hall, works by Varese, Stockhausen, Sciarrino, Maresz, Applebaum, Brooke and premieres by Bloland, Yang, and Steenhuisen.\r\n\r\n2004\r\n\r\n12/8/04\r\nsoloist - Bennington College Music Festival 2004, Bennington, VT, Nicholas Brooke premiere.\r\n\r\n12/3-5/04\r\nchoreographer -- The Nutcracker, Concordia Conservatory\'s Musical Adventures Series, Bronxville, NY\r\n\r\n11/6/04\r\nMiss Lancer the Dancer show, Concordia Conservatory\'s Musical Adventures Series, Bronxville, NY\r\n\r\n11/1/04\r\nsoloist at the 30th Annual International Computer Music Conference, University of Miami, Coral Gables, FL.\r\n\r\n10/29/04\r\nguest artist with pianist Emanuele Arciuli (as part of the Randomness Conference), Italian Academy at Columbia University, Carlos de Incontrere premiere.\r\n\r\n10/24/04\r\nDubuque concert series with Dafna Naphtali -- improvisations and works by Schramm, Sydeman, Naphtali, Applebaum, Varese.\r\n\r\n10/9/04 - 8 PM\r\nGlass Farm Ensemble, Tenri Cultural Institute, music and tap dance interpretation of Moser, Martin, Rasmussen, Saunders, Sciarrino.\r\n\r\n9/2-3/04\r\nIbsen Festival (Oslo, Norway) - Mabou Mines DOLLHOUSE, National Theatre.\r\n\r\n8/28-31/04 - 7 PM\r\nImagine Festival: Forgiveness (directed by Chen Shi-Zheng, composer Eve Beglarian)/Mourning (created and performed by Eiko and Koma), Asia Society\r\n\r\n6/28/04 - 9 PM\r\n21st Century Schizoid Music Series: the music of Corey Dargel\r\n\r\n5/26/04 - 8 PM\r\nthe music of Patricia Leonard, Weill Recital Hall, NYC\r\n\r\n5/21/04 - 8 PM\r\nNew York Composers Circle concert\r\n\r\n5/13/04 - 8 PM\r\nthe music of Sean Hickey, South Oxford Space, Brooklyn, NY\r\n\r\n5/4/04 - 7-9 PM\r\nThe TV Guide - music of Jacob Ter Veldhuis, The Cutting Room, NYC (19 W. 24th St)\r\n\r\n4/30/04 - 8 PM\r\nDowntown Ensemble\'s Flexible Orchestra, Washington Square Church, NYC\r\n\r\n4/22/04 - 8 PM\r\nASCAP\'s Thru the Walls series\r\nfeaturing: Tom Chiu w/Margaret Lancaster &amp; David First, Matthew Shipp w/Matt Maneri, and Polygraph Lounge\r\n\r\n4/7-10/04 - 8 PM\r\nDowntown Ensemble: the music of Christian Wolff\r\n4/7 - Greenwich House Music School, NYC\r\n4/8 - 67 Spring Street, NYC\r\n4/9 - Greenwich House Music School, NYC\r\n4/10 - Hudson Opera House, Hudson, NY\r\n\r\n3/17-19/04\r\nBONK Festival of New Music, Tampa, FL (www.bonkmusicfest.com)\r\n\r\n3/17/04\r\nflute lecture/performance/demonstration, University of South Florida, Tampa, FL\r\n\r\n2/29/04 - 4PM\r\nJennifer Griffith\'s Leap Day Licks, UNDER St. Mark\'s (94 Saint Mark\'s Place), NYC\r\n\r\n2/13-14/04\r\nThe Bilitis Songbook (by Eve Beglarian and Phil Kline), DiverseWorks Artspace, Houston, TX\r\n\r\n2/6/04\r\nGlass Farm Ensemble (music by Saariaho, Huber, Jarrell, Maresz, Crumb), Tenri Cultural Institute, NYC\r\n\r\n2/4/04\r\nNakamichi Concert Series, Stonehill College, MA\r\n\r\n2003\r\n\r\n11/19 - 12/14/03\r\nMabou Mines DOLLHOUSE (Lee Breuer, director), St. Ann\'s Warehouse, NYC\r\n\r\n12/3/03\r\nEve Beglarian Book of Days multi-media concert, Church of the Ascension, NYC\r\n\r\n11/13/03\r\nListening in the Sound Kitchen Festival, Princeton University\r\n\r\n11/5/03\r\nMakor, NYC, with Tom Chiu and Dave Eggar (Flux Quartet)\r\n\r\n10/30/03\r\nDowntown Ensemble with David First, Greenwich House Music School, NYC\r\n\r\n9/21-26/03\r\nBremen MusikFest with Absolute Ensemble\r\n\r\n9/21 - Mark Anthony Turnage\'s Blood on the Floor w/ Peter Erskine, Dave Carpenter, John Parricelli, Martin Robertson and die Deutsche Kammerphilharmonie Bremen.\r\n9/24 - L\'Apres Midi d\'un Faun/Mahler Symphony No. 4\r\n9/26 - Arabian Nights (Daniel Schnyder) featuring Marcel Khaliffe.\r\n\r\n7/10/03\r\nWNYC Overnight Music with George Preston - live interview with Heather Hitchens and Harold Meltzer\r\n\r\n6/25/03\r\nEve Beglarian Book of Days multi-media concert, Church of the Ascension, NYC\r\n\r\n6/14/03\r\nOtto Luening/Dan Cooper concert at Engine 27, NYC\r\n\r\n5/21-6/3/03\r\nSpoleto Festival USA - Music in Time Series\r\n\r\n6/1 - Common Sense Composers Collective ensemble-in- residence concert. Premieres by Dan Becker, John Halle, Ed Harsh, Melissa Hui, Mark Mellits, Belinda Reynolds, Randy Woolf, Carolyn Yarnell.\r\n6/4 - chamber music by Terry Riley, Frederic Rzewski, Kaija Saariaho, and Randy Nordchow.\r\n\r\n5/17-20/03\r\nDowntown Ensemble concerts - music by Ron Nagorcka, Peter Zummo, and Douglas Repetto.\r\n\r\n5/17 - Hudson Opera House\r\n5/18 - Deep Listening Space\r\n5/20 - Greenwich House Music School\r\n\r\n5/13/03\r\nPrinceton Composers Concert\r\n\r\n5/2/03\r\nConcordia Conservatory Chamber Music Festival, Bronxville, NY\r\n\r\n4/15/03\r\nDonnell Library with Kevin Gallagher and Milica Paranosic\r\n\r\n4/14/03\r\nVal Val at Joe\'s Pub, NYC\r\n\r\n4/6/03\r\nLois V Vierk concert, Roulette, NYC\r\n\r\n4/4-5/03\r\nSwiss composers concert (music by Balz Trumpy, Dieter Ammann, Daniel Schnyder), NYC\r\n\r\n3/4-8/03\r\nBONK Festival of New Music, Tampa, FL\r\n\r\n2/14-15/03\r\nThe Bilitis Project (Eve Beglarian and Phil Kline), Flynn Center, Burlington, VT [world premiere]\r\n\r\n2/8/03\r\nGlass Farm Concert Series (guest artist), NYC\r\n\r\n1/25/03\r\nConcordia Conservatory\'s Musical Adventures Series featuring Miss Lancer the Dancer\r\n\r\n2002 12/18/02\r\nOren Fader recital (guest artist)\r\nWashington Square Church, NYC12/12/02\r\nNorth River Concert Series\r\nEve Beglarian\'s Book of Days Project (guest artist)\r\nGreenwich House Music School, NYC11/13/02\r\nVaughan Recital Series\r\nSolo Interdisciplinary Concert\r\nDartmouth College, Hanover, NH\r\n\r\n11/14/02\r\n20th Century Music lecture, Dartmouth College\r\n\r\n11/10/02\r\nThreeTwo Festival\r\nSolo Interdisciplinary Concert\r\nSanford Meisner Theater, NYC\r\n\r\n11/7/02\r\nThreeTwo Festival\r\nFuturessence, an evening of Italian futurist plays directed by Gerhard Stabler and Kunsu Shim\r\nSanford Meisner Theater, NYC9/14/02\r\nGlass Farm Concert Series, NYC (guest vocalist) 8/29/02\r\nPaul Zukofsky\'s 2002 Musical Observations concert\r\nthe music of Jo Kondo\r\nSt. Peter\'s Church, NYC 8/23/02\r\nFireworks! New music ensemble concert\r\nThe Knitting Factory, NYC7/25/02\r\nSanta Fe New Music concert\r\nSantuario de Guadalupe (Santa Fe,NM)6/8/02\r\nMeet the Composer\'s The Works Festival\r\nMinneapolis, MN (guest artist)5/29-6/5/02\r\nSpoleto Festival USA\r\nMusic in Time Series\r\nCharleston, SC5/19 - Essential Music (music by Lang, Scelsi, Vivier)\r\n6/1 - Essential Music (Steve Reich concert)\r\n6/5 - Essential Music (music by Lyon, Thompson, Ornstein, Reynolds, Yanov-Yanovsky) 5/4-13/02\r\nDowntown Ensemble\r\nThe 2 Davids concert: music of David Mahler &amp; David Behrman5/4 -Hudson Opera House (Hudson, NY)\r\n5/5 - The Deep Listening Space (Kingston, NY)\r\n5/8 - Dartmouth College\'s Vaughn Recital Series (Hanover, NH), (mahler only)\r\n5/13 - Greenwich House Music School (NYC)4/30/02\r\nSounding Boards concert\r\nGalapagos Artspace, NYC (guest artist)4/7/02\r\nKitty Brazelton\'s CRI CD release concert, NYC (guest artist)3/27/02\r\nSongs From the Book of Days concert\r\nGalapagos Artspace, NYC (guest artist)<img src=\"https://staging.margaretlancaster.com/sidetablespacer.gif\" alt=\"sidetablespacer.gif (55 bytes)\" width=\"10\" height=\"10\" />3/5-9/02\r\nBonk Festival of New Music, Tampa, FL\r\n\r\n2/10/02\r\nFirst Baptist Church, Needham, MA (solo recital)\r\n\r\n1/18/02\r\nBloomingdale School of Music\r\nVoices New and Old series, NYC (flute and percussion recital with Matthew Gold and special guest Oren Fader)\r\n\r\n2001 12/16/01\r\n1-2-3 GO!! Concert series, NYC (guest artist for Eve Beglarian)12/11/01\r\nPrinceton Composers Concert, Princeton, NJ\r\n\r\n12/1/01\r\nAlliance Francaise recital series, Bermuda (solo recital)11/14/01\r\nThe Time Shards Music Series at the Georgia O\'Keeffe Museum, Santa Fe, NM (Santa Fe New Music recital)11/3/01\r\nConcordia Conservatory Children\'s Series, Bronxville, NY (Miss Lancer the Dancer concert with the Global Arts Percussion Trio)10/30/01\r\nThe Cutting Room, NYC\r\nThe Sally Collective (with Eve Beglarian, Phil Kline and guests Todd Reynolds and Taimur Sullivan)10/26/01\r\nRuth Crawford Seeger Symposium chamber music concert\r\nBrooklyn College, NYC10/21/01\r\n1-2-3-GO!! Concert series, NYC\r\nsolo interdisciplinary recital10/4-5/01\r\nSolo interdisciplinary recital and masterclasses (flute and composition), University of Louisville, Louisville, KY9/26/01\r\nYesterday\'s Gone Concert series\r\nLeo Koenig Gallery, NYC (flute and interactive electronics with Eric Lyon)9/14/01\r\nVisionIntoArt benefit concert for the American Red Cross, Clark Studio, Lincoln Center, NYC (soloist)8/25-26/01\r\nOught-One Festival of Non-Pop, Montpelier, VT\r\n1. solo interdisciplinary recital\r\n2. The Bilitis Project recital with Eve Beglarian, Phil Kline, and Eleanor Sandresky5/24/01\r\nComposer\'s Concordance concert\r\nNYU\'s Loewe Theater, NYC5/4/01\r\nThe Cutting Room, NYC (solo recital)3/4-10/01\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)\r\n\r\n1/31/01\r\nASCAP Thru the Walls concert #1\r\nThe Cutting Room, NYC (guest artist for Eve Beglarian)\r\n\r\n1/25/01\r\nMilton Babbitt Century Club birthday concert, NYC\r\n\r\n2000 11/18/00\r\nConcordia Conservatory Children\'s Series\r\nBronxville, NY (Miss Lancer the Dancer concert)10/8/00\r\nTwoThree Festival (Herbert Brun, featured composer), Barnard College, NYC (soloist and chamber player)10/5, 7/00\r\nBargemusic Concert Series, NYC9/18/00\r\nNew Music Connoisseur concert\r\nNYU\'s Loewe Theater, NYC (soloist)8/31/00\r\nMusical Observations chamber music concert (Milton Babbitt, featured composer)\r\nHenry Street Settlement, NYC6/11/00\r\nEssential Music concerts (2), Flea Theater, NYC6/2-7/00\r\nSpoleto Festival USA, Music in Time Series, Charleston, SC\r\n\r\n6/2 - Essential Music\r\n6/4 - Essential Music\r\n6/7 - solo recital with Essential Music 5/24/00\r\nOtto Luening Centennial Concert, Miller Theater, NYC (soloist)\r\n\r\n4/17/00\r\nDowntown Ensemble concert, Greenwich House music school, NYC\r\n\r\n3/5-10/00\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)\r\n\r\n1999 12/2/99\r\nThreeTwo Festival marathon concert (soloist)11/20/99\r\nConcordia Conservatory Children\'s Series, Bronxville, NY (Miss Lancer the Dancer concert) 10/10-15/99\r\nEssential Music residency at Dartmouth College, Hanover, NH5/16/99\r\nNo Noise Reduction concert, Center Stage Theater, NYC (soloist)4/27-29/99\r\nDartmouth New Musics Festival guest artist, Hopkins Center, Hanover, NH 4/27 - flute and composition masterclasses\r\n4/28 - solo piccolo recital\r\n4/29 - Festival concerts (soloist)\r\n\r\n3/1-6/99\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)','Performances','','inherit','closed','closed','','50-revision-v1','','','2018-03-14 20:39:43','2018-03-15 03:39:43','',50,'https://staging.margaretlancaster.com/2018/03/50-revision-v1/',0,'revision','',0),(886,1,'2018-03-12 21:06:03','2018-03-13 04:06:03','&nbsp;\n\n&nbsp;\n\nIt\'s almost Spring and you know what that means!!! Tons of new works!!.....To kick off the season, I join my dear friends Richard Carrick and Vasko Dukoski on March 22nd in an evening of spanking new pieces by Rick as part of the of the Debussy festival at Spectrum.   https://www.facebook.com/events/543905069328995/','Rite of Spring:  oodles of Premieres!!!','','inherit','closed','closed','','884-autosave-v1','','','2018-03-12 21:06:03','2018-03-13 04:06:03','',884,'https://staging.margaretlancaster.com/2018/03/884-autosave-v1/',0,'revision','',0),(887,1,'2018-03-12 21:06:40','2018-03-13 04:06:40','','28576158_10155673935391028_4037916685024483916_n','','inherit','closed','closed','','28576158_10155673935391028_4037916685024483916_n','','','2018-03-12 21:06:40','2018-03-13 04:06:40','',884,'https://staging.margaretlancaster.com/wp-content/uploads/2018/03/28576158_10155673935391028_4037916685024483916_n.jpg',0,'attachment','image/jpeg',0),(888,1,'2018-03-12 21:07:57','2018-03-13 04:07:57','<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2018/03/28576158_10155673935391028_4037916685024483916_n.jpg\"><img class=\"alignright size-medium wp-image-887\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2018/03/28576158_10155673935391028_4037916685024483916_n-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" /></a>It\'s almost Spring and you know what that means!!! Tons of new works!!.....To kick off the season, I join my dear friends Richard Carrick and Vasko Dukoski on March 22nd in an evening of spanking new pieces by Rick as part of the of the Debussy festival at Spectrum.   https://www.facebook.com/events/543905069328995/','Rite of Spring:  oodles of Premieres!!!','','inherit','closed','closed','','884-revision-v1','','','2018-03-12 21:07:57','2018-03-13 04:07:57','',884,'https://staging.margaretlancaster.com/2018/03/884-revision-v1/',0,'revision','',0),(889,1,'2018-03-14 20:23:15','2018-03-15 03:23:15','<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Margaret-10.jpeg\"><img class=\"size-medium wp-image-815 alignnone\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Margaret-10-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" /></a>\r\n\r\n11/19/18, 7pm\r\nNew Music on the Point fundraiser -- This concert for NMOP (the magical Vermont festival led by Amy Williams that fosters composer/performer collaboration) is having a fundraiser/concert/party ---- Performers include the JACK quartet, Jen Beattie, Adam Marks, Jan Williams, Robert Black and others -- I\'ll be playing works by Eve Beglarian, Kerrith Livengood and George Lewis --- great time and music guaranteed!!!  MC Gallery\r\n\r\n10/27/17, 8 pm\r\nEither/Or:  Tombeau for Ana-Maria Avram.......after the devastating news of AMA\'s sudden passing, we are gathering to celebrate her extraordinary life and talent!!  Joined by Vasko Dukovski, Mario Diaz de Leon, Russell Greenberg and Zach Rowden, it\'s going to be the most kickass memorial concert ever!!......Issue Project Room\r\n\r\n9/23-10/15/17\r\nRhoda and the Fossil Hunt:  a children\'s opera  ----I\'m just subbing in this American Modern Ensemble production, but if you are free please check it out.  It\'s completely charming and performed in the dinosaur room at the Museum of Natural History!!!\r\n\r\n9/9/17, 10-5\r\nCome spend Saturday, 9/9 in Burlington Vermont at the North Country Electronic Music Festival.  P<span class=\"_4n-j _fbReactionComponent__eventDetailsContentTags fsl\" data-testid=\"event-permalink-details\">resented by TURNmusic in cooperation with the South End Art Hop, and hosted by Kavlos &amp; Damian, I will be performing some gorgeous music by Eve Beglarian -- including the premiere of Tower of Ivory!!   Our set will be around 4</span> at ArtsRiot (400 Pine Street)....if you\'re in the area, please stop by!\r\n\r\n7/15/17\r\nNew York City Electronic Music Festival -- performing Sandra Gonzalez\'s Vértigo y transmutación on the 8 pm show, National Sawdust.\r\n\r\n6/22/17\r\nPerforming Arthur Kampela\'s Happy Days at Ben Richter\'s CD release concert at 26 Willow Place, Brooklyn.\r\n\r\n6/15-18/17\r\nLAOpera and Beth Morrison Projects present Kamala Sankaram\'s opera THUMBPRINT at REDCat Arts Center, LA.   We are honored and humbled to welcome Mukhtar Mai - whose extraordinary life the opera is based.\r\n\r\n5/16/17, 8 pm\r\nNIME 2017/ Copenhagen! - ML plays new interactive interface solo works by Milica Paranosic, Rikard Lindell, Jean-Francois Charles, Chris Chafe, Spencer Topel, Bob Pritchard (and sensor suit!) at Koncertkirken.  It\'s going to be a show!!!\r\n\r\n5/3/17/8 pm\r\nEnsemble Echappe performs works by Matthew Ricketts, Eric Guinivan and Fred Lerdahl, DiMenna Center.\r\n\r\n3/5/17, 6 pm\r\nEnsemble Ipse performs works by Carl, Lee, Broberg, Duykers, Diponio, and a premiere by Larry Polansky!  Shapeshifter Lab, Brooklyn\r\n\r\n2/18/17, 8 pm\r\nEither/Or performs at The Library of Congress, Washington DC.   Our beautiful band is playing works by Braxton, Ligeti, Thorvaldsdottir, Furrer, and Carrick!!\r\n\r\n2/11/17, 2 pm\r\nPercussia presents Immigrant Dream and International Express at the Queens Museum - featuring works by Quentin Chiappetta, Carlo Nicolau, and Dennis Tobenski. Queens Museum New York City Bldg, Flushing Meadows.\r\n\r\n2/2/17, 8pm\r\nEither/Or presents the Beat Furrer portrait concert at Miller Theatre.   Honored to play Ira Arca with Ken Filiano and hear my bandmates present other gems by this Austrian master!\r\n\r\n1/21/17, 9 pm\r\nI am thrilled to play a small role in James Moore\'s phenomenal residency at The Stone in a concert of the music of his grandmother, Virginia Seay!!!  Written in the 1940\'s, her compositional voice was searing -- she would have been thrilled to have her work played hours after the Women\'s March!!!\r\n\r\n12/17/16\r\nThe remarkable program Exploring the Metropolis has paired incomparable Cenk Ergun with choreographer Ursula Eagley to create a new work at the Jamaica Arts Center.  With Eric Umble and Jason Treuting, this collaboration is very special!\r\n\r\n12/15/16, 8 pm\r\nExperiments in Opera -- amazing new experimental chamber operas that include works by Lainie Fefferman, Matt Welch, Jason Cady, and Roddy Bottum\'s The Ride (for 2 rock star singers, synth, drums and 4 flutes of course!!!).  Merkin Hall\r\n\r\n12/8/16\r\nJBB and I take the visual portrait concert on the road (to beantown!) --- Entitled \"Jean Baptiste Barriere: on the Frontiers of Music and Technology,\"  JBB will present a short lecture followed by the full reconfigured Saariaho/Barriere show at Le Laboratoire Cambridge (650 Kendall Street, Boston)\r\n\r\n12/2-3\r\nML and the Feta Foundation peeps take on Art Basel......this year Juraj let me out of the cage and created a mobile installation in the form of a Wedding Party to promote love and happiness in a tense post-election world!  Joined by my darling flower girl Emma, we will explore the streets of Wynwood, Miami ---- come join the party!!\r\n\r\n11/6/16\r\nMartin turns 70!!!  Please join Lisa Moore, me and a host of superstars to celebrate the music of the brilliant Martin Bresnick as he celebrates his 70th birthday ---the music is simply gorgeous!   National Sawdust\r\n\r\n11/3/16, 7:30\r\nSolo visual portrait concert of Kaija Saariaho and Jean-Baptiste Barriere.......A collaboration between NYU Music Department and Mannes/The New School, co-sponsored by the Washington Square Contemporary Music Society, I have been reunited with 2 of my favorite collaborators to present some of my very favorite flute music in a uniquely interdisciplinary way!!!   New School\'s Tishman Auditorium, free admission.......must-see.....\r\n\r\n10/13/16, 6:30\r\nThrilled to perform at the Exploring the Metropolis benefit honoring dear friend and colleague Richard Carrick (will be playing his La Scene Miniature).  Symphony House (235 W. 56th St).\r\n\r\n9/23/16, 8 pm\r\nThe debut concert of IPSE ensemble!!! So thrilled to be a part of this killer group --- the inaugural concert features works by Harrison, Fujikura, Fure, Duykers, DiPonio, and Frasconi.  Tenri Cultural Institute.\r\n\r\n7/15/16, 6 and 6:30 pm\r\nTap it Out!!\r\nCome watch me and 100 of my tap buddies create a cappella loveliness with our feet (and hands!)!  As part of the Tap City Festival, this annual event is guaranteed to put a smile on your face and a spring in your step!!......at Five Points Foley Square (111 Worth Street)\r\n\r\n7/5/16, 7 pm\r\nExtraordinarily honored to join the brilliant forces of pianist Aki Takahashi and percussionist David Shively in a performance of the recently discovered <em>Cheap Imitation</em> by Morton Feldman at <a href=\"http://lpr.com/lpr_events/aki-takahashi-july-5th-2016/\">Le Poisson Rouge </a> in a program entitled CAGE, FELDMAN interprets CAGE, CAGE interprets SATIE.   Aki worked closely with both Cage and Feldman and her performances of their music should not be missed!!!<strong>  </strong>It is my great privilege to perform (and record!) this little known work by Feldman with her!\r\n\r\n6/30/16\r\nConvex/Concave:  the music of Arthur Kampela and Gene Pritsker at le Poisson Rouge.\r\n\r\n6/5-18\r\nNEW MUSIC ON THE POINT!!!  living in rustic, rural Vermont at this fabulous festival working on and premiering many great pieces and questionable dance moves!!.....Lake Dunmore\r\n\r\n6/4/16, 2:45 pm\r\nPercussia presents The International Express featuring works by Quentin Chiappetta, Alexis Lamb, Matthew Welch, and Carlo Nicolau at the Jackson Heights Library - - free and fun!!\r\n\r\n5/20/16, 3:15 pm\r\nPercussia presents Good Clean Fun II!!!  Ingrid and I load up her shopping cart and head to JH Laundromat (Jackson Heights, Queens) to play works by Harrison, Abdo Dagher, Irish folk tunes, Indonesian classics and video game music!!\r\n\r\n5/12/16, 7 PM\r\nComposers Concordance presents Glen Velez (and me) ---So thrilled and humbled to perform on the same program with this legendary percussionist, much less with him!!!  Works by Gene Pritsker (premiere), Robin de Raaffe, Eric Lyon (premiere), Max Duykers, and Glen Velez!!  Goddard Riverside Center (Columbus and 92nd).\r\n\r\n5/5/16, 7 PM\r\nBMP presents Keeril Makan\'s opera PERSONA at the Isabella Stewart Gardner museum (Boston).  This piece (directed by Jay Scheib) is too good to miss!\r\n\r\n4/30/16, 8 PM\r\nColumbia Composers Forum.  The inimitable Jocelin Pan and I perform Nina C. Young\'s fabulous piece L\'Heure Bleue.  St. Peter\'s Church (W. 20th st).\r\n\r\n4/14/16, 8 PM\r\nInterpretations series presents Marek Choloniewski, Roulette.\r\n\r\nApril 2, 5 and 8 pm\r\nPeriapsis Open Series presents new collaborative works between choreographers and composers including DoubleTake Dance and Emily Wagner! GK arts center, 29 Jay Street, Brooklyn.\r\n\r\nMarch 28, 8 pm\r\nRite of Spring Dance Party!  with the Experiental Orchestra conducted by James Blachly at National Sawdust.\r\n\r\nMarch 25-26\r\nThe Metropolitan Museum and Analog Arts presents the US premiere of Stockhausen\'s KLANG cycle!!  This massive, amazing work is being presented at The Met, The Cloisters and The Breuer Building.  My performances are :\r\n3/25, 5:30 - Harmonien (solo fl) at The Met in The Blanche and A.L. Levine Court.\r\n3/26, 12:45 - Schonheit (fl, bass cl, tpt) at The Cloisters, Pontaut Chapter House room\r\n3/26, 2:15 - Schonheit, The Cloisters, Pontaut Chapter House room\r\n3/26, 3:15ish? - Harmonien, The Cloisters, Langon Chapel\r\n\r\n3/11/16, 8 pm\r\nAnti-Social Music vs. Andie Springer.  Many great new very fresh works including a new theater piece by Max Duykers inspired by my favorite film, Tarkovsky\'s Stalker.   I--beam, Brooklyn\r\n\r\nMarch 1-5, 2016\r\nRomanian Spectralism!! Either/Or has set up shop at Columbia University\'s Miller Theater to work with the legendary Iancu Dumistrescu --- a visionary and sonic wizard who crafts music with  his sheer presence!    2 Pop-ups and a Portrait:\r\n\r\nMarch 1, 6 PM  Parallels and Precursors\r\nMusic of Bartók, Enescu, Niculescu, and premieres from guest composers Ana-Maria Avram and Iancu Dumitrescu.  On-stage at Miller Theatre with beer and wine!\r\n\r\nMarch 3, 6 PM - Ana-Maria Avram\r\nNew and recent chamber music from Ana-Maria Avram (including a gorgeous Bass Flute solo!!!).  On-stage at Miller Theatre with beer from Harlem Brewing Co.\r\n\r\nMarch 5, 8 PM - Iancu Dumitrescu\r\nMiller Theatre\'s Composer Portraits and Either/Or present a rare US portrait concert of the legendary Iancu Dumitrescu.  Works ranging from soloist with electronics to large ensemble, including 2 World Premieres and 2 US Premieres.\r\n\r\n2/12/16, 7:30 pm\r\nDaniel Goode\'s 80th birthday concert, #2!!!!  Some of dearest Daniel\'s greatest hits are being presented including Tunnel Funnel conducted by David Gilbert.  The Cell Theater.\r\n\r\n1/10/16, 5:30 pm\r\nNew York Flute Club presents a tribute to my dear teacher and friend Harold Jones featuring many of his colleagues and friends (including yours truly and Hubert Laws).  Baruch College.\r\n\r\n12/19, 3 and 7 PM\r\nMiller Theatre presents Saint-Saen\'s Carnival of the Animals!!  With the puppetry and direction of Lake Bell and poetry of Ogden Nash, a new holiday tradition is created ---for children of ALL ages!!!\r\n\r\n11/14/15, 7:30 pm\r\nMusic Reginae Concert Series presents Percussia in \"Made in Queens\", a program devoted to Queens-based composers including Carlo Nicolau, Anjelica Negron, Charles Griffin, and Johanna M. Beyer.  Church-in-the-Gardens, Forest Hills, Queens.\r\n\r\n11/13/15, 7:30 pm\r\nTribeca New Music presents An American Maverick: Jerome Kitzke at 60.   A huge musical celebration of this incredible composer\'s life featuring an insanely talented roster of performer/friends and truly great works including the world premiere of Pte Tokahewin Ska.  DiMenna Center, NYC.\r\n\r\n10/23-24/15\r\n<a href=\"http://www.bethmorrisonprojects.org/#!persona/c1t0c\">Persona</a> - world premiere run of a new opera inspired by the Bergman film of the same name.  Music by Keeril Makan, Libretto/Direction by Jay Scheib.  <a href=\"http://nationalsawdust.org/event/beth-morrison-projects-presents-persona-2/\">National Sawdust\r\n</a>\r\n10/22/15, 8 pm\r\nVox Novus 15th anniversary festival featuring works by Eve Beglarian, Rob Voisey and Mark Lackey.  GalleryMC.\r\n\r\n10/20/15, 7:30 pm\r\n<a href=\"https://www.facebook.com/events/1632654526988436/\">Serenade for Harold </a>-- ML performs the Gordon Jacob Flute Concerto with The Antara Ensemble in a tribute concert honoring Harold Jones (my dear friend/teacher/mentor who founded the orchestra 20 years ago).  St. Peter\'s Church, 346 West 20th Street.\r\n\r\n10/13/15\r\nThe Legend of Zelda\'s Symphony of the Goddesses performs on Late Night with Stephen Colbert!!! (insanely fun!)\r\n\r\n10/9-10/15, 7:30\r\nBonfire of the Vanities the opera.  Music by Stefania de Kennesy/libretto and direction by Michael Bergmann. El Museo del Barrio.\r\n\r\n10/8/15, 8 pm\r\nMilica Paranosic\' Tekchic Tek-Cessories inaugural launch featuring performances and a fashion show.\r\n\r\n7/11/15, 2 and 3 PM\r\nTap It Out!!  Join me and 100 tap dancing pals as we perform a cappella in Times Square as the culminating event of the American Tap Dance Foundation\'s 2015 Tap City Festival.  Father Duffy Square (46th between b\'way and 7th in times square) --- Pure unadulterated fun!!!\r\n\r\n6/25/15, 3:30  and 8 PM\r\nNYCEMF -- works by Yu Chung Tseng and Christian Banasik.  The Playhouse, Abrons Art Center.\r\n\r\n6/22/15, 8 PM\r\nNew York City Electronic Music Festival -- works by Ai Negishi and Amanda Stuart. The Playhouse, Abrons Art Center.\r\n\r\n6/13/15, 8 PM\r\nsfSoundSalonSeries presents ML and Elliot Simpson performing solo works by Larry Polansky (Piker!). Center for New Music, San Francisco.\r\n\r\n5/30/15, 8 PM\r\nPAN-demonium!  ML guests on this great solo viola show by the incredible Jocelin Pan.  Tenri Cultural Institute.\r\n\r\n5/28/15, 8 PM\r\nCircuit Bridges collaboration with Dutch composer collective Soundings. Premieres by Petrovic and Paranosic.  MC Gallery.\r\n\r\n5/17/15, 3 PM\r\nThe music and art of Alexa Babakhanian. St. Mark\'s Church.\r\n\r\n5/9/15, 9:30 PM\r\n(Con)temporary (In)sights series presents the music of Marcelo Toledo. Spectrum.\r\n\r\n4/26/15, 3 PM\r\nBowerbird presents Morton Feldman\'s <em>For Philip Guston</em>. (Dave, Rick, and I take it on the road to Philly!) The Rotunda, Philadelphia.\r\n\r\n4/22/15, 8 PM\r\nThe music of Stephen Prina.  The Kitchen, NYC.\r\n\r\n4/21/15, 7:30 PM\r\nNew York Composers Circle - works by Duykers, Legname, Marlow, Brooks, and others.  St. Peter\'s Church (Citicorp Center, NYC)\r\n\r\n4/16/15, 8:30 PM\r\nMarcelo Toledo/Arthur Kampela concert-happening at the Firehouse Space (246 Frost St, Brooklyn)\r\n\r\n3/16/15, 8 PM\r\nMilica Paranosic and her Bruka Band perform her work at Sylvana.\r\n\r\n3/15/15, 12:30 AM\r\nNew York Flute Club Flute Fair \"Premieres\" concert.  ML presents works by Pritsker and Matthusen.  Faculty House at Columbia University, Presidential Ballroom\r\n\r\n3/14/15, 9:30 PM\r\n(Con)temporary (In)sights series presents the music of Arthur Kampela. Spectrum.\r\n\r\n3/9/15, 8 PM\r\nNic Collins with Either/Or at Roulette\r\n\r\n2/27-3/1/15\r\nEither/Or performs at the CSUF New Music Festival, Cal State University Fullerton Meng Concert Hall\r\n2/27, 8 PM - Elliott Sharp concert\r\n2/28, 8 PM - music by Richard Carrick, Elliott Sharp and Pamela Madsen\r\n3/1, 2 PM - Morton Feldman\'s <em>For Philip Guston</em>\r\n\r\n2/10/15, 8 pm\r\nPrinceton Composers Concert with American Modern Ensemble, Taplin auditorium, Princeton University\r\n\r\n1/22/15, 7 pm\r\nArthur Kampela retrospective concert at the German Consulate.\r\n\r\n12/6/14, 7 pm\r\nML premieres Lady M -- a mini concerto/drama for flute and strings by Milica Paranosic that explores the tragic trajectory of the Scottish play\'s heroine.  The program entitled Sweet Concordant Strings is part of the Composers Concordance annual festival and celebrates the 450th anniversary of Shakespeare\'s birth.  West Park Presbyterian Church (165 West 86th Street, NE corner of 86th and Amsterdam)\r\n\r\n12/5/14, 8 pm\r\nEither/Or presents the music of Keeril Makan in the Miller Theatre Portrait Series.\r\n\r\n11/29/14\r\nML \'performs\' in the Composers Concordance Wingjammer concert at 7 PM -- then joins Arthur Kampela and band at 9:30 for a fun-filled night of avant-sambas, atonal bossas and virtuosic solos! -- both events at Spectrum (121 Ludlow, 2nd fl).\r\n\r\n11/8/14, 4 pm\r\nBig Screen-Small Screen.  Percussia performs music from TV themes to ringtones.  St. Mark\'s Episcopal Church (33-50 82nd St., Jackson Heights)\r\n\r\n10/14/14, 6 pm\r\nEither/Or performs the first Pop-Up concert of the season at Miller Theatre.  Works by Radulescu, Lucier and Feldman (Why Patterns?).\r\n\r\n10/12/14, 7 and 8:30\r\nIt\'s A Secret -- the immersive music theater piece by Jue Wang and Adam Mirza explores the \'challenged\' relationship between Alice James (sister of Henry) and her father.   NYU, room 220.\r\n\r\n9/29/14, 8 PM\r\nEscape, My Solo...ML joins forces with Vancouver-based mixed media wizard Bob Pritchard to create an evening of theatrical works for flute(s) and mixed media.  Music by Stockhausen, Steenhuisen, Kampela, Pritchard and Adrian Knight (world premiere).  Gallery MC (549 w. 52nd, 8th floor)\r\n\r\n7/24/14, 8 PM\r\nCircuit Bridges No. 6.  ML and Milica Paranosic team up once again (this time in matching poofy dresses!).  MC Gallery.\r\n\r\n7/9/14, 1 PM\r\nConcrete Timbre presents Voices of justice and consanguinity... as part of the undergroundzero festival 2014 - featuring music by Ann Warren.  Frances Tauvern Museum (64 Pearl St.).\r\n\r\n6/29/14, 3 PM\r\nThe Festival concludes with a special event for Either/Or\'s 10th birthday:  Morton Feldman\'s rarely heard 5 hour epic masterpiece, For Philip Guston --- This is truly one of my favorite works of all time -- it is exquisite!!   Issue Project Room (22 Boerum Place, Brooklyn)\r\n\r\n6/26/14, 8 PM\r\nEither/Or Spring Festival 2014 -- June 26th will feature E/O soloists ML, Vasko Dukovski, Aaron Baird and David Shively in a theatrical melange of works by Lucier, Kagel, Druckman and others - including Stockhausen\'s theater piece Zungenspitzentanz (from Samstag auch Licht) where ML will transform from a sweet to a very demonic kitty!!!.....Whitebox Art Center (329 Broome St)\r\n\r\n6/6/14, 7:30 PM\r\nThe music of Barbara Monk Feldman with Aki Takahashi and the Downtown Ensemble.  The DTE loft (167 Spring St, Bell #3).\r\n\r\n5/29/14, 8:30 PM\r\nPerspectives Ensemble presents The Intimate World of Toshio Hosokawa.  Thrilled to join this illustrious ensemble, ML will play Hosokawa\'s gorgeous bass flute work Atem-Lied.  Tenri Cultural Institute (43 W 13th st, NYC) - Free admission.\r\n\r\n5/10/14, 7 PM\r\nRetro-Spectrum (aka Milica\'s birthday party/concert!!!!) --- Milica Paranosic and friends present her works from the past 10 years!  Spectrum, NYC.\r\n\r\n4/29/14, 8 PM\r\nJohn Halle CD release party!  ML reprises her \"performance\" in Halle\'s legendary Full Spectrum Dominance --- no flutes on this gig -- just voice and tap shoes!!!  Galapagos.\r\n\r\n4/28/14, 8:15 PM\r\nPost-Tension: New electro-acoustic works by NYU undergraduate composers.  ML joins Tom Chiu in premieres by Douridas, Insalaco, Cotto, Nicholas, Barickman, Schmidt, Terruso, Borchers, Barickman, Steinken, Merizalde, Stein.  NYU Silver Center, Room 220.\r\n\r\n4/24/14, 8 PM\r\nCircuit Bridges series.  ML plays works by Gene Pritsker and Melissa Grey, MC Gallery.\r\n\r\n4/19/14, 8 PM\r\nComposers Concordance presents All About Japan.  ML performs works by Pritzker, Bechtold, and Cooper.  Goddard Riverside Community Center.\r\n\r\n4/12/14, 8 PM\r\nEither/Or performs new works by Columbia University graduate composers (Christopher Trapani, Alec Hall, Paul Clift, Yoshiaki Onishi, Natacha Diels, Nina C. Young, Taylor Brook), DiMenna Center, Cary Hall, NYC.\r\n\r\n4/11/14, 8 PM\r\n2014 Tri-Centric Music Festival presents Anthony Braxton\'s Composition No 146 (Moogie and Stetson) for 12 flutes, 2 tubas and percussion!!!  Roulette.\r\n\r\n3/29/14\r\nJean-Baptiste Barriere day!!!\r\nDistant Mirrors - a real-time collaboration between flutists Camilla Hoitenga, at the Musee Gadagne in Lyon, France and ML playing live on the Miller Theatre stage.  Musicians and audience alike will be able to view a large video score, which uses color and images to guide the performers\' actions, changing and adapting as the performance proceeds.  Camilla and I will play together via the internet, creating a collective memory that transcends geographic barriers.  Two performances at noon and 1 pm (duration ca. 20 minutes).  Columbia University\'s Miller Theatre (116th and Broadway).\r\n\r\nJBB Portrait Concert - Miller Theatre, 8 PM\r\nThis seamless evening showcases the scope of this multimedia pioneer\'s career spanning from his 1983 seminal electronic work Chreode to the premiere of Ekstasis.  Directed  by Aleksi Barriere, I am thrilled to present the theatrical premiere of Crossing the Blind Forest -- this is a must-see!!!!\r\n\r\n3/5-8/14\r\nWAKE -- conceived and directed by the incredible Mei Ann Teo and staring Marnie Breckinridge, this ventive music theatre work/modern tragedy investigates the  psychic effects of guilt, grief and ultimately forgiveness.......heartbreaking, uplifting, and gorgeous.......The Connelly Theater, 220 E 4th St.\r\n\r\n2/28/14, 7:30\r\nthrilled to join Tenth Intervention in Music from the Lyonosphere - the music of Eric Lyon and friends -- includes a premiere by Elizabeth Hoffman, a new version of The Lancaster Overture and a fan favorite Onceathon II: the Kiss of Constable!!!....Spectrum, NYC\r\n\r\n2/22-3/2/14\r\nthe little OPERA theatre of ny presents Rossini\'s Opportunity Makes the Thief , James Bagwell-conductor, Philip Shneidman- director, 59 E 59th - theater B.\r\n\r\n2/18/14, 8 pm\r\nNY Composers Circle -- works include premieres by Richard Brooks and Max Duykers, St. Peter\'s Church, Citicorp Center.\r\n\r\n2/15/14, 7:30 pm\r\nGlass Farm presents \'dream voyage\' -- works by Schneider, Scartazzini, and Ives with the fabulous guest artist Michael Leibundgut.  Symphony Space\'s Thalia Theater.\r\n\r\n1/24/15, 7:30 pm\r\nComposers Concordance Founders concert presents works by Joseph Pehrson, Patrick Hardish, Dan Cooper, Gene Pritzker, and Milica Paranosic, Turtle Bay Music School.\r\n\r\n1/15/14, 3:30 pm\r\nOPERA America presents The New Works Forum Showcase  -- The Summer King by Daniel Sonenberg (produced by American Opera Projects), The Dimenna Center (Cary Hall)\r\n\r\n1/10-18/14\r\nPrototype Festival: world premiere run of Thumbprint -the compelling new opera by composer Kamala Sankaram and librettist Susan Yankowitz which chronicles the journey of Mukhtar Mai (an illiterate woman gang-raped as retribution for an \'honor crime\' her brother allegedly committed who becomes the first woman in Pakistan to bring her attackers to justice and in turn vows to build schools to educate women) ---it is a powerful work about a truly singular, exceptional human being Baruch Performing Arts Center, NYC.\r\n\r\n12/14/13, 7:30 PM\r\nSticks &amp; Stones - Glass Farm Ensemble is joined by Ensemble TaG in a concert of conceptual music including works by Jacques Demierre, Christian Wolff, Peter Ablinger, Denis Schuler, and Craig Shepard.  Symphony Space\'s Leonard Nimoy Thalia theater.\r\n\r\n12/5/13, 8 PM\r\nEither/Or presents the exquisite music of Icelandic composer Anna Thorvaldsdottir as part of the Miller Theater Portrait Series ----- gorgeous music!!!!\r\n\r\n11/22/13, 8 PM\r\nPhoenix Concerts present Nordic Currents II - new music from Scandinavia featuring works by Kokkonen, Leyman, Rautavaara, Saariaho, Skouen, and Tarrodi,  curated by Thomas Bagwell. St. Matthew &amp; St. Timothy (26 W. 84th Street)\r\n\r\n11/15/13, 8 PM\r\nAACM presents Either/Or, George Lewis and Discopoet Khari B. in a one of a kind portrait concert featuring Lewis\' chamber music (including the East Coast premiere of Hexis!) and George playing his purple trombone!!!  Truly phenomenal music/composer/artist!!!....Community Church of Manhattan 40 East 35th Street (bet Madison and Park Avenues)\r\n\r\n11/1/13, 7:30\r\nGlass Farm Ensemble season opener featuring works by Krause, Guttierez, Harvey, and Troxler, Symphony Space\'s Thalia Leonard Nimoy Theater.\r\n\r\n10/26/13 in Wilmington, NC<b>\r\n</b>FABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nSaturday, October 26, 2013, at 8pm, at Kenan Auditorium, University of North Carolina, Wilmington, NC.  For tickets and more information, visit the <a href=\"http://uncw.edu/arts/fables.html\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>\r\n\r\n10/17/13, 8 PM\r\nI am joining my Either/Or buddies as a soloist in The Cage 100 Party Pieces - world premieres by 124 German and US composers!  Miller Theater, Columbia University.\r\n\r\n10/10/13 in College Station, TX\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nThursday, October 10, 2013, at 8pm, at The Academy for the Visual and Performing Arts at Texas A&amp;M University, 273 Liberal Arts and Humanities Building, College Station, TX.  For tickets and more information, visit the <a href=\"http://academyarts.tamu.edu/2013/08/09/2013-2014-season/\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n10/02/13 in Boulder, CO\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nWednesday, October 2, 2013, at 7:30pm, at Macky Auditorium at Colorado University, 1595 Pleasant St, Boulder, CO. For tickets and more information, visit the <a href=\"http://www.cupresents.org/events/armitage-gone-dance-fables-global-warming\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n09/28/13 in Lawrence, KS\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance<b>\r\n</b>Saturday, September 28, 2013, at 7:30pm, at the Lied Center of Kansas, 1600 Stewart Drive, Lawrence, KS.  For tickets and more information, visit the <a href=\"http://lied.ku.edu/events/fables.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n9/24/13 in Urbana, IL\r\nI am thrilled to join composer Corey Dargel, visual director Doug Fitch and the fabulous ArmitageGone!dance company in FABLES ON GLOBAL WARMING -- a cautionary tale of caring for the planet told through the exquisite vision of Karole Armitage.<b>.....</b>\r\nWORLD PREMIERE, September 24, 2013, at 7:30pm, at Colwell Playhouse at the Krannert Center at the University of Illinois, Urbana-Champaign, 500 S. Goodwin Ave., Urbana, IL.  For tickets and more information, visit the <a href=\"http://www.krannertcenter.com/performance.aspx?id=20137189596710128174106178\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n7/2/13, 7:30 PM\r\nGlass Farm Ensemble at Symphony Space\'s Thalia Leonard Nimoy Theater featuring works by Rzewski, Jarrell, Zimmerlin, Saariaho and a new work by Paula Matthusen.\r\n\r\n5/30-31/13, 8 PM\r\nEither/Or Spring Festival at The Kitchen featuring 10 premieres including works by Miya Masaoka, Richard Carrick, and Jin Hi Kim.\r\n\r\n5/23/13, 9:30\r\nComposers Concordance Records presents the CD release concert of Samplestra - the electro-acoustic music of Gene Pritsker at DROM NYC (85 Ave A).\r\n\r\n5/9/13, 8 PM\r\nTribeca New Music Festival - Concert #1 Art of the Salon - ML makes her TNMF debut in staged performances of works by Jacob TV -- his seminal work Lipstick and and new piece written for ML entitled IT, The Cell Theatre (338 W. 23rd st)\r\n\r\n4/28/13, 1 - 2:30 PM\r\nWestFest Dance Festival, Westbeth Arts Center.\r\n\r\n4/6/13, 7:30\r\nGlass Farm presents FOCUS, a multimedia event featuring Feldman\'s Why Patterns with Sylwia Zytynska and guest performers, Symphony Space Thalia Theater.\r\n\r\n4/4/13, 8 PM\r\nRebecca Saunders portrait concert at Miller Theater. Either/Or performs the beautifully, delicate work of Saunders including the US premiere of murmurs.\r\n\r\n3/28-29/13, 8 PM\r\nKevin James\' Vanishing Languages Project with [kaj] ensemble, Speak Percussion and Ethel. Roulette.\r\n\r\n3/17/13, 10 PM\r\nThe incredible Will Lang\'s trombone recital featuring works by bach, xenakis, kurtag (the little fix for trombone, piccolo, and guitar), frith, and others, The Stone.\r\n\r\n3/17/13, 10 AM\r\nMorning New Music - ml performs Jacob TV\'s Lipstick at the 2013 New York Flute Fair, The Lighthouse (111 East 59th Street).\r\n\r\n3/3/13\r\nml joins the Lucky Dragons once again for the latest installment of Actual Reality - an omni experience......this time at MOMA\'s PS1 in LIC,  performances at 12, 1:30, 3, and 4:30, free with museum admission.\r\n\r\n2/19/13, 8 PM\r\nGlass Farm Ensemble performs music of the New York Composers Circle, St. Peter\'s Church (citicorp bldg).\r\n\r\n2/4/13, 8 PM\r\nEither/Or and other great nyc groups join forces to celebrate the life of Ralph Kaminsky and his commitment to new music....a great man who made a huge impact and will be missed......Merkin Concert Hall.  E/O opens the program with Scelsi\'s Pranam II.\r\n\r\n1/18/13, 7:30 pm\r\nGlass Farm Ensemble presents <em>Circle</em> - a program of new works by Marti, Schneider, Burkhart, Camarero at Symphony Space\'s Thalia Theater.\r\n\r\n1/9-15/13\r\nWorld premiere run of Mohammed Fairouz\'s grippingly poignant chamber opera Sumeida\'s Song in the Prototype Festival.  all performances at HERE arts center.\r\n1/9 - 8:30 pm\r\n1/10 - 8:30 pm\r\n1/11 - 8:30 pm\r\n1/13 - 4 pm\r\n1/14 - 8:30 pm\r\n1/15 - 8:30 pm\r\n\r\n12/12/12, 8 pm\r\nColumbia Composers Concert - ml performs works by Roberto Toscano and Tyshawn Sorey.  Roulette, Brooklyn.\r\n\r\n12/11/12, 8:30 pm\r\nNYU Composers Concert at Tenri Cultural Institute, NYC.\r\n\r\n12/8/12\r\nPercussia holiday concert.\r\n\r\n12/1/12, 3-6 pm\r\nComposers Concordance composers play composers marathon at Drom NYC (85 Avenue A)\r\n\r\n11/29/12, 5:15 pm\r\n<a href=\"http://http://calendar.yale.edu/cal/beinecke/month/20121125/Music/CAL-2c9cb3cc-3adcd7e8-013b-0b0c0b46-0000403fbedework@yale.edu/\">Re-Mapped, Re-Wired IV!</a>  Yale College New Music concert at the Beinecke Rare Book and Manuscript Library, 121 Wall St, New Haven, CT.\r\n\r\n11/14/12, 7 pm\r\nEither/Or presents Feldman\'s <em>Why Patterns?</em>  and Erik Griswold at Spectrum (121 Ludlow, 2nd fl)\r\n\r\n11/11/12, 3 pm\r\nML and Yvonne Troxler play a flute and piano recital!!!! Slated are works by Martin, Schnyder, Stockhausen, Reynolds, and Jolivet.  Bloomingdale School of Music (323 W. 108th Street) - FREE!\r\n\r\n10/12/12, 7:30 PM\r\nGlass Farm Ensemble presents <em>Fanfares</em> - a program of works by Leroux, Mantovani, Ligeti, Maderna and Troxler - at Symphony Space Thalia Theater.\r\n\r\n9/27/12, 1 PM\r\n<a href=\"http://www.trinitywallstreet.org/music/\">Trinity Wall Street\'</a>s contemporary music ensemble, NOVUS NY, presents Twelve in 12 - music by the last twelve winners of the Pulitzer Prize in Music - with music director Julian Wachner.  9/13/12 at 1 PM features works by John Adams (Son of Chamber Symphony), Henry Brant (Four Skeleton Pieces) and Steve Reich (Daniel Variations).  74 Trinity Place, FREE.\r\n\r\n9/19-22/12\r\nML makes harmonica debut in Kurtag\'s \"Quasi Una Fantasia\" with the <a href=\"http://www.nyphil.org\">New York Philharmonic</a>.\r\n\r\n9/14/12, 7 PM\r\n<a href=\"http://www.theredshell.com/nintendo/ds/nintendos-the-legend-of-zelda-symphony-of-the-goddesses-concert-tour-special-in-store-event-in-new-york-015043.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+TheRedShell+%28The+Red+Shell%29\">Nintendo\'s \"The Legend of Zelda:Symphony of the Goddesses\"</a> concert tour lands in NYC\'s Nintendo World Store (10 Rockefeller Plaza) featuring a chamber ensemble conducted by Eimear Noone.  Excerpts can be viewed <a href=\"http://www.youtube.com/watch?v=Y1_LHj2erdA\">here</a> and <a href=\"http://www.youtube.com/watch?v=ox8voYbDUC4\">here</a>.\r\n\r\n9/13/12, 1 PM\r\nTwelve in 12 - <a href=\"http://www.trinitywallstreet.org/music/\">Trinity Wall Street\'</a>s contemporary music ensemble, NOVUS NY, presents Twelve in 12 - music by the last twelve winners of the Pulitzer Prize in Music - with music director Julian Wachner.  9/13/12 at 1 PM features works by Jennifer Higdon, John Corigliano, and David Lang.  74 Trinity Place, FREE.  To view webcast, click <a href=\"http://www.trinitywallstreet.org/webcasts/videos/music-arts/concerts-at-one/concerts-at-one-3\">here</a>.\r\n\r\n9/5-8/12\r\n<a href=\"https://cagecentennialmiami.wordpress.com\">CageCentennialMiami</a> --  if by chance you happen to be in Miami, celebrate John Cage\'s centennial at this fabulous festival curated by Juraj Kojs.  ML will play a program of music by American Experimental composers (Tenney, Polansky, Beglarian, Alexander, Lyon, Duffalo, Matthusen) on 9/6.   On 9/8, Cage: Music and Words with Juraj and ML (Music For ..., Ryonji, One<sup>12</sup>).  Both concerts at 9 pm at Audioteque, 924 Lincoln Road, Studio 201, Miami Beach.\r\n\r\n8/21-23/12, 7:30 pm\r\nthe [kaj] ensemble - equipped with ipads - premieres Kevin James\' 100 waltzes for John Cage.  DiMenna Center, 450 West 37th Street, brownpapertickets.com for ticket info. (<a href=\"http://www.nytimes.com/2012/08/23/arts/music/kevin-james-and-kaj-take-john-cage-as-inspiration.html\">NY times review</a>)\r\n\r\n7/2/12, 1 pm\r\nInverted Sky, a kite installation/flute concerto by visual artist Erika Harsch and composer Julian Wachner, performed by ML at the River to River Festival at Rockefeller Park. (raindate, 7/3/12)\r\n\r\n6/25/12, 8 pm\r\nPaola Prestini\'s OCEANIC VERSES, River to River Festival, Schimmel Center for the Arts at Pace University\r\n\r\n6/23/12, 7:30\r\nPaola Prestini\'s OCEANIC VERSES, Kennedy Center\r\n\r\n6/15/12, 7:30\r\nGlass Farm Ensemble performs works by Troxler, Cage and Vivier at Symphony Space Thalia Theatre.\r\n\r\n5/16/12, 8:30 pm\r\n<a href=\"http://repmus.ircam.fr/improtechpny/\">ImproTech Paris-NYC 2012</a> 0pening concert at <a href=\"http://www.roulette.org\">Roulette</a>, featuring music and performances by George Lewis, Vijay Iyer, Mari Kimura, Steve Coleman and others (including me playing a wonderful multimedia work by Jean-Baptiste Barriere) -- guaranteed to be a great show!\r\n\r\n4/29/12, 3 pm\r\nWilliams College Dept of Music presents \"Composers and their Laptops\" -- ML performs the first incarnation of a new collaborative theater piece by Juraj Kojs and Kathryn Alexander. Williams College\'s Chapin Hall.\r\n\r\n4/27/12, 8 pm\r\nEither/Or Spring Festival - Night Two.....works by Cage, Lewis, Sharp, Saunders, Grisey.  The Kitchen, 512 W. 19th Street, $12.\r\n\r\n4/26/12, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or Spring Festival</a> - Night One......works by Zorn, Coleman, Thomalia, Feldman, Lewis.  <a href=\"http://www.thekitchen.org\">The Kitchen</a>, 512 W. 19th Street, $12.\r\n\r\n4/10/12\r\n<a href=\"http://www.millertheatre.com\">Miller Theatre</a> Pop-Up concert with Jean-Baptiste Barriere.  Columbia University.\r\n\r\n4/6/12, 7:30 pm\r\nAn evening of works by USF School of Music faculty member, Paul Reller (including In Praise of Buddy Hackett and the premiere of Greyfield).  Barness Recital Hall, University of South Florida (Tampa).\r\n\r\n3/24/12, 7 pm\r\nML performs in a concert of works by students of Jean-Baptiste Barriere\'s Columbia University Musical Interactivity course including a new work by Natacha Diels and a interactive musical theater piece for flute, piano, electronics, and sculptural articulation (!!) by Zosha Dicastri ---- this is a must see!  <a href=\"http://www.millertheatre.com\">Miller Theater</a>, Columbia University.\r\n\r\n3/22/12, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or</a> performs Karen Rehnqvist portrait concert at Miller Theater, Columbia University.\r\n\r\n3/18/12, 8 pm\r\nArgento Ensemble premieres 6 new works by Columbia University composers, <a href=\"http://www.stpeterschelsea.com\">St. Peter\'s Episcopal Church</a>.\r\n\r\n3/16/12, 8 PM\r\nArgento Ensemble premieres 6 new works by Columbia University composers, College of New Jersey.\r\n\r\n3/9/12, 7:30 PM\r\nGlass Farm Ensemble presents RECALL - music by Sciarrino, Berg, Benjamin, and Laveglia. <a href=\"http://www.symphonyspace.org\">Symphony Space Thalia Theater</a>.\r\n\r\n2/15/12, 8 PM\r\n<em>Actual Reality</em> by the <a href=\"http://www.luckydragons.bandcamp.org\">Lucky Dragons</a> at RPI\'s <a href=\"http://www.empac.rpi.edu/\">EMPAC</a> (Troy, NY)\r\n\r\n1/30/12, 7:30-?\r\nMC Mondays, Milica Paranosic\' marvelous monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>. ml plays??? (requests anyone?!?)\r\n\r\n1/29/12, 7 pm\r\n<a href=\"http://www.composersconcordance.com\">Composers Concordance</a> Marathon presenting composers performing their own music.  ML assists both serbian bombshell <a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a> and brazilian dynamo <a href=\"http://www.myspace.com/loopb\">Loop B</a>.  <a href=\"http://www.dromnyc.com\">Drom</a> (85 Avenue A), NYC.\r\n\r\n1/28/12, 8 pm (w/ 7:15 pre-concert installation)\r\n<a href=\"http://www.eitherormusic.org\">Either/Or</a> presents the first all-Horatiu Radalescu concert in NYC, ML performs his epic Dizzy Divinity I, <a href=\"http://www.parkavenuechristian.com\">Park Avenue Christian Church</a> (85th and Park).\r\n\r\n12/20/11, 8 pm\r\nNY Composers Circle celebrates the life of Dinu Ghezzo, St. Peter\'s Church, Citicorp Center, NYC\r\n\r\n12/9/11, 7:30 pm\r\n<a href=\"http://www.musicatfirstsite.com\">Music At First</a> series presents <a href=\"http://www.mollythompsonmusic.com\">Molly Thompson</a> and Lukas Ligeti. ML performs Molly\'s ferociously tender <em>The Great Hush</em>.\r\n\r\n12/6/11, 7:30 pm\r\nNYU Principles of Musical Analysis  composer concert.\r\n\r\n12/3/11, 8 pm\r\nLike Winter Waiting by John Foley, St. Frances Xavier, NYC.\r\n\r\n11/28/11, 7:30-?\r\nMC Mondays, Milica Paranosic\' marvelous monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>.  This time, ml kicks off the season with Telemann and the perennial holiday classics Eric Lyon\'s Fanfare for Gordon Mumma and Jacob TV\'s Jesus is Coming.\r\n\r\n11/5/11, 8 pm\r\nThe music of Michael Vincent Waller, <a href=\"http://theinvisibledog.org\">The Invisible Dog</a>, Brooklyn, NY.\r\n\r\n10/23/11, 4 pm\r\nPercussia plays works by Vinao, Negron, Douglas and Through Fire and Flames at <a href=\"http://www.saintmarks.net\">St Mark\'s Churc</a>h in Jackson Heights.\r\n\r\n9/26/11, 7:30-?\r\nMC Mondays, Milica Paranosic kicks off her monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>.  ml plays treats by MP and Lynn Bechtold.\r\n\r\n9/23/11, 8 pm\r\nKOCHO -ML joins the amazing Seattle based performance troupe Fisher Ensemble in this fusionof Noh theater, chamber opera and indian-inspired music.  Directed by the fabulous Benjamin Mosse, this is a must-see!   <a href=\"http://www.galapagosartspace.com\">Galapagos Art Space</a>, DUMBO Brooklyn.\r\n\r\n9/11/11, 8:46 am --\r\nMUSIC AFTER - ML performs Eve Beglarian\'s soulful<em> I Will Not Be Sad in this World</em>, Joyce Soho, NYC.\r\n\r\n8/30/11, 7 pm\r\nPercussia really plays Live at the Gantries on a beautiful night!!!\r\n\r\nIRENE CANCELS SHOW!\r\n8/27/11, 8 pm\r\nThe music of Michael Vincent Waller at <a href=\"http://www.theinvisibledog.org\">Invisible Dog Art Center</a>.\r\n\r\nRAINED OUT!!\r\n8/9/11, 7 pm (rain date 8/30)\r\nPercussia plays Live at the Gantries - Gantry Plaza State Park, Long Island City.\r\n\r\n7/30/11, 4 pm\r\nThe NYC Summer Mahler Project - James Blachly conducts The Sheep Island Ensemble in  Mahler 1 at Trinity Church Wall Street.\r\n\r\n7/2/11, 1 &amp; 3 pm (rain date July 3)\r\nTerry Riley\'s In C at <a href=\"http://riteofsummer.com/2011/04/05/hello-world/\">The Rite of Summer Music Festival</a>, Colonels Row, Governors Island\r\n\r\n6/10/11\r\nML performing Arthur Kampela\'s Happy Days, location tba\r\n\r\n6/9/11, 8 pm\r\nThe Stone (Ave C and 2nd St)\r\nNew World Records presents ML with Matthew Gold and Larry Polansky featuring works from my NWR cd IO by Lois V Vierk, Larry Polansky, James Tenney and the premiere of a new solo work by Cornelius Dufallo.....a fashionably late (?) cd release concert!?!\r\n\r\n6/4/11, 8 pm\r\nThe Stone (Ave C and 2nd St)\r\nML guests in on Larry Polansky\'s New World Records-curated Stone set.\r\n\r\n6/3/11, 8 pm\r\nEither/Or Spring Festival\r\n<a href=\"http://www.thekitchen.org/event/262/0/1/\">The Kitchen</a>, 512 W. 19th St, NYC\r\n\r\n**\r\n\r\n<strong>Past Performances:</strong>\r\n\r\n5/20/11, 7:30 pm\r\nThe <a href=\"http://www.musicatfirstsite.com\">Music at First</a> series presents Margaret Lancaster and the Deprivation Choir. ML\'s must-see solo event of the season featuring works of Paul Steenhuisen, Arthur Kampela, Corey Dargel, Paula Matthusen, Jacob Ter Veldhuis, Wil Smith and many theatrics!!  First Presbyterian Church of Brooklyn, 124 Henry Street, Brooklyn.\r\n\r\n5/17/11, 7 pm\r\nPercussia performs for NYSCA at the Omega Institute, Rhinebeck, NY\r\n\r\n5/13/11, 8 pm\r\nFisher Ensemble at The Stone.\r\n\r\n5/10/11, 8 until??\r\nCBCB Concert (aka Milica Paranosic\' birthday party!!!) composers concordance ensemble meets bruka band!!   Come celebrate one of my favorite people - there will be food, drink, and crazy performances! -<a href=\"http://www.gallerymc.org/h/\"> Gallery MC</a> (549 W 52nd street, 8th floor)\r\n\r\n5/5/11, 8 pm\r\nML presents Betsey Biggs\' solo multimedia theater piece PARALLEL LIVES w/ director Hillary Spector at Brown University\'s Granoff Center\r\n\r\n4/28 - 5/1/11\r\nThe<a href=\"http://www.abronsartscenter.org\"> Abron Arts Center</a> presents Anita Cheng Dance and Gordon Beeferman: Habitats.  April 28-30 at 8 pm, May 1 at 5 pm.  Tickets $15.\r\n\r\n4/15/11, 8 pm\r\nEither/Or presents the music of Chaya Czernowin on the Composer Portrait Series at Miller Theater.  ML joins a truly all-star cast in the NY premiere of Winter Songs II:Stones.\r\n\r\n4/13/11, 8 pm\r\nimprov with performance artist Richard Olson in a Movement Research Open Performance program,  Dance Theater Workshop 3rd floor studio (219 W. 19th street)\r\n\r\n4/5-7/11\r\nML returns to her homeland - rehearsing, giving masterclasses and playing a killer electronic and computer music concert at the <a href=\"http://louisville.edu/music/university-electronic-and-computer-music-3.ics/view\">University of Louisville</a>\'s Bird Hall (4/7 - 7 pm).  Also featured is monster/sweetie composer/saxophonist Keir Neuringer.  Works by Keir, Kaija Saariaho, John Ritz, Zach Thomas, and the fantastic Krzysztof Wolek.\r\n\r\n3/9/11, 7:30 pm\r\n<a href=\"http://www.arts.rpi.edu/pl/iear-events/larry-polansky\">Renssalaer Polytechnic Institute </a>(RPI) and iEar present the music of Larry Polansky. Joining larry and me are devin maxwell, amy beals, and pauline oliveros!  It will be a very special night of music!!!  West Hall Auditorium, RPI, Troy, NY\r\n\r\n2/6/11, 2:30-??\r\nMomenta Quartet\'s 2nd Annual Kampelathon, after the open rehearsals, interviews, and discussions about the complexity of Arthur Kampela\'s music, much frivolity with ensue featuring ML madly performing AK\'s Happy Days (around 8), 67 Metropolitan Ave, 4th fl, Williamsburg, Brooklyn.\r\n\r\n2/5/11, 6 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble </a>presents <em>a man a woman and a dog</em> - works by Mantovani, McBride, Morton, Feuter and Ives (whoopee ti yi yo!!!), Baryshnikov Arts Center, 450 West 37th Street.\r\n\r\n1/26 - 2/5, 8:30 pm\r\n<strong>MOSHEH a videOpera</strong> composed and designed by <a href=\"http://www.yoavgal.com\">Yoav Gal</a>, directed by Kameron Steele.\r\nThis amazing (sold-out!) production featured me on stage with Moses doing 3 things that i very much like: acting, dancing, and playing the flute (just like my bio says!!)\r\n<a href=\"http://www.HERE.org\">HERE Arts Center</a>, 145 6th Ave, NYC.\r\n\r\n11/22/10, 7 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or Ensemble</a> performs music of David Brynjar Franzson and Helmut Lachenmann, The Tank, 354 W. 45th Street, NYC.\r\n\r\n11/9/10, 7 pm\r\n<a href=\"http://ww.percussia.org\">Percussia</a> and the TransWorld Performance Arts Ensemble perform music of Ugandan composer Justinian Tamusuza, Yeh Art Gallery, St. John\'s University, Queens, NYC.\r\n\r\n10/31/10, 5 pm\r\n<a href=\"http://www.emf.org\">EMF</a>\'s Ear to the Earth festival - ml joined by a halloween parade of new music glitterati including Joan LaBarbara and Shiau-Uen Ding and forces linked telematically from IU to present Scott Deal\'s and Matthew Burtner\'s <em>Music and Media from Auksalaq</em> - a telematic work that explores glabal climate change from a northern geographic adn cultural perspective.  Using networked technology, videography, music, voice, visual arts and interviews to create an interactive, eco-musical, multi-disciplinary experience.  NYU\'s Frederick Loewe Theatre, 35 W. 4th Street, NYC.\r\n\r\n6/22/10, 6 pm\r\n<a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a>\' Give2Grow benefit!!  The Harlem Branch Library.\r\n\r\n6/18/10, 9 am\r\nNY Philharmonic\'s Very Young Composers concert - works by talented fifth graders from manhattan\'s PS 59.\r\n\r\n6/15/10, 8 pm\r\nWorld premiere of John Eaton\'s pocket opera The Curious Case of Benjamin Button, Symphony Space, NYC.\r\n\r\n6/1-2/10 - <a href=\"http://www.icmc2010.org\">2010 International Computer Music Conference</a>\r\n6/1 - ml performs works by <a href=\"http://www.krzysztofwolek.com\">Krzysztof Wolek</a> and Lydia Ayers, Miller Theater, NYC.\r\n6/2 - ml plays Towdah by Joao Pedro Oliveira, Miller Theater, NYC.\r\n5/30/10, 7 pm\r\n21st Annual Tap Extravaganza -- ml dances in the premiere of Lynn Schwab\'s <em>Waters of March</em>, Bayard Rustin High School, NYC.\r\n\r\n5/19/10, 8 pm\r\n<a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a>\' multi-disciplinary <em>Goddess Tales</em> (where ml makes here guitar debut!!!), Galapagos Art Space, NYC.\r\n\r\n5/5/10, 8pm\r\n<a href=\"http://streetcannibals.com\">International Street Cannibals</a> - in this installment, ml and <a href=\"http://www.rumbatap.com\">Max Pollak</a> create theatrical madness to music by Dan Cooper, St. Marks Church, NYC\r\n\r\n5/4/10, 8 pm\r\nColumbia Composers Concert  by counter)induction, Columbia University, NYC.\r\n\r\n4/23/10, 8 pm\r\nml performs Elizabeth Hoffman\'s Tranced Placed at Stony Brook University, Staller Center for the Arts.\r\n\r\n4/21/10, 5:15 pm\r\nYale Gamelan ensemble and ml premiere <a href=\"http://www.kojs.net/Doorways.html\">Doorways</a> for fl/picc and Javanese gamelan by <a href=\"http://www.kojs.net\">Juraj Kojs</a>, <a href=\"http://calendar.yale.edu/cal/beinecke/day/20100421/All/CAL-2c9cb3cd-27da0d74-0127-f3a166a0-00004466bedework@yale.edu/\">Beinecke Library</a>, Yale University, New Haven, CT.\r\n\r\n4/19/10, 8 pm\r\nThe International Street Cannibals - ml plays works by Pehrson and Kampela and various traditional jewish songs.  The Players Theater, NYC.\r\n\r\n3/28/10, 1 pm\r\nML joins Milica Paranosic in the Composer\'s Voice concert series, Jan Hus Church, NYC\r\n\r\n3/26-27/10, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">EitherOR</a> 2010 Spring Festival, Tenri Cultural Institute, NYC.\r\n3/26 - works by Saunders, Lang, Barrett, Kurtag, Rehnqvist\r\n3/27 - works by Hills, Baca, Beglarian, Iddon, Griswold\r\n\r\n3/25/10, 7:15\r\n<a href=\"http://www.nycemf.org\">New York City Electronic Music Festival</a> features ML playing electro-acoustic works by Allen, Fineberg, Hopkins, Leventhal, and <a href=\"http://www.krzysztofwolek.com\">Wolek</a>.  Galapagos Art Space, NYC.\r\n\r\nML joins Seattle performance troupe <a href=\"http://www.fisherensemble.org\">Fisher Ensemble</a> in <em>At the Hawk\'s Well</em>, a music theater piece based on the play of W.B. Yeats and described by the <a href=\" http://www.nytimes.com/2010/03/22/arts/music/22fisher.html?ref=music\">NY Times</a> as \"a strong, unified and strikingly individual utterance of unambiguous beauty.\"\r\n3/17/10, noon -- Cathedral of Saint Paul, Boston, MA\r\n3/20/10, 2pm &amp; 8 pm - Judson Memorial Church, NYC\r\n\r\n3/5/10, 8 pm\r\nThe 12th Biennial Symposium on Arts and Technology, ML performs Arguro by <a href=\"http://www.krzysztofwolek.com\">Krzysztof Wolek</a>.  Ammerman Center, Connecticut College (New London, CT)\r\n\r\n3/3/10, 8 pm\r\nML presents Wired Women!!  — solo show/electroacoustic extravaganza featuring new works by some of her favorite women composers: Eve Beglarian, Elizabeth Hoffman, Paula Matthusen, Milica Paranosic, Kaija Saariaho, Kamala Sankaram, Molly Thompson………<a href=\"http://www.myspace.com/womenswork\">Women’s Work</a> 2010 concert series, Greenwich House Music School.\r\n\r\n2/26/10, 8 pm\r\n<a href=\"http://www.eitherormusic.org\"><em>EitherOR</em></a> Chaya Czernowin Portrait Festival 2010.  ML performs CC\'s monumental INA for bass flute and tape. Tenri Cultural Institute, NYC.\r\n\r\n2/7/10, 4 pm\r\nGlass Farm Ensemble celebrates its 10th anniversary in a program featuring works by Tuur, Troxler, Kocher, and Andriessen.  Baryshnikov Arts Center, NYC.\r\n\r\n12/13/09, 2 pm\r\nML guests with Alaria in the world premiere of Andy Tierstein\'s The Shooting of Dan McGrew, Weill Recital Hall at Carnegie Hall\r\n\r\n12/7/09, 8 pm\r\nNYU Principles of Composition undergraduate composers\' concert.\r\n\r\n12/2/09, 4 pm\r\nPercussia, St. John\'s University, works by Harrison, Farr, Griffin and the premiere of Alejandro Vinao\'s Los Pies del Viento (trio version)\r\n\r\n11/24/09, 8 pm\r\nML plays with the Either/Or Ensemble at the Stone. works by Boccadoro, Saariaho, Kurtag, Lang, Cardew.\r\n\r\n11/20-21/09\r\nML is guest artist at New Music Miami ISCM Festival Series\r\n11/20 - woodwind and composer workshops at Florida International University\r\n11/21 - interdisciplinary solo concert with the FIU New Music Ensemble.  works by Martin Supper, Arthur Kampela, Aurelio de la Vega, Kaiji Saariaho, Orlando Garcia, Nick Brooke, Paul Steenhuisen, Paula Matthusen, Jacob Ter Veldhuis, Francesco Antonioni.\r\n\r\n11/11/09\r\nComposer workshop at NYU\r\n\r\n11/10/09\r\nFlute workshop at Greenwich House.\r\n\r\n11/6/09\r\nPercussia sets up shop at Drew University giving a lecture and concert of their gamelan inspired program incuding works by McPhee, Farr, Brooke, Vivier and others.\r\n\r\n10/28/09, 8 pm\r\nML joins The International Street Cannibals in \"from the Holding Tank #12 - Boccherini\'s Boudoir\" playing works by Kurtag, Boccherini, and Pritzker with the likes of Matt Herskowitz, Michiyo Suzuki and Max Pollak!\r\n\r\n10/16/09, 8 pm\r\nFlexible Orchestra - FLUTES PLUS!  11 flutes kept in line by the amazing Tara Simoncic playing works by Schickele, Kennan, Wechsler, Corner and premieres by Daniel Goode, Lembit Beecher, Jordan Nobles, and Kamala Sankaram.\r\n\r\n10/10/09, 3:30 pm\r\nPercussia presents works by Keesecker, Ordway, Roberts, Tobenski, Welch, Vinao.\r\n\r\n10/1-4/09\r\nGlass Farm Ensemble tours Switzerland!!  works by Laveglia, Kurtag, Ter Veldhuis, Bartok.\r\n10/1 - Luzern - <a href=\"http://www.sudpol.ch\">Sudpol Musik Tanz Theater\r\n</a> 10/2 - Zurich - Lavatersaal\r\n10/4 - Basel - Qu.Ba<a href=\"http://www.sudpol.ch\">\r\n</a>\r\n\r\n9/26-27/09, 3 pm\r\nThe Tempest, Brave New World Repertory Theater, on the Coney Island Boardwalk!\r\n\r\n6/10/09, 7 pm\r\n<a href=\"http://users.rcn.com/jpehrson/compcord.html\">Composers Concordance</a> presents <em>On the Moon and Beyond</em>, premieres by Pritzker, Cooper, Pehrson, , Hardish, Luening, Chelsea Art Museum (556 W. 22nd St @ 11th Ave), NYC.\r\n\r\n5/16/09, 5 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble</a>, works by Harvey, Fedele, Shai, Gubler, Baryshnikov Arts Center, 450 West 37th Street (between 9th and 10th Avenues)\r\n\r\n5/7/09, 6-8\r\nRichard Kostelanetz\' OPENINGS @ the <a href=\"http://www.artcurrents.org/\">AC [ Institute Direct Chapel]</a>, 547 W. 27th St, 5th Floor.\r\n\r\n4/17/09, 8:30 pm\r\nthe first workshop of Ha-Yang Kim\'s Three Childs w/ML, Nadia Sirota, Marco Cappelli, <a href=\"http://roulette.org/\">Roulette</a>, NYC.\r\n\r\n3/28/09, 8 pm\r\nML performs w/ Arthur Kampela at <a href=\"http://www. issueprojectroom.org/\">Issue Project Room</a><a href=\"http://issueprojectroom.org/\">.</a>\r\n\r\n3/15/09, 12:30 pm\r\n<a href=\"http://www.nyfluteclub.org/html/flute_fair.html\">NY Flute Fair</a> -- ML performs Saariaho, Maresz, Saariaho, Laguardia High School\r\n\r\n2/12/09 - 3/8/09\r\nMabou Mines DOLLHOUSE @ <a href=\"http://www.stannswarehouse.org\">St. Ann\'s Warehouse</a> --- after 5.5 years, this is the alleged final run -- not to be missed!!!\r\n\r\n11/30/08\r\nComposer\'s Voice concert series featuring works with text by Steenhuisen and Saariaho, Jan Hus Church, NYC.\r\n\r\n11/7/08\r\nML plays with Arthur Kampela\'s avant-samba band @ the Underscore.\r\n\r\n10/28/08\r\ncomposer workshops at Columbia University and New York University\r\n\r\n10/21/08, 8 pm\r\nPrinceton Composers Ensemble, ML performs interdisciplinary pieces by NIck Brooke and the world premiere of <a href=\"http://www.music.princeton.edu/~bb/work/parallellivesnew.html\">Betsey Biggs</a>\' <em>Parallel Lives</em> (directed by Hillary Spector), Taplin Auditorium in Fine Hall.\r\n\r\n10/10/08, 8 pm\r\nML does her solo thing at the <a href=\"http://www.slamfestival.org\">SLAM Festival</a> playing works by Ricardo Dal Farra, Rodrigo Sigal, and Arthur Kampela.  Also featured are Jorge Grossman and Marisol Jiminez,  The Chapel Performance Space, Seattle, WA.\r\n\r\n10/9/08, 8 pm\r\nML performs with Cristina Valdes at the <a href=\"http://www.slamfestival.org\">SLAM Festival</a>,  The Chapel Performance Space, Seattle, WA\r\n\r\n9/21/08\r\nthe [k a j] ensemble presents Kevin James\' <a href=\"http://www.portraitsproject.com/HTML/QuileutePage.html\"><em>Counting in Quileute</em></a>, 2, 3:30, 5, 7.\r\n\r\n9/6/08\r\nrecently released pox victim joins <a href=\"http://www.percussia.org\">Percussia</a> at the Langston Hughes library in a gamelan inspired program featuring works by McPhee, Farr, Reich, Farrin, and Welch.\r\n\r\n8/18/08\r\nML locks the door and goes into quarantine with adult chicken pox!\r\n\r\n8/12/08\r\nML joins supahbad Sound Liberation at <a href=\"http://www.fatbabynyc.com\">Fat Baby</a>, NYC\r\n\r\n7/21 - 24/08\r\n<a href=\"http://www.greekfestival.gr/archivedevent?id=156&amp;lang=en\">DOLLHOUSE Greece</a>!!!  Oopa!!\r\n\r\n6/13/08, 8 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble</a> presents works by Scelsi, Laveglia, Kurtag, Schneider, and Herbert, Baryshnikove Arts Center, NYC.\r\n\r\n6/3/08, 5-9:30 pm\r\nML performs Morton Feldman\'s masterpiece <em>For Philip Guston</em> at <a href=\"http://www.spoletousa.org\">Spoleto Festival USA</a>, Simons Center Recital Hall\r\n\r\n5/9/08, 8:30 pm\r\nthe music of Ha-Yang Kim at Roulette, NYC.\r\n\r\n5/4/08, 8 pm\r\nGarden Party! ML joined by post-modern balladeer Corey Dargel to present a bed of flowery treats by Dargel, Tenney, Saariaho, Lyon, and Jacob TV. The Stone, NYC.\r\n\r\n4/30/08, 8 pm\r\nML guests with <a href=\"http://www.sequitur.org\">Sequitur</a> in NY premiere of Kurt Rohde\'s Double Trouble. Other works by Mazzoli, Bresnick, Biscardi,  Belcastro, and Fiday.  Merkin Concert Hall, NYC\r\n\r\n4/19/08, 7 pm\r\n<a href=\"https://staging.margaretlancaster.com/www.sfnm.org\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Fe New Music</a> presents the music of Kaija Saariaho, Stieren Hall, Santa Fe, NM\r\n\r\nMeet the Composer New Music for Soloist Champions project presents ML in 3 premiere concerts of Joan La Barbara\'s ATMOS, a new theater work for solo flutes and sonic atmosphere (<a href=\"https://staging.margaretlancaster.com/www.meetthecomposer.org\">meetthecomposer.org</a>)\r\n\r\n3/15/08, 8 pm - Hallwalls Contemporary Arts Center, Buffalo, NY, <a href=\"https://staging.margaretlancaster.com/www.hallwalls.org/music_03.html\" target=\"_blank\" rel=\"noopener noreferrer\">hallwalls.org/music_03.html\r\n</a>3/19/08, 8 pm - Symphony Space, Peter Jay Sharp Theater, <a href=\"https://staging.margaretlancaster.com/www.symphonyspace.org/event/2248\" target=\"_blank\" rel=\"noopener noreferrer\">symphonyspace.org/event/2248</a>\r\n3/24/08, 8 pm - SUNY Purchase\r\n\r\n3/7-10/08\r\nMabou Mines DOLLHOUSE, Festival IbericoAmericano de Teatro de Bogota, Bogota, Columbia.\r\n\r\n2/25/08 - 7:30 pm\r\nWilliam Paterson University New Music Series - guest artist performing Jolivet\'s Deuxieme Concerto pour flute, Shea Auditorium.\r\n\r\n2/16/08 - 8 pm\r\nThe International Street Cannibals present STRIKE! A dance, boxing, and chamber music happening, Gleason\'s Gym - Brooklyn.\r\n\r\n1/27/08 - 4 pm\r\nPercussia performs works by Maul, Gordon, Ptaszynska, Farr, Richter, Piazzolla, Sundays Afternoons Live series, Old Greenwich, CT\r\n\r\nSanta Fe New Music presents The Colors of Music Festival, guest artist ML (<a href=\"https://staging.margaretlancaster.com/www.sfnm.org\" target=\"_blank\" rel=\"noopener noreferrer\">sfnm.org</a>):\r\n\r\n1/17/08 - Toneland Security - ML\'s solo show - Charlotte Jackson Project Space, 7 pm\r\n1/19/08 - Morton Feldman\'s For Philip Guston with Dave Tolen &amp; Debbie Wagner, SITE Santa Fe, 1 - 5:18pm.\r\n\r\n1/5/08 - 8 pm\r\nGlass Farm Ensemble, works by Laveglia, Ter Veldhuis, Kurtag, Bartok, Baryshnikov Arts Center, NYC.\r\n\r\n12/2/07\r\nPercussia performs works by Farr, McDonald, Dagher, Gordon, Griffin and others, Hart Memorial Library.\r\n\r\n11/26/07 - 7:30 pm\r\nWilliam Paterson University New Music Series - guest artist performing Crumb &amp; Sollberger, Shea Auditorium.\r\n\r\n11/10/07 - 3 pm\r\nPercussia performs works by Tobenski, Tamusuza, Maul, Richter, Gordon, Langston Hughes Library, NYC.\r\n\r\n11/8/07 - 8 pm\r\n17th Bi-Annual International Electroacoustic Music Festival, guest artist performing works by Eric Lyon, Jan Hus Presbyterian Church, NYC.\r\n\r\n10/25-11/4/07\r\nMabou Mines DOLLHOUSE, Teatro Espanol, Madrid, Spain.\r\n\r\n10/21/07 - 8:30 pm\r\nRoulette presents the music of Lois V Vierk, ML performs IO, 20 Greene St, <a href=\"https://staging.margaretlancaster.com/www.roulette.org\" target=\"_blank\" rel=\"noopener noreferrer\">roulette.org</a>.\r\n\r\n10/10-13/07\r\nMabou Mines DOLLHOUSE, Dialog Festival, Wroclaw, Poland.\r\n\r\n10/1/07\r\nMusic With A View series, ML premieres David Shohl\'s work-in-progress Swan Dive with David Cossin &amp; Peter Jarvis, The Flea Theater.\r\n\r\n8/24-28/07\r\nMabou Mines DOLLHOUSE, Edinburgh International Festival, King\'s Theatre.\r\n\r\n8/3-5/07\r\nLove or Lack Thereof - performances by Joshua Johnson, Ashley Carter Dance Company and the premiere of Crashbox, a new tap piece choreographed and performed by ML &amp; super madrileno Vanessa Martinez! The Stella Adler Studios, NYC.\r\n\r\n6/21-23/07\r\nMabou Mines DOLLHOUSE, Singapore Arts Festival\r\n\r\n6/11/07\r\nCCi\'s Serial Underground presents ML playing works by Francesco Antionioni, Ter Veldhuis, and Vierk with guests Larry Polansky &amp; Matthew Gold, Cornelia Street Cafe.\r\n\r\n5/21-23/07\r\nMabou Mines DOLLHOUSE at the Auditorium Parco Della Musica, Rome, Italy\r\n\r\n5/4/07 - 8 pm\r\nGRAB IT! Instrumental and video work of Jacob ter Veldhuis.....this is is a must see!! I\'ll be performing boombox flute solo Lipstick and it\'s FREE!\r\nWhitney Museum of American Art at Altria\r\n120 Park Avenue at 42nd Street\r\n\r\n4/19/07 - 12 pm\r\nPercussia presents a program of flute and percussion music at the Institute for Earth, Oceans and Science, University of New Hampshire, Durham.\r\n\r\n4/13/07 - 8 pm\r\nWilliams College presents EPH Musik, works by Vierk, Alexander, Adams and others.\r\nBrooks-Rogers recital hall, Williams College, Williamstown, MA\r\n\r\n3/11/07 - 8 pm\r\ncounter)induction presents Pachinko Parlor, new works by Japanese composers (Kondo, Fujikura, Michizuki, Hosokawa, Uchida, Osada).\r\nTenri Cultural Institute\r\n\r\n3/9/07 - 7:30 pm\r\nNew York Composers Circle featuring a John Eaton premiere, Leonard Nimoy Thalia at Symphony Space.\r\n\r\n2/28/07 - 7 pm\r\nSUBTROPICS Marathon\r\nworks by Brooke, Tenney, Reller, Lyon, Krause.\r\nCarnival Center\'s studio theater, Miami\r\n\r\n2/12/07\r\nCCi\'s Serial Underground series presents ML and Corey Dargel in the premiere of his BORN AND RAISED (version 2.0), Cornelia Street Cafe\r\n\r\n1/24 - 2/4/07\r\nMabou Mines DOLLHOUSE\r\nHarbourfront Centre, Toronto\r\n\r\n1/13/07 - 8 pm\r\nGlass Farm Ensemble presents JUNGLE\r\nmusic by Hurel, Mantovani, Troxler, Fitzell, Shohl.\r\nperformers: ML, Meighan Stoops, Matthew Gold, Yvonne Troxler...www.glassfarm.org\r\nTenri Cultural Institute (43A W. 13th St)\r\nsuggested donation $15\r\n\r\n1/12/07 - 7 pm\r\nGlass Farm Ensemble presents JUNGLE\r\nmusic by Hurel, Mantovani, Troxler, Fitzell, Shohl.\r\nperformers: ML, Meighan Stoops, Matthew Gold, Yvonne Troxler.\r\nBloomingdale School of Music (323 W 108th St.)\r\nfree!!\r\n\r\n11/28 - 12/10/06\r\nMabou Mines DOLLHOUSE\r\nUCLAlive series\r\nFreud Playhouse, UCLA, Los Angeles\r\n\r\n11/11/06 - 6 pm\r\nHabitats Festival\r\nVariations II by John Cage with Ne(x)tworks\r\nBrooklyn Lyceum\r\n\r\n11/10/06 - 8 pm\r\nComposers Concordance\r\nworks by Ushio Torikai, JoyEllen Snellgrove, Ron Mazurek, Harvey Sollberger, etc. ML performs with percussionist Peter Jarvis\r\nGreenwich House Music School, (46 Barrow)\r\n\r\n10/25-29/06\r\nMabou Mines DOLLHOUSE\r\nFestival de OTONO\r\nTeatro Espanol, Madrid\r\n\r\n10/20/06 - 8 pm\r\nConfessions of the Woman in the Dunes\r\nmusic and libretto by Kenji Bunch\r\nfeaturing Joan La Barbara and Ne(x)tworks\r\nIssue Project Room\r\n\r\n10/7/06 - 10 pm\r\nThe New Yorker Festival (www/festival.newyorker.com)\r\nComposers on the Edge\r\nMason Bates, Corey Dargel, Nico Muhly, and Joanna Newsom talk with Alex Ross:A Conversation with Music\r\nBargeMusic (fulton ferry landing, b\'lyn)\r\n\r\n10/7/06 - 8 pm\r\n\"STRIKE!\"\r\nGleason\'s Gym and the International Street Cannibals present a benefit to fund youth workshops for the arts...Gleason\'s Gym (83 Front Street, B\'lyn)\r\n\r\n8/8/06\r\nCCI and the Serial Underground Festival presents a ML solo concert at the <a href=\"https://staging.margaretlancaster.com/www.corneliastreetcafe.com/\">Cornelia Street Cafe</a>.....\r\nguest artist Corey Dargel, music by Nick Brooke, <a href=\"https://staging.margaretlancaster.com/www.evbvd.com/\">Eve Beglarian</a>, Ryan Carter, Molly Thompson, <a href=\"https://staging.margaretlancaster.com/www.automaticheartbreak.com/\">Corey Dargel</a> , and Steve Reich.....info:<a href=\"https://staging.margaretlancaster.com/www.composerscollab.org/upcoming_events/index.html\">CCi</a>.\r\n\r\n7/15-22/06\r\nMabou Mines DOLLHOUSE @\r\nThe Brisbane Festival, Gardens Theater, Brisbane Australia\r\n\r\n7/2/06\r\nAvant-Gong Mini-Festival - music of Nick Brooke - The Stone NYC\r\n\r\n6/13- 7/2/06\r\nShakespeare on the Sound presents MACBETH (music by Milica Paranosic), Rowayton, CT\r\n\r\nMabou Mines DOLLHOUSE:\r\n5/21-28/06 Israel\r\n5/29-6/5/06 Hong Kong\r\n\r\n5/7/06 - 4:30 pm\r\nOne-Two-Three-Go! Version 3.0 and <a href=\"http://www.strangemusic.com/\">sTRANGEmUSIC</a> presents ML in a solo electro-acoustic concert full of surprises!!! Theaterlab (137 W. 14th St.)\r\n\r\n5/6/06 - 7 pm\r\nConcordia Conservatory Annual Chamber Music Series (Bronxville, NY), ML is featured in Bach\'s Brandenburg Concerto No. 4, other performers include Elizabeth Lim and Lawrence Dutton.\r\n\r\n5/3/06 - 8 pm\r\nItalian Academy of Advanced Studies at Columbia University (Casa Italiana - 1161 Amsterdam Ave @ 118th St) - ML joins Italian pianist Emanuele Arciuli in the series entitled THREE ITALIAN MEN- music by Beethoven, Vivier, Messaien, Rzewski\r\n\r\n4/29/06\r\nNai-Ni Chen Dance Company, New Jersey Performing Arts Center, music by Joan LaBarbara.\r\n\r\n4/19/06\r\nSILOMUSIC: <a href=\"http://www.nextworksmusic.net/\">Ne(x)tworks</a> @ Issue Project Room, Brooklyn, NY -- Selections from Kenji Bunch\'s new opera Woman in the Dunes\r\n\r\n3/29 - 4/9/06\r\n<a href=\"http://www.maboumines.org/\">Mabou Mines</a> DOLLHOUSE New England Tour:\r\n3/29 - Rhode Island College/Nazarian Ctr for the Performing Arts (Providence)\r\n3/31-4/1 (2&amp;8) - Yale Repertory Theater/Long Wharf Theater (New Haven)\r\n4/4-5 - Dartmouth College/The Hopkins Center\r\n4/7 - MASS MOCA (North Adams)\r\n4/9 - Purchase College SUNY\r\n\r\n3/5/06\r\nThe International Street Cannibals, St. Mark\'s (2nd Ave at 10th St), ML performs Sciarrino, Pritzker, and Lyon.\r\n\r\n2/18/06\r\n<a href=\"http://www.talujon.com/\">Talujon Percussion Quartet</a>, with guest artists Todd Reynolds and ML, Symphony Space, featuring the music of Lou Harrison and Talujon.\r\n\r\n2/17/06\r\n<a href=\"http://www.counterinduction.com/\">Counter)induction</a>, guest artist, Tenri Cultural Institute, \"Sonati\" - a concert of music by contemporary Italian composers including Sciarrino, Scelsi, Vacchi, Francesconi, Turcotte.\r\n\r\n1/22/06\r\n<a href=\"http://www.composerscollab.org/\">Composers Collaborative Inc.</a>, APAP showcase, Cornelia St. Cafe, works by fried, distler, and busby\r\n\r\n1/13/06\r\n<a href=\"http://www.glassfarm.org/\">Glass Farm Ensemble</a>, Tenri Cultural Institute, music by Burkhardt, Shohl, Montovani, and Kagel\r\n\r\n1/3/06\r\nEaton Buffet - music of John Eaton, St. Peter\'s Church (citicorp bldg.), NYC\r\n\r\n2005\r\n\r\n12/19/05\r\nchamber music @ Maripol - musical fun w/conrad harris, dov schindlein and the fabulous kim sisters!\r\n\r\n11/30 - 12/18/05\r\nMabou Mines DOLLHOUSE @ The Museum of Contemporary Art (Chicago, IL)\r\n\r\n11/16 - 20/05\r\nMabou Mines DOLLHOUSE @ Wexner Center (Columbus, OH)\r\n\r\n11/9 - 13/05\r\nMabou Mines DOLLHOUSE @ Walker Arts Center (Minneapolis)\r\n\r\n10/17/05\r\n<a href=\"http://www.7lezards.com/\">7 Lezards</a> - 2 sets -- solo electro-acoustic and duo improv with Peter Herbert ( 10, rue des Rosiers, Paris)\r\n\r\n10/11 - 23/05\r\nMabou Mines DOLLHOUSE @ Strasbourg Festival, Theatre National de Strasbourg\r\n\r\n10/5 - 9/05\r\nMabou Mines DOLLHOUSE @ Theatre National Populaire Villeurbanne (Lyon, France)\r\n\r\n9/27 - 10/2/05\r\nMabou Mines DOLLHOUSE @ Paris Festival d\'Automne, Theatre Nationale de la Colline\r\n\r\n9/14/05\r\n<a href=\"http://www.meetthecomposer.org/\">MEET THE COMPOSER</a> at the Mercantile Library (17 E. 47th Street)- inaugural concert w/ Eve Beglarian &amp; Corey Dargel.\r\n\r\n8/16/05\r\nGene Pritzker concert at the Cutting Room (19 W. 24th St), $10 (Sorrow Like Pleasure Creates its own Atmosphere premiere)\r\n\r\n7/12-16/05\r\nLincoln Center Festival: Merce Cunningham Dance Company\'s OCEAN, The Rose Room, NYC.\r\n\r\n6/29 - 7/2/05\r\nMabou Mines\' DOLLHOUSE at Theater Der Welt, Stuttgart, Germany\r\n\r\n6/20/05 - 6:30 PM\r\nOne-Two-Three-Go! series: w/ Eve Beglarian and Corey Dargel, Opia (130 East 57th street)\r\n\r\nSPOLETO FESTIVAL USA\r\n5/26 - 6/12/05: Mabou Mines\' DOLLHOUSE\r\n6/8/05 - Music in Time Series -- solo works by Nick Brooke, Paul Steenhuisen and Jacob Ter Veldhuis.\r\n\r\n5/11/05\r\nA Portrait of James Tenney, The Whitney Museum of American Art at Altria (120 Park Avenue at 42nd Street), NYC, FREE\r\n\r\n5/8/05 - 8PM\r\nJames Tenney: Postal Pieces, The Project Room (619 East 6th Street), www.issueprojectroom.org\r\n\r\n4/29/05\r\nDowntownEnsemble presents The Flexible Orchestra, St. Peter\'s Church, NYC, works by Polansky, Vierk, Finckel, Zummo, Goode.\r\n\r\n4/15-16/05\r\nShangri-la by Susie Ibarra, The Kitchen, NYC\r\n4/2/05\r\nBONK Festival of New Music - Solo interdisciplinary show, Salvador Dali Museum (St. Petersburg, FL), works by Stockhausen, Steenhuisen, Applebaum, Constable, Brooke, Ter Veldhuis, Rogers, and premiere by Francis Schwartz.\r\n4/1/05\r\nBONK Festival of New Music - Soloist with the University of South Florida Percussion Ensemble, Tampa Bay Performing Arts Center (FL), works by Rogers and Lyon.\r\n3/30/05\r\nThe Bilitis Songbook by Eve Beglarian and Phil Kline produced by Arts at St. Ann\'s, Joe\'s Pub, NYC\r\n2/28/05\r\n21st Century Schizoid Music Series: the music of Nicholas Brooke, Cornelia Street Cafe, NYC\r\n\r\n2/5/05\r\nComposers Concordance presents \"Improvisionaries!\", The Cutting Room, NYC, works by Beglarian and Simons\r\n\r\n2/3/05\r\nNew Music by Drew Krause and Eric Lyon, solo and chamber works, North River Music Series, Greenwich House Music School\r\n\r\n1/21/05\r\nLecture and Solo Recital, Stanford University, Campbell Recital Hall, works by Varese, Stockhausen, Sciarrino, Maresz, Applebaum, Brooke and premieres by Bloland, Yang, and Steenhuisen.\r\n\r\n2004\r\n\r\n12/8/04\r\nsoloist - Bennington College Music Festival 2004, Bennington, VT, Nicholas Brooke premiere.\r\n\r\n12/3-5/04\r\nchoreographer -- The Nutcracker, Concordia Conservatory\'s Musical Adventures Series, Bronxville, NY\r\n\r\n11/6/04\r\nMiss Lancer the Dancer show, Concordia Conservatory\'s Musical Adventures Series, Bronxville, NY\r\n\r\n11/1/04\r\nsoloist at the 30th Annual International Computer Music Conference, University of Miami, Coral Gables, FL.\r\n\r\n10/29/04\r\nguest artist with pianist Emanuele Arciuli (as part of the Randomness Conference), Italian Academy at Columbia University, Carlos de Incontrere premiere.\r\n\r\n10/24/04\r\nDubuque concert series with Dafna Naphtali -- improvisations and works by Schramm, Sydeman, Naphtali, Applebaum, Varese.\r\n\r\n10/9/04 - 8 PM\r\nGlass Farm Ensemble, Tenri Cultural Institute, music and tap dance interpretation of Moser, Martin, Rasmussen, Saunders, Sciarrino.\r\n\r\n9/2-3/04\r\nIbsen Festival (Oslo, Norway) - Mabou Mines DOLLHOUSE, National Theatre.\r\n\r\n8/28-31/04 - 7 PM\r\nImagine Festival: Forgiveness (directed by Chen Shi-Zheng, composer Eve Beglarian)/Mourning (created and performed by Eiko and Koma), Asia Society\r\n\r\n6/28/04 - 9 PM\r\n21st Century Schizoid Music Series: the music of Corey Dargel\r\n\r\n5/26/04 - 8 PM\r\nthe music of Patricia Leonard, Weill Recital Hall, NYC\r\n\r\n5/21/04 - 8 PM\r\nNew York Composers Circle concert\r\n\r\n5/13/04 - 8 PM\r\nthe music of Sean Hickey, South Oxford Space, Brooklyn, NY\r\n\r\n5/4/04 - 7-9 PM\r\nThe TV Guide - music of Jacob Ter Veldhuis, The Cutting Room, NYC (19 W. 24th St)\r\n\r\n4/30/04 - 8 PM\r\nDowntown Ensemble\'s Flexible Orchestra, Washington Square Church, NYC\r\n\r\n4/22/04 - 8 PM\r\nASCAP\'s Thru the Walls series\r\nfeaturing: Tom Chiu w/Margaret Lancaster &amp; David First, Matthew Shipp w/Matt Maneri, and Polygraph Lounge\r\n\r\n4/7-10/04 - 8 PM\r\nDowntown Ensemble: the music of Christian Wolff\r\n4/7 - Greenwich House Music School, NYC\r\n4/8 - 67 Spring Street, NYC\r\n4/9 - Greenwich House Music School, NYC\r\n4/10 - Hudson Opera House, Hudson, NY\r\n\r\n3/17-19/04\r\nBONK Festival of New Music, Tampa, FL (www.bonkmusicfest.com)\r\n\r\n3/17/04\r\nflute lecture/performance/demonstration, University of South Florida, Tampa, FL\r\n\r\n2/29/04 - 4PM\r\nJennifer Griffith\'s Leap Day Licks, UNDER St. Mark\'s (94 Saint Mark\'s Place), NYC\r\n\r\n2/13-14/04\r\nThe Bilitis Songbook (by Eve Beglarian and Phil Kline), DiverseWorks Artspace, Houston, TX\r\n\r\n2/6/04\r\nGlass Farm Ensemble (music by Saariaho, Huber, Jarrell, Maresz, Crumb), Tenri Cultural Institute, NYC\r\n\r\n2/4/04\r\nNakamichi Concert Series, Stonehill College, MA\r\n\r\n2003\r\n\r\n11/19 - 12/14/03\r\nMabou Mines DOLLHOUSE (Lee Breuer, director), St. Ann\'s Warehouse, NYC\r\n\r\n12/3/03\r\nEve Beglarian Book of Days multi-media concert, Church of the Ascension, NYC\r\n\r\n11/13/03\r\nListening in the Sound Kitchen Festival, Princeton University\r\n\r\n11/5/03\r\nMakor, NYC, with Tom Chiu and Dave Eggar (Flux Quartet)\r\n\r\n10/30/03\r\nDowntown Ensemble with David First, Greenwich House Music School, NYC\r\n\r\n9/21-26/03\r\nBremen MusikFest with Absolute Ensemble\r\n\r\n9/21 - Mark Anthony Turnage\'s Blood on the Floor w/ Peter Erskine, Dave Carpenter, John Parricelli, Martin Robertson and die Deutsche Kammerphilharmonie Bremen.\r\n9/24 - L\'Apres Midi d\'un Faun/Mahler Symphony No. 4\r\n9/26 - Arabian Nights (Daniel Schnyder) featuring Marcel Khaliffe.\r\n\r\n7/10/03\r\nWNYC Overnight Music with George Preston - live interview with Heather Hitchens and Harold Meltzer\r\n\r\n6/25/03\r\nEve Beglarian Book of Days multi-media concert, Church of the Ascension, NYC\r\n\r\n6/14/03\r\nOtto Luening/Dan Cooper concert at Engine 27, NYC\r\n\r\n5/21-6/3/03\r\nSpoleto Festival USA - Music in Time Series\r\n\r\n6/1 - Common Sense Composers Collective ensemble-in- residence concert. Premieres by Dan Becker, John Halle, Ed Harsh, Melissa Hui, Mark Mellits, Belinda Reynolds, Randy Woolf, Carolyn Yarnell.\r\n6/4 - chamber music by Terry Riley, Frederic Rzewski, Kaija Saariaho, and Randy Nordchow.\r\n\r\n5/17-20/03\r\nDowntown Ensemble concerts - music by Ron Nagorcka, Peter Zummo, and Douglas Repetto.\r\n\r\n5/17 - Hudson Opera House\r\n5/18 - Deep Listening Space\r\n5/20 - Greenwich House Music School\r\n\r\n5/13/03\r\nPrinceton Composers Concert\r\n\r\n5/2/03\r\nConcordia Conservatory Chamber Music Festival, Bronxville, NY\r\n\r\n4/15/03\r\nDonnell Library with Kevin Gallagher and Milica Paranosic\r\n\r\n4/14/03\r\nVal Val at Joe\'s Pub, NYC\r\n\r\n4/6/03\r\nLois V Vierk concert, Roulette, NYC\r\n\r\n4/4-5/03\r\nSwiss composers concert (music by Balz Trumpy, Dieter Ammann, Daniel Schnyder), NYC\r\n\r\n3/4-8/03\r\nBONK Festival of New Music, Tampa, FL\r\n\r\n2/14-15/03\r\nThe Bilitis Project (Eve Beglarian and Phil Kline), Flynn Center, Burlington, VT [world premiere]\r\n\r\n2/8/03\r\nGlass Farm Concert Series (guest artist), NYC\r\n\r\n1/25/03\r\nConcordia Conservatory\'s Musical Adventures Series featuring Miss Lancer the Dancer\r\n\r\n2002 12/18/02\r\nOren Fader recital (guest artist)\r\nWashington Square Church, NYC12/12/02\r\nNorth River Concert Series\r\nEve Beglarian\'s Book of Days Project (guest artist)\r\nGreenwich House Music School, NYC11/13/02\r\nVaughan Recital Series\r\nSolo Interdisciplinary Concert\r\nDartmouth College, Hanover, NH\r\n\r\n11/14/02\r\n20th Century Music lecture, Dartmouth College\r\n\r\n11/10/02\r\nThreeTwo Festival\r\nSolo Interdisciplinary Concert\r\nSanford Meisner Theater, NYC\r\n\r\n11/7/02\r\nThreeTwo Festival\r\nFuturessence, an evening of Italian futurist plays directed by Gerhard Stabler and Kunsu Shim\r\nSanford Meisner Theater, NYC9/14/02\r\nGlass Farm Concert Series, NYC (guest vocalist) 8/29/02\r\nPaul Zukofsky\'s 2002 Musical Observations concert\r\nthe music of Jo Kondo\r\nSt. Peter\'s Church, NYC 8/23/02\r\nFireworks! New music ensemble concert\r\nThe Knitting Factory, NYC7/25/02\r\nSanta Fe New Music concert\r\nSantuario de Guadalupe (Santa Fe,NM)6/8/02\r\nMeet the Composer\'s The Works Festival\r\nMinneapolis, MN (guest artist)5/29-6/5/02\r\nSpoleto Festival USA\r\nMusic in Time Series\r\nCharleston, SC5/19 - Essential Music (music by Lang, Scelsi, Vivier)\r\n6/1 - Essential Music (Steve Reich concert)\r\n6/5 - Essential Music (music by Lyon, Thompson, Ornstein, Reynolds, Yanov-Yanovsky) 5/4-13/02\r\nDowntown Ensemble\r\nThe 2 Davids concert: music of David Mahler &amp; David Behrman5/4 -Hudson Opera House (Hudson, NY)\r\n5/5 - The Deep Listening Space (Kingston, NY)\r\n5/8 - Dartmouth College\'s Vaughn Recital Series (Hanover, NH), (mahler only)\r\n5/13 - Greenwich House Music School (NYC)4/30/02\r\nSounding Boards concert\r\nGalapagos Artspace, NYC (guest artist)4/7/02\r\nKitty Brazelton\'s CRI CD release concert, NYC (guest artist)3/27/02\r\nSongs From the Book of Days concert\r\nGalapagos Artspace, NYC (guest artist)<img src=\"https://staging.margaretlancaster.com/sidetablespacer.gif\" alt=\"sidetablespacer.gif (55 bytes)\" width=\"10\" height=\"10\" />3/5-9/02\r\nBonk Festival of New Music, Tampa, FL\r\n\r\n2/10/02\r\nFirst Baptist Church, Needham, MA (solo recital)\r\n\r\n1/18/02\r\nBloomingdale School of Music\r\nVoices New and Old series, NYC (flute and percussion recital with Matthew Gold and special guest Oren Fader)\r\n\r\n2001 12/16/01\r\n1-2-3 GO!! Concert series, NYC (guest artist for Eve Beglarian)12/11/01\r\nPrinceton Composers Concert, Princeton, NJ\r\n\r\n12/1/01\r\nAlliance Francaise recital series, Bermuda (solo recital)11/14/01\r\nThe Time Shards Music Series at the Georgia O\'Keeffe Museum, Santa Fe, NM (Santa Fe New Music recital)11/3/01\r\nConcordia Conservatory Children\'s Series, Bronxville, NY (Miss Lancer the Dancer concert with the Global Arts Percussion Trio)10/30/01\r\nThe Cutting Room, NYC\r\nThe Sally Collective (with Eve Beglarian, Phil Kline and guests Todd Reynolds and Taimur Sullivan)10/26/01\r\nRuth Crawford Seeger Symposium chamber music concert\r\nBrooklyn College, NYC10/21/01\r\n1-2-3-GO!! Concert series, NYC\r\nsolo interdisciplinary recital10/4-5/01\r\nSolo interdisciplinary recital and masterclasses (flute and composition), University of Louisville, Louisville, KY9/26/01\r\nYesterday\'s Gone Concert series\r\nLeo Koenig Gallery, NYC (flute and interactive electronics with Eric Lyon)9/14/01\r\nVisionIntoArt benefit concert for the American Red Cross, Clark Studio, Lincoln Center, NYC (soloist)8/25-26/01\r\nOught-One Festival of Non-Pop, Montpelier, VT\r\n1. solo interdisciplinary recital\r\n2. The Bilitis Project recital with Eve Beglarian, Phil Kline, and Eleanor Sandresky5/24/01\r\nComposer\'s Concordance concert\r\nNYU\'s Loewe Theater, NYC5/4/01\r\nThe Cutting Room, NYC (solo recital)3/4-10/01\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)\r\n\r\n1/31/01\r\nASCAP Thru the Walls concert #1\r\nThe Cutting Room, NYC (guest artist for Eve Beglarian)\r\n\r\n1/25/01\r\nMilton Babbitt Century Club birthday concert, NYC\r\n\r\n2000 11/18/00\r\nConcordia Conservatory Children\'s Series\r\nBronxville, NY (Miss Lancer the Dancer concert)10/8/00\r\nTwoThree Festival (Herbert Brun, featured composer), Barnard College, NYC (soloist and chamber player)10/5, 7/00\r\nBargemusic Concert Series, NYC9/18/00\r\nNew Music Connoisseur concert\r\nNYU\'s Loewe Theater, NYC (soloist)8/31/00\r\nMusical Observations chamber music concert (Milton Babbitt, featured composer)\r\nHenry Street Settlement, NYC6/11/00\r\nEssential Music concerts (2), Flea Theater, NYC6/2-7/00\r\nSpoleto Festival USA, Music in Time Series, Charleston, SC\r\n\r\n6/2 - Essential Music\r\n6/4 - Essential Music\r\n6/7 - solo recital with Essential Music 5/24/00\r\nOtto Luening Centennial Concert, Miller Theater, NYC (soloist)\r\n\r\n4/17/00\r\nDowntown Ensemble concert, Greenwich House music school, NYC\r\n\r\n3/5-10/00\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)\r\n\r\n1999 12/2/99\r\nThreeTwo Festival marathon concert (soloist)11/20/99\r\nConcordia Conservatory Children\'s Series, Bronxville, NY (Miss Lancer the Dancer concert) 10/10-15/99\r\nEssential Music residency at Dartmouth College, Hanover, NH5/16/99\r\nNo Noise Reduction concert, Center Stage Theater, NYC (soloist)4/27-29/99\r\nDartmouth New Musics Festival guest artist, Hopkins Center, Hanover, NH 4/27 - flute and composition masterclasses\r\n4/28 - solo piccolo recital\r\n4/29 - Festival concerts (soloist)\r\n\r\n3/1-6/99\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)','Performances','','inherit','closed','closed','','50-revision-v1','','','2018-03-14 20:23:15','2018-03-15 03:23:15','',50,'https://staging.margaretlancaster.com/2018/03/50-revision-v1/',0,'revision','',0),(777,1,'2017-09-16 15:54:06','2017-09-16 22:54:06','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:54:06','2017-09-16 22:54:06','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(774,1,'2017-09-16 15:36:26','2017-09-16 22:36:26','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n\r\n&nbsp;\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>\r\n</strong>\r\n<strong><strong><img class=\"alignright\" title=\"futureflute\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"futureflute\" width=\"240\" height=\"240\" /></strong></strong><strong>\r\nFuture Flute</strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>\r\n</strong>\r\n<strong><img class=\"alignright\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong><strong>\r\nOverstepping - Eve Beglarian</strong>\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"alignleft wp-image-372\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, violinist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong><strong>\r\nEight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignleft\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"alignright size-full wp-image-147\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:36:26','2017-09-16 22:36:26','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(771,1,'2017-09-16 15:27:50','2017-09-16 22:27:50','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 705px; height: 5319px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 499.65px;\">\r\n<h2></h2>\r\n<h2></h2>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n\r\n&nbsp;\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n<td style=\"width: 24.35px;\">\r\n<h2><em><img title=\"iocover1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/06/iocover1.jpg\" alt=\"iocover1\" width=\"200\" height=\"200\" /></em></h2>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>\r\n</strong>\r\n<strong><strong><img class=\"alignright\" title=\"futureflute\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"futureflute\" width=\"240\" height=\"240\" /></strong></strong><strong>\r\nFuture Flute</strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a>\r\n\r\n\r\nTell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>\r\n</strong>\r\n<strong><img class=\"alignright\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong><strong>\r\nOverstepping - Eve Beglarian</strong>\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\">\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"alignleft wp-image-372\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a>\r\n\r\n<strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>\r\n\r\nPowder - Drew Krause<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a></strong>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape<em>Flutist Margaret Lancaster, violinist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in teh computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\">\r\n<strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong><strong>\r\nEight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\nOpen Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a>\r\n\r\nculture samples: Concerti for Flute with Percussion Orchestra - Kim McCormick, flute and the McCormick Percussion Group</strong>\r\n<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n<td style=\"width: 24.35px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n<td style=\"width: 24.35px;\"><strong><img title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" />\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 499.65px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n<td style=\"width: 24.35px;\"><img title=\"spankme\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"spankme\" width=\"160\" height=\"159\" /></td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 499.65px;\"><strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n<td style=\"width: 24.35px;\"><img title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" /></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:27:50','2017-09-16 22:27:50','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(773,1,'2017-09-16 15:32:44','2017-09-16 22:32:44','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 672px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n\r\n&nbsp;\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong>\r\n</strong>\r\n<strong><strong><img class=\"alignright\" title=\"futureflute\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"futureflute\" width=\"240\" height=\"240\" /></strong></strong><strong>\r\nFuture Flute</strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\nTell The Birds - Eve Beglarian\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong>\r\n</strong>\r\n<strong><img class=\"alignright\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong><strong>\r\nOverstepping - Eve Beglarian</strong>\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"alignleft wp-image-372\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\">&nbsp;\r\n\r\nPowder - Drew Krause<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape<em>Flutist Margaret Lancaster, violinist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in teh computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong><strong>\r\nEight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\nOpen Crossings - Andy Teirstein\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong></strong>culture samples: Concerti for Flute with Percussion Orchestra - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\">&nbsp;\r\n\r\n<strong><img class=\"alignleft\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"alignright size-full wp-image-147\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 468.467px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:32:44','2017-09-16 22:32:44','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(772,1,'2017-09-16 15:31:52','2017-09-16 22:31:52','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 672px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n\r\n&nbsp;\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n<td style=\"width: 22.5333px;\">\r\n<h2><em><img title=\"iocover1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/06/iocover1.jpg\" alt=\"iocover1\" width=\"200\" height=\"200\" /></em></h2>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong>\r\n</strong>\r\n<strong><strong><img class=\"alignright\" title=\"futureflute\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"futureflute\" width=\"240\" height=\"240\" /></strong></strong><strong>\r\nFuture Flute</strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\nTell The Birds - Eve Beglarian\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong>\r\n</strong>\r\n<strong><img class=\"alignright\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong><strong>\r\nOverstepping - Eve Beglarian</strong>\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"alignleft wp-image-372\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\">&nbsp;\r\n\r\nPowder - Drew Krause<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape<em>Flutist Margaret Lancaster, violinist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in teh computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong><strong>\r\nEight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\nOpen Crossings - Andy Teirstein\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong></strong>culture samples: Concerti for Flute with Percussion Orchestra - Kim McCormick, flute and the McCormick Percussion Group\r\n\r\n<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\">&nbsp;\r\n\r\n<strong><img class=\"alignleft\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n<td style=\"width: 22.5333px;\"><strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 468.467px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"alignright size-full wp-image-147\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 468.467px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n<td style=\"width: 22.5333px;\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:31:52','2017-09-16 22:31:52','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(775,1,'2017-09-16 15:43:05','2017-09-16 22:43:05','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n\r\n&nbsp;\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>\r\n</strong>\r\n<strong><strong><img class=\"alignright\" title=\"futureflute\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"futureflute\" width=\"240\" height=\"240\" /></strong></strong><strong>\r\nFuture Flute</strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:43:05','2017-09-16 22:43:05','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(776,1,'2017-09-16 15:44:37','2017-09-16 22:44:37','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>\r\n</strong>\r\n<strong><strong><img class=\"alignright\" title=\"futureflute\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"futureflute\" width=\"240\" height=\"240\" /></strong></strong><strong>\r\nFuture Flute</strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:44:37','2017-09-16 22:44:37','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(778,1,'2017-09-16 15:58:42','2017-09-16 22:58:42','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 15:58:42','2017-09-16 22:58:42','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(779,1,'2017-09-16 16:56:00','2017-09-16 23:56:00','','Scan 1','','inherit','closed','closed','','scan-1','','','2017-09-16 16:56:00','2017-09-16 23:56:00','',36,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg',0,'attachment','image/jpeg',0),(780,1,'2017-09-16 16:56:21','2017-09-16 23:56:21','','Scan 2','','inherit','closed','closed','','scan-2','','','2017-09-16 16:56:21','2017-09-16 23:56:21','',36,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg',0,'attachment','image/jpeg',0),(781,1,'2017-09-16 16:56:43','2017-09-16 23:56:43','','Scan 5','','inherit','closed','closed','','scan-5','','','2017-09-16 16:56:43','2017-09-16 23:56:43','',36,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5.jpeg',0,'attachment','image/jpeg',0),(782,1,'2017-09-16 16:57:01','2017-09-16 23:57:01','','Scan 6','','inherit','closed','closed','','scan-6','','','2017-09-16 16:57:01','2017-09-16 23:57:01','',36,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg',0,'attachment','image/jpeg',0),(783,1,'2017-09-16 16:57:12','2017-09-16 23:57:12','','Scan','','inherit','closed','closed','','scan','','','2017-09-16 16:57:12','2017-09-16 23:57:12','',36,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg',0,'attachment','image/jpeg',0),(784,1,'2017-09-16 17:53:24','2017-09-17 00:53:24','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright  wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>Venus &amp; Jupiter</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 17:53:24','2017-09-17 00:53:24','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(785,1,'2017-09-16 18:08:03','2017-09-17 01:08:03','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:08:03','2017-09-17 01:08:03','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(786,1,'2017-09-16 18:14:01','2017-09-17 01:14:01','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright  wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:14:01','2017-09-17 01:14:01','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(787,1,'2017-09-16 18:21:04','2017-09-17 01:21:04','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\"size-full wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"200\" height=\"200\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\r\nThe Chamber Music of Gene Pritsker\r\n</strong>Composer Concordance Records/Naxos\r\n<em>Galileo Starry Messenger</em> (work #355)\r\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:21:04','2017-09-17 01:21:04','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(788,1,'2017-09-16 18:22:16','2017-09-17 01:22:16','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\" wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"274\" height=\"274\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright size-full wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"240\" height=\"240\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\r\nThe Chamber Music of Gene Pritsker\r\n</strong>Composer Concordance Records/Naxos\r\n<em>Galileo Starry Messenger</em> (work #355)\r\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:22:16','2017-09-17 01:22:16','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(789,1,'2017-09-16 18:23:34','2017-09-17 01:23:34','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\" wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"274\" height=\"274\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright  wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"322\" height=\"322\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\r\nThe Chamber Music of Gene Pritsker\r\n</strong>Composer Concordance Records/Naxos\r\n<em>Galileo Starry Messenger</em> (work #355)\r\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:23:34','2017-09-17 01:23:34','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(1190,1,'2020-05-29 19:37:37','2020-05-30 02:37:37','','C60D3EAC-9487-4091-8C0E-9B53486A9C49','','inherit','closed','closed','','c60d3eac-9487-4091-8c0e-9b53486a9c49','','','2020-05-29 19:37:37','2020-05-30 02:37:37','',1186,'https://staging.margaretlancaster.com/wp-content/uploads/2020/05/C60D3EAC-9487-4091-8C0E-9B53486A9C49.jpeg',0,'attachment','image/jpeg',0),(790,1,'2017-09-16 18:32:12','2017-09-17 01:32:12','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\" wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"274\" height=\"274\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"322\" height=\"322\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\r\nThe Chamber Music of Gene Pritsker\r\n</strong>Composer Concordance Records/Naxos\r\n<em>Galileo Starry Messenger</em> (work #355)\r\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Soft Horizons - Barbara Monk Feldman<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5.jpeg\"><img class=\"alignright  wp-image-781\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5-300x295.jpeg\" alt=\"\" width=\"244\" height=\"240\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records</a><strong>\r\n</strong><em>The Chaco Wilderness</em>\r\nThe DownTown Ensemble (ML, Daniel Goode, Larry Polansky, Joseph Kubera, Chris Nappi)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignright\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:32:12','2017-09-17 01:32:12','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(791,1,'2017-09-16 18:33:20','2017-09-17 01:33:20','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 795px; height: 6284px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\" wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"274\" height=\"274\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"322\" height=\"322\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\r\nThe Chamber Music of Gene Pritsker\r\n</strong>Composer Concordance Records/Naxos\r\n<em>Galileo Starry Messenger</em> (work #355)\r\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Soft Horizons - Barbara Monk Feldman<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5.jpeg\"><img class=\"alignright wp-image-781\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5-300x295.jpeg\" alt=\"\" width=\"244\" height=\"240\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records</a><strong>\r\n</strong><em>The Chaco Wilderness</em>\r\nThe DownTown Ensemble (ML, Daniel Goode, Larry Polansky, Joseph Kubera, Chris Nappi)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignleft\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:33:20','2017-09-17 01:33:20','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(1174,1,'2020-03-24 19:57:34','2020-03-25 02:57:34','<table class=\"aligncenter\" style=\"width: 748px; height: 6427px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\n<tbody>\n<tr>\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\" wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"274\" height=\"274\" /></a>\n<h2><em>IO (New World Records)</em></h2>\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\n\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\n\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\n\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\n\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\">\n\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"322\" height=\"322\" /></a></strong>\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener noreferrer\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener noreferrer\">amazon.com</a> and most on-line retail outlets.\n<strong><strong>\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\n\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\n</strong></td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\n\n<strong>Tell The Birds - Eve Beglarian</strong>\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\n\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\nVenus &amp; Jupiter\n</em>Either/Or<em>\n</em></td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\n<a href=\"http://newworldrecords.org\">New World Records</a>\n<em>The Veins of Marble </em>\nEither/Or, Richard Carrick, conductor</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\n<em>Jarak Jauh</em> - ML, flutes</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\nThe Chamber Music of Gene Pritsker\n</strong>Composer Concordance Records/Naxos\n<em>Galileo Starry Messenger</em> (work #355)\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong>Soft Horizons - Barbara Monk Feldman<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5.jpeg\"><img class=\"alignright wp-image-781\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5-300x295.jpeg\" alt=\"\" width=\"244\" height=\"240\" /></a>\n</strong><a href=\"http://newworldrecords.org\">New World Records</a><strong>\n</strong><em>The Chaco Wilderness</em>\nThe DownTown Ensemble (ML, Daniel Goode, Larry Polansky, Joseph Kubera, Chris Nappi)</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignleft\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\">\n\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\n<em>Tweety</em>for flute and tape\n\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\">\n\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\n<strong>Open Crossings - Andy Teirstein</strong>\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong><strong>\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\n<em>Berceuse</em> by David Rogers</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\n\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\n\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"></td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\n\n<strong>Overstepping - Eve Beglarian\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\n<em>Preciosilla</em> (1990) by Eve Beglarian\ntext by Gertrude Stein</strong></td>\n</tr>\n<tr>\n<td style=\"width: 591px;\">\n\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\n\n<strong>Being and Time - Norman Yamada</strong>\nTzadik\n<em>Deterioration</em> (1996) by Norman Yamada</td>\n</tr>\n<tr>\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\nCorngun by Paul Reller</td>\n</tr>\n<tr align=\"left\" valign=\"middle\">\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\n\n<strong>BONK 98 Limited Edition Compact Disc</strong>\nMusic from the Festivals 1994-1997\n<em>Inferno</em> by Eric Lyon</td>\n</tr>\n</tbody>\n</table>','Recordings','','inherit','closed','closed','','36-revision-v1','','','2020-03-24 19:57:34','2020-03-25 02:57:34','',36,'https://staging.margaretlancaster.com/2020/03/36-revision-v1/',0,'revision','',0),(792,1,'2017-09-16 18:34:18','2017-09-17 01:34:18','&nbsp;\r\n<table class=\"aligncenter\" style=\"width: 748px; height: 6427px;\" border=\"0\" cellspacing=\"25\" cellpadding=\"25\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\"><img class=\" wp-image-156 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg\" alt=\"\" width=\"274\" height=\"274\" /></a>\r\n<h2></h2>\r\n<h2><em>IO (New World Records)\r\n</em></h2>\r\n&nbsp;\r\n\r\n<em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice\r\n\r\nThis gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.\r\n\r\n<strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky\r\n\r\n[audio:https://staging.margaretlancaster.com/01daughter.mp3]\r\n\r\n<strong>Download Liner Notes</strong> (<a href=\"https://staging.margaretlancaster.com/IOLinerNotes.pdf\">PDF</a>)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Future Flute<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\"><img class=\"alignright wp-image-142\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/futureflute.jpg\" alt=\"\" width=\"322\" height=\"322\" /></a></strong>\r\nMargaret Lancaster’s debut solo cd, with works by Paul Reller, David Rogers, Robert Constable, Eric Lyon.<strong>\r\n</strong>Available through <a href=\"http://www.cdemusic.org/\" target=\"_blank\" rel=\"noopener\">CDeMusic.org</a>, <a href=\"http://www.amazon.com/\" target=\"_blank\" rel=\"noopener\">amazon.com</a> and most on-line retail outlets.\r\n<strong><strong>\r\n</strong></strong><em>“Lancaster’s arch Bond-girl pose on the cover is entirely appropriate. In her hands the flute veers between seductive siren song and high velocity assault weapon. These six pieces were written for her by composers alert to her technical strengths and musical temperament. Her slippery twists, turns and tangents are glossed by ingenious percussive and electroacoustic designs, remote from the formulaic accompaniment so often reserved for the instrument. All delivered with astonishing breath control and a knowing smile, this is without question the most exciting flute-driven album since Barbara Held’s Upper Air Observation (1991).”</em>--Julian Cowley, THE WIRE\r\n\r\n<em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--\r\nJames Bohn, COMPUTER MUSIC JOURNAL 26:4<strong>\r\n</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\"><img class=\"alignleft wp-image-370\" title=\"00000004_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_21.jpg\" alt=\"\" width=\"228\" height=\"217\" /></a></strong>\r\n\r\n<strong>Tell The Birds - Eve Beglarian</strong>\r\n<a href=\"http://www.newworldrecords.org\">New World Records</a>\r\n<em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman\r\n<em>Robin Redbreast</em>, text by Stanley Kunitz, performed by Corey Dargel, voice and ML, piccolo.\r\n\r\n<em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I\'ve heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that\'s just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Tranzience - Elliott Sharp<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg\"><img class=\"alignright wp-image-780\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg\" alt=\"\" width=\"243\" height=\"237\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records </a><em>\r\nVenus &amp; Jupiter\r\n</em>Either/Or<em>\r\n</em></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Cycles of Evolution - Richard Carrick<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg\"><img class=\"wp-image-782 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg\" alt=\"\" width=\"234\" height=\"228\" /></a></strong>\r\n<a href=\"http://newworldrecords.org\">New World Records</a>\r\n<em>The Veins of Marble </em>\r\nEither/Or, Richard Carrick, conductor</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Jarak Jauh - Nick Brooke<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg\"><img class=\"alignright wp-image-779\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg\" alt=\"\" width=\"268\" height=\"233\" /></a></strong>\r\n<em>Jarak Jauh</em> - ML, flutes</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>                                 Melodies Alone Can Proudly Carry Their Own Death<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg\"><img class=\"wp-image-783 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg\" alt=\"\" width=\"241\" height=\"234\" /></a>\r\nThe Chamber Music of Gene Pritsker\r\n</strong>Composer Concordance Records/Naxos\r\n<em>Galileo Starry Messenger</em> (work #355)\r\nML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Soft Horizons - Barbara Monk Feldman<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5.jpeg\"><img class=\"alignright wp-image-781\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5-300x295.jpeg\" alt=\"\" width=\"244\" height=\"240\" /></a>\r\n</strong><a href=\"http://newworldrecords.org\">New World Records</a><strong>\r\n</strong><em>The Chaco Wilderness</em>\r\nThe DownTown Ensemble (ML, Daniel Goode, Larry Polansky, Joseph Kubera, Chris Nappi)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\"><img class=\"wp-image-372 alignleft\" title=\"ElizabethHoffmanCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/ElizabethHoffmanCDCover.jpg\" alt=\"\" width=\"233\" height=\"220\" /></a><strong>Pathological Curves - Elizabeth Hoffman</strong>\r\n<a href=\"http://www.world-edition.com\">World Edition</a> (oo17)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong>Powder - Drew Krause</strong><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\"><img class=\"wp-image-376 alignright\" title=\"00000005_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000005_2.jpg\" alt=\"\" width=\"250\" height=\"235\" /></a>\r\n<a href=\"http://www.innova.mu\">innova Recordings</a> (676)\r\n<em>Tweety</em>for flute and tape\r\n\r\n<em>Flutist Margaret Lancaster, vio</em><em>linist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause\'s music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"aligncenter\" title=\"fplogohalf\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/fplogohalf.gif\" alt=\"fplogohalf\" width=\"200\" height=\"112\" /></strong>\r\n<strong> Eight Thrushes, Accordion and Bagpipe</strong> by Daniel Goode\r\nPerformed by the Downtown Ensemble, available from <a href=\"http://www.frogpeak.org/\">Frog Peak Music</a> (Goo09)</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\"><img class=\"wp-image-374 alignright\" title=\"AndyTeirsteinCDCover\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/AndyTeirsteinCDCover.jpg\" alt=\"\" width=\"232\" height=\"220\" /></a>\r\n<strong>Open Crossings - Andy Teirstein</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><strong>\r\n<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\"><img class=\"wp-image-377 alignleft\" title=\"00000003_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg\" alt=\"\" width=\"241\" height=\"228\" /></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href=\"http://www.capstonerecords.org\">Capstone Records </a>(8802)\r\n<em>Berceuse</em> by David Rogers</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\"><img class=\"wp-image-378 alignright\" title=\"00000002_2\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000002_2.jpg\" alt=\"\" width=\"241\" height=\"222\" /></a>\r\n\r\n<strong>Left At the Fork in the Road - Sean Hickey</strong>\r\n<a href=\"http://www.naxos.com\">Naxos American Classics</a>\r\n<em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.\r\n\r\n<em>\"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are</em><em> in for a treat.\"</em>-- Christopher Chaffee, American Record Guide.</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong><img class=\"alignleft\" title=\"overstepping\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/overstepping.jpg\" alt=\"overstepping\" width=\"200\" height=\"196\" /></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Overstepping - Eve Beglarian\r\n<a href=\"http://www.oodiscs.com/\">OO Discs</a>\r\n<em>Preciosilla</em> (1990) by Eve Beglarian\r\ntext by Gertrude Stein</strong></td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\">&nbsp;\r\n\r\n<strong><img class=\"alignright\" title=\"beingandtime1\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/beingandtime1.jpg\" alt=\"beingandtime1\" width=\"240\" height=\"240\" /></strong>\r\n\r\n<strong>Being and Time - Norman Yamada</strong>\r\nTzadik\r\n<em>Deterioration</em> (1996) by Norman Yamada</td>\r\n</tr>\r\n<tr>\r\n<td style=\"width: 591px;\"><strong>Spank Me! It’s contemporary Classical</strong>\r\nBONK 98 - BFM 058<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\"><img class=\"size-full wp-image-147 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/spankme.jpg\" alt=\"\" width=\"160\" height=\"159\" /></a>\r\n(<a href=\"http://www.bonkfest.org/\">www.bonkfest.org</a>)\r\nCorngun by Paul Reller</td>\r\n</tr>\r\n<tr align=\"left\" valign=\"middle\">\r\n<td style=\"width: 591px;\"><img class=\"alignleft\" title=\"bonk\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg\" alt=\"bonk\" width=\"160\" height=\"156\" />\r\n\r\n<strong>BONK 98 Limited Edition Compact Disc</strong>\r\nMusic from the Festivals 1994-1997\r\n<em>Inferno</em> by Eric Lyon</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;','Recordings','','inherit','closed','closed','','36-revision-v1','','','2017-09-16 18:34:18','2017-09-17 01:34:18','',36,'https://staging.margaretlancaster.com/2017/09/36-revision-v1/',0,'revision','',0),(793,1,'2017-09-16 19:05:40','2017-09-17 02:05:40','<p style=\"text-align: justify;\"><strong>NOTE: For print and press release bios, <a href=\"mailto:malancaster@earthlink.net\">contact Margaret Lancaster</a>.</strong></p>\r\n<p style=\"text-align: justify;\">Flutist of choice for hoards of composers, Margaret Lancaster is an artist who hasn\'t merely \'pushed the envelope\' of flute performance and repertoire, she\'s redefined it with fearless technique, musicianship, wit, and a clear sense of performance values. Noted for her inter-disciplinary collaboration with writers and composers, she has built a large repertoire of new works composed for her that employ extended techniques and mixed media, fusing music, theater, and movement. Composers and directors she has worked with include Lee Breuer, Chen Shi Zheng, Kameron Steele, Milton Babbitt, Larry Polansky, Eve Beglarian, Jon Appleton, Phil Kline, Gerhard Stabler, Paul Steenhuisen, Christian Wolff, Jo Kondo, Jacob Ter Veldhuis, Corey Dargel, Joan LaBarbara, and the Common Sense Composers Collective. Recent collaborations include projects with Jean-Baptiste Barriere and Kaija Saariaho, Milica Paranosic, Karen Kandel, the US premiere of Stockhausen’s KLANG cycle and touring Morton Feldman’s 5 hour epic <em>For Philip</em>\r\n<em> Guston</em>.<img class=\"alignleft size-full wp-image-46\" title=\"margaretheadshot\" src=\"http://automaticheartbreak.com/margaretlancaster/wp-content/uploads/2009/04/margaretheadshot.jpg\" alt=\"margaretheadshot\" width=\"150\" height=\"218\" /></p>\r\n<p style=\"text-align: justify;\">Lancaster is a member or Either/Or, Ensemble Ipse, American Modern Ensemble and the Fisher Ensemble, a guest of many groups including Argento, Ensemble Echapee, Counter)induction, Talujon, and the New York Philharmonic, and a recurring performer at Spoleto Festival USA and Santa Fe New Music. Performance highlights include the Lincoln Center Festival (w/ the Merce Cunningham Dance Co.), Ibsen Festival, Edinburgh Festival, Whitney Museum, Tap City Festival, Festival de Otono, Festival D\'Automne, HERE Arts Center,  Bremen MusikFest with Absolute, NIME. She has appeared as a lecturer/soloist at many sites including Stanford, Dartmouth, Princeton, Bennington, Columbia, and the National Flute Association.</p>\r\n<p style=\"text-align: justify;\">The use of this bio is not permitted.  Any replication of it is a violation of Lancaster\'s wishes.</p>\r\n<p style=\"text-align: justify;\">She has recorded on New World Records, World Edition, Innova, Naxos, Tzadik and Mode, and was selected for Meet the Composer’s <em>New Music for Soloist Champions Project</em>. Lancaster\'s acting credits include lead roles in the independent features \"Rockabilly Vampire\" and\"Ultraviolet City\", appearances in the fitness video Balletbootcamp, and touring for seven years  with the Obie-winning Mabou Mines production DOLLHOUSE.</p>\r\n<p style=\"text-align: justify;\">Lancaster resides in New York City where she acts, dances, choreographs, designs furniture, and plays the flute.</p>','Narrative Bio (not for print)','','inherit','closed','closed','','108-revision-v1','','','2017-09-16 19:05:40','2017-09-17 02:05:40','',108,'https://staging.margaretlancaster.com/2017/09/108-revision-v1/',0,'revision','',0),(794,1,'2017-09-16 19:07:09','2017-09-17 02:07:09','<p style=\"text-align: justify;\"><strong>NOTE: For print and press release bios, <a href=\"mailto:malancaster@earthlink.net\">contact Margaret Lancaster</a>.</strong></p>\r\n<p style=\"text-align: justify;\">Flutist of choice for hoards of composers, Margaret Lancaster is an artist who hasn\'t merely \'pushed the envelope\' of flute performance and repertoire, she\'s redefined it with fearless technique, musicianship, wit, and a clear sense of performance values. Noted for her inter-disciplinary collaboration with writers and composers, she has built a large repertoire of new works composed for her that employ extended techniques and mixed media, fusing music, theater, and movement. Composers and directors she has worked with include Lee Breuer, Chen Shi Zheng, Kameron Steele, Milton Babbitt, Larry Polansky, Eve Beglarian, Jon Appleton, Phil Kline, Gerhard Stabler, Paul Steenhuisen, Christian Wolff, Jo Kondo, Jacob Ter Veldhuis, Corey Dargel, Joan LaBarbara, and the Common Sense Composers Collective. Recent collaborations include projects with Jean-Baptiste Barriere and Kaija Saariaho, Milica Paranosic, Karen Kandel, the US premiere of Stockhausen’s KLANG cycle and touring Morton Feldman’s 5 hour epic <em>For Philip </em><em>Guston</em>.<img class=\"alignleft size-full wp-image-46\" title=\"margaretheadshot\" src=\"http://automaticheartbreak.com/margaretlancaster/wp-content/uploads/2009/04/margaretheadshot.jpg\" alt=\"margaretheadshot\" width=\"150\" height=\"218\" /></p>\r\n<p style=\"text-align: justify;\">Lancaster is a member or Either/Or, Ensemble Ipse, American Modern Ensemble and the Fisher Ensemble, a guest of many groups including Argento, Ensemble Echapee, Counter)induction, Talujon, and the New York Philharmonic, and a recurring performer at Spoleto Festival USA and Santa Fe New Music. Performance highlights include the Lincoln Center Festival (w/ the Merce Cunningham Dance Co.), Ibsen Festival, Edinburgh Festival, Whitney Museum, Tap City Festival, Festival de Otono, Festival D\'Automne, HERE Arts Center,  Bremen MusikFest with Absolute, NIME. She has appeared as a lecturer/soloist at many sites including Stanford, Dartmouth, Princeton, Bennington, Columbia, and the National Flute Association.</p>\r\n<p style=\"text-align: justify;\">The use of this bio is not permitted.  Any replication of it is a violation of Lancaster\'s wishes.</p>\r\n<p style=\"text-align: justify;\">She has recorded on New World Records, World Edition, Innova, Naxos, Tzadik and Mode, and was selected for Meet the Composer’s <em>New Music for Soloist Champions Project</em>. Lancaster\'s acting credits include lead roles in the independent features \"Rockabilly Vampire\" and\"Ultraviolet City\", appearances in the fitness video Balletbootcamp, and touring for seven years  with the Obie-winning Mabou Mines production DOLLHOUSE.</p>\r\n<p style=\"text-align: justify;\">Lancaster resides in New York City where she acts, dances, choreographs, designs furniture, and plays the flute.</p>','Narrative Bio (not for print)','','inherit','closed','closed','','108-revision-v1','','','2017-09-16 19:07:09','2017-09-17 02:07:09','',108,'https://staging.margaretlancaster.com/2017/09/108-revision-v1/',0,'revision','',0),(795,1,'2017-09-16 19:12:08','2017-09-17 02:12:08','<p style=\"text-align: justify;\"><strong>NOTE: For print and press release bios, <a href=\"mailto:malancaster@earthlink.net\">contact Margaret Lancaster</a>.</strong></p>\r\n<p style=\"text-align: justify;\">Flutist of choice for hoards of composers, Margaret Lancaster is an artist who hasn\'t merely \'pushed the envelope\' of flute performance and repertoire, she\'s redefined it with fearless technique, musicianship, wit, and a clear sense of performance values. Noted for her inter-disciplinary collaboration with writers and composers, she has built a large repertoire of new works composed for her that employ extended techniques and mixed media, fusing music, theater, and movement. Composers and directors she has worked with include Lee Breuer, Chen Shi Zheng, Kameron Steele, Milton Babbitt, Larry Polansky, Eve Beglarian, Jon Appleton, Phil Kline, Gerhard Stabler, Paul Steenhuisen, Christian Wolff, Jo Kondo, Jacob Ter Veldhuis, Corey Dargel, Joan LaBarbara, and the Common Sense Composers Collective. Recent collaborations include projects with Jean-Baptiste Barriere and Kaija Saariaho, Milica Paranosic, Karen Kandel, the US premiere of Stockhausen’s KLANG cycle and touring Morton Feldman’s 5 hour epic <em>For Philip </em><em>Guston</em>.<img class=\"alignleft size-full wp-image-46\" title=\"margaretheadshot\" src=\"http://automaticheartbreak.com/margaretlancaster/wp-content/uploads/2009/04/margaretheadshot.jpg\" alt=\"margaretheadshot\" width=\"150\" height=\"218\" /></p>\r\n<p style=\"text-align: justify;\">Lancaster is a member of Either/Or, Ensemble Ipse, American Modern Ensemble and the Fisher Ensemble, a guest of many groups including Argento, Ensemble Echapee, Counter)induction, Talujon, and the New York Philharmonic. Performance highlights include the Spoleto Festival USA, Lincoln Center Festival (w/ the Merce Cunningham Dance Co.), Ibsen Festival, Santa Fe New Music, Edinburgh Festival, Whitney Museum, Tap City Festival, Festival de Otono, Festival D\'Automne, Bremen MusikFest with Absolute, and NIME/Copenhagen. She has appeared as a lecturer/soloist at many sites including Stanford, Dartmouth, Princeton, Bennington, Columbia, and the National Flute Association.</p>\r\n<p style=\"text-align: justify;\">The use of this bio is not permitted.  Any replication of it is a violation of Lancaster\'s wishes.</p>\r\n<p style=\"text-align: justify;\">She has recorded on New World Records, World Edition, Innova, Naxos, Tzadik and Mode, and was selected for Meet the Composer’s <em>New Music for Soloist Champions Project</em>. Lancaster\'s acting credits include lead roles in the independent features \"Rockabilly Vampire\" and\"Ultraviolet City\", appearances in the fitness video Balletbootcamp, and playing Helene in the 7-year global run of Obie-winning Mabou Mines production DOLLHOUSE.</p>\r\n<p style=\"text-align: justify;\">Lancaster resides in New York City where she acts, dances, choreographs, designs furniture, and plays the flute.</p>','Narrative Bio (not for print)','','inherit','closed','closed','','108-revision-v1','','','2017-09-16 19:12:08','2017-09-17 02:12:08','',108,'https://staging.margaretlancaster.com/2017/09/108-revision-v1/',0,'revision','',0),(800,1,'2017-09-16 19:24:37','2017-09-17 02:24:37','','mlancaster-web','','inherit','closed','closed','','mlancaster-web','','','2017-09-16 19:24:37','2017-09-17 02:24:37','',108,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/mlancaster-web.jpg',0,'attachment','image/jpeg',0),(801,1,'2017-09-16 19:27:43','2017-09-17 02:27:43','<p style=\"text-align: justify;\"><strong>NOTE: For print and press release bios, <a href=\"mailto:malancaster@earthlink.net\">contact Margaret Lancaster</a>.</strong></p>\r\n<p style=\"text-align: justify;\">Flutist of choice for hoards of composers, Margaret Lancaster is an artist who hasn\'t merely \'pushed the envelope\' of flute performance and repertoire, she\'s redefined it with fearless technique, musicianship, wit, and a clear sense of performance values. Noted for her inter-disciplinary collaboration with writers and composers, she has built a large repertoire of new works composed for her that employ extended techniques and mixed media, fusing music, theater, and movement. Composers and directors she has worked with include Lee Breuer, Chen Shi Zheng, Kameron Steele, Milton Babbitt, Larry Polansky, Eve Beglarian, Jon Appleton, Phil Kline, Gerhard Stabler, Paul Steenhuisen, Christian Wolff, Jo Kondo, Jacob Ter Veldhuis, Corey Dargel, Joan LaBarbara, and the Common Sense Composers Collective. Recent collaborations include projects with Jean-Baptiste Barriere and Kaija Saariaho, Milica Paranosic, Karen Kandel, the US premiere of Stockhausen’s KLANG cycle and touring Morton Feldman’s 5 hour epic <em>For Philip </em><em>Guston</em>.<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/imprintpic.jpg\"><img class=\"alignright size-medium wp-image-797\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/imprintpic-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" /></a></p>\r\n<p style=\"text-align: justify;\">Lancaster is a member of Either/Or, Ensemble Ipse, American Modern Ensemble and the Fisher Ensemble, a guest of many groups including Argento, Ensemble Echapee, Counter)induction, Talujon, and the New York Philharmonic. Performance highlights include the Spoleto Festival USA, Lincoln Center Festival (w/ the Merce Cunningham Dance Co.), Ibsen Festival, Santa Fe New Music, Edinburgh Festival, Whitney Museum, Tap City Festival, Festival de Otono, Festival D\'Automne, Bremen MusikFest with Absolute, and NIME/Copenhagen. She has appeared as a lecturer/soloist at many sites including Stanford, Dartmouth, Princeton, Bennington, Columbia, and the National Flute Association.</p>\r\n<p style=\"text-align: justify;\">The use of this bio is not permitted.  Any replication of it is a violation of Lancaster\'s wishes.</p>\r\n<p style=\"text-align: justify;\">She has recorded on New World Records, World Edition, Innova, Naxos, Tzadik and Mode, and was selected for Meet the Composer’s <em>New Music for Soloist Champions Project</em>. Lancaster\'s acting credits include lead roles in the independent features \"Rockabilly Vampire\" and\"Ultraviolet City\", appearances in the fitness video Balletbootcamp, and playing Helene in the 7-year global run of Obie-winning Mabou Mines production DOLLHOUSE.</p>\r\n<p style=\"text-align: justify;\">Lancaster resides in New York City where she acts, dances, choreographs, designs furniture, and plays the flute.</p>','Narrative Bio (not for print)','','inherit','closed','closed','','108-revision-v1','','','2017-09-16 19:27:43','2017-09-17 02:27:43','',108,'https://staging.margaretlancaster.com/2017/09/108-revision-v1/',0,'revision','',0),(803,1,'2017-09-16 19:31:14','2017-09-17 02:31:14','<p style=\"text-align: justify;\"><img class=\"alignleft size-full wp-image-46\" title=\"margaretheadshot\" src=\"http://automaticheartbreak.com/margaretlancaster/wp-content/uploads/2009/04/margaretheadshot.jpg\" alt=\"margaretheadshot\" width=\"150\" height=\"218\" />Margaret Lancaster likes to act, dance, and make sounds with  flutes ....<a href=\"https://staging.margaretlancaster.com/\" target=\"_blank\" rel=\"noopener\">margaretlancaster.com</a></p>\r\n<p style=\"text-align: justify;\">For narrative bio, click <a href=\"pages/narrativebio\">here</a>.</p>','Bio','','inherit','closed','closed','','79-revision-v1','','','2017-09-16 19:31:14','2017-09-17 02:31:14','',79,'https://staging.margaretlancaster.com/2017/09/79-revision-v1/',0,'revision','',0),(804,1,'2017-09-16 19:40:26','2017-09-17 02:40:26','','18839229_844234092393236_2575778695168215155_n','','inherit','closed','closed','','18839229_844234092393236_2575778695168215155_n','','','2017-09-16 19:40:26','2017-09-17 02:40:26','',79,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/18839229_844234092393236_2575778695168215155_n.jpg',0,'attachment','image/jpeg',0),(805,1,'2017-09-16 19:42:00','2017-09-17 02:42:00','<p style=\"text-align: justify;\"><a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_2.jpeg\"><img class=\"size-medium wp-image-799 alignleft\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000004_2-300x298.jpeg\" alt=\"\" width=\"300\" height=\"298\" /></a>Margaret Lancaster likes to act, dance, and make sounds with  flutes ....<a href=\"https://staging.margaretlancaster.com/\" target=\"_blank\" rel=\"noopener\">margaretlancaster.com</a></p>\r\n<p style=\"text-align: justify;\">For narrative bio, click <a href=\"pages/narrativebio\">here</a>.</p>','Bio','','inherit','closed','closed','','79-revision-v1','','','2017-09-16 19:42:00','2017-09-17 02:42:00','',79,'https://staging.margaretlancaster.com/2017/09/79-revision-v1/',0,'revision','',0),(806,1,'2017-09-16 19:44:59','2017-09-17 02:44:59','.....pardon the appearance.  Page currently being repaired!<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/mlancaster-web.jpg\"><img 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16:09:33','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2017/09/cropped-web_2.jpg',0,'attachment','image/jpeg',0),(822,1,'2017-09-17 09:05:05','2017-09-17 16:05:05','','cropped-web-14.jpg','','inherit','closed','closed','','cropped-web-14-jpg','','','2017-09-17 09:05:05','2017-09-17 16:05:05','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/cropped-web-14.jpg',0,'attachment','image/jpeg',0),(882,1,'2018-03-12 20:54:17','2018-03-13 03:54:17','<p style=\"text-align: justify;\"><strong>NOTE: For print and press release bios, <a href=\"mailto:malancaster@earthlink.net\">contact Margaret Lancaster</a>.</strong></p>\r\n<p style=\"text-align: justify;\">Flutist of choice for hoards of composers, Margaret Lancaster is a cross disciplinary artist who hasn\'t merely \'pushed the envelope\' of flute performance and repertoire, she\'s redefined it with fearless technique, musicianship, wit, and a clear sense of performance values. Noted for her inter-disciplinary collaboration with writers and composers, she has built a large repertoire of new works composed for her that employ extended techniques and mixed media, fusing music, theater, and movement. Composers and directors she has worked with include Lee Breuer, Chen Shi Zheng, Kameron Steele, Milton Babbitt, Larry Polansky, Eve Beglarian, Jon Appleton, Phil Kline, Gerhard Stabler, Paul Steenhuisen, Christian Wolff, Jo Kondo, Jacob Ter Veldhuis, Corey Dargel, Joan LaBarbara, and the Common Sense Composers Collective. Recent collaborations include projects with Jean-Baptiste Barriere and Kaija Saariaho, Milica Paranosic, Karen Kandel, the US premiere of Stockhausen’s KLANG cycle and touring Morton Feldman’s 5 hour epic <em>For Philip </em><em>Guston</em>.<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/imprintpic.jpg\"><img class=\"alignright size-medium wp-image-797\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/imprintpic-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" /></a></p>\r\n<p style=\"text-align: justify;\">Lancaster is a member of Either/Or, Ensemble Ipse, American Modern Ensemble and the Fisher Ensemble, a guest of many groups including Argento, Ensemble Echapee, Counter)induction, Talujon, and the New York Philharmonic. Performance highlights include the Spoleto Festival USA, Lincoln Center Festival (w/ the Merce Cunningham Dance Co.), Ibsen Festival, Santa Fe New Music, Edinburgh Festival, Whitney Museum, Tap City Festival, Festival de Otono, Festival D\'Automne, Bremen MusikFest with Absolute, and NIME/Copenhagen. She has appeared as a lecturer/soloist at many sites including Stanford, Dartmouth, Princeton, Bennington, Columbia, and the National Flute Association.</p>\r\n<p style=\"text-align: justify;\">The use of this bio is not permitted.  Any replication of it is a violation of Lancaster\'s wishes.</p>\r\n<p style=\"text-align: justify;\">She has recorded on New World Records, World Edition, Innova, Naxos, Tzadik and Mode, and was selected for Meet the Composer’s <em>New Music for Soloist Champions Project</em>. Lancaster\'s acting credits include lead roles in the independent features \"Rockabilly Vampire\" and\"Ultraviolet City\", appearances in the fitness video Balletbootcamp, and playing Helene in the 7-year global run of Obie-winning Mabou Mines production DOLLHOUSE.</p>\r\n<p style=\"text-align: justify;\">Lancaster resides in New York City where she acts, dances, choreographs, designs furniture, and plays the flute.</p>','Narrative Bio (not for print)','','inherit','closed','closed','','108-revision-v1','','','2018-03-12 20:54:17','2018-03-13 03:54:17','',108,'https://staging.margaretlancaster.com/2018/03/108-revision-v1/',0,'revision','',0),(827,1,'2017-09-17 09:14:07','2017-09-17 16:14:07','','cropped-vlcsnap-2012-04-13-12h17m14s113-1.png','','inherit','closed','closed','','cropped-vlcsnap-2012-04-13-12h17m14s113-1-png','','','2017-09-17 09:14:07','2017-09-17 16:14:07','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/cropped-vlcsnap-2012-04-13-12h17m14s113-1.png',0,'attachment','image/png',0),(830,1,'2017-09-17 09:20:51','2017-09-17 16:20:51','','cropped-imprintpic.jpg','','inherit','closed','closed','','cropped-imprintpic-jpg','','','2017-09-17 09:20:51','2017-09-17 16:20:51','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/cropped-imprintpic.jpg',0,'attachment','image/jpeg',0),(832,1,'2017-09-17 09:31:25','2017-09-17 16:31:25','','cropped-Margaret-10.jpeg','','inherit','closed','closed','','cropped-margaret-10-jpeg','','','2017-09-17 09:31:25','2017-09-17 16:31:25','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/cropped-Margaret-10.jpeg',0,'attachment','image/jpeg',0),(835,1,'2017-09-17 09:36:40','2017-09-17 16:36:40','','cropped-Margaret-10-1.jpeg','','inherit','closed','closed','','cropped-margaret-10-1-jpeg','','','2017-09-17 09:36:40','2017-09-17 16:36:40','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2009/04/cropped-Margaret-10-1.jpeg',0,'attachment','image/jpeg',0),(836,1,'2017-09-17 10:40:11','2017-09-17 17:40:11','','MargaretHeader','','inherit','closed','closed','','margaretheader','','','2017-09-17 10:40:11','2017-09-17 17:40:11','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2017/09/MargaretHeader.jpg',0,'attachment','image/jpeg',0),(837,1,'2017-09-17 10:40:43','2017-09-17 17:40:43','','cropped-MargaretHeader.jpg','','inherit','closed','closed','','cropped-margaretheader-jpg','','','2017-09-17 10:40:43','2017-09-17 17:40:43','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2017/09/cropped-MargaretHeader.jpg',0,'attachment','image/jpeg',0),(838,1,'2017-09-17 10:50:03','2017-09-17 17:50:03','','FullSizeRender','','inherit','closed','closed','','fullsizerender','','','2017-09-17 10:50:03','2017-09-17 17:50:03','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2017/09/FullSizeRender.jpeg',0,'attachment','image/jpeg',0),(839,1,'2017-09-17 10:50:43','2017-09-17 17:50:43','','cropped-FullSizeRender.jpeg','','inherit','closed','closed','','cropped-fullsizerender-jpeg','','','2017-09-17 10:50:43','2017-09-17 17:50:43','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2017/09/cropped-FullSizeRender.jpeg',0,'attachment','image/jpeg',0),(843,1,'2017-09-17 11:26:53','2017-09-17 18:26:53','','cropped-boa-pix-wche-color-300-1.jpg','','inherit','closed','closed','','cropped-boa-pix-wche-color-300-1-jpg','','','2017-09-17 11:26:53','2017-09-17 18:26:53','',0,'https://staging.margaretlancaster.com/wp-content/uploads/2017/09/cropped-boa-pix-wche-color-300-1.jpg',0,'attachment','image/jpeg',0),(840,1,'2017-09-17 11:03:03','2017-09-17 18:03:03','','boa pix w:che - 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At this swanky soiree, you will hear fresh spanking new works by Robert C. Constable Jr., Eric Lyon, and Paul Reller in addition to older (but still fresh) works by Paula Matthusen and J.S. Bach. Bonk 2.0? DWS Live? Salon Musik comes to life at Chez Merenda in Tampa!!!! (this year.............!  Next year???)      </p>\n<!-- /wp:tadv/classic-paragraph -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->','Holster!!!','','inherit','closed','closed','','1313-revision-v1','','','2023-10-16 22:20:05','2023-10-17 02:20:05','',1313,'https://staging.margaretlancaster.com/?p=1332',0,'revision','',0),(857,1,'2023-10-16 22:17:19','2017-09-18 02:49:13',' ','','','publish','closed','closed','','857','','','2023-10-16 22:17:19','2023-10-17 02:17:19','',0,'https://staging.margaretlancaster.com/?p=857',2,'nav_menu_item','',0),(858,1,'2023-10-16 22:17:19','2017-09-18 02:49:13',' ','','','publish','closed','closed','','858','','','2023-10-16 22:17:19','2023-10-17 02:17:19','',0,'https://staging.margaretlancaster.com/?p=858',3,'nav_menu_item','',0),(859,1,'2023-10-16 22:17:19','2017-09-18 02:49:13',' ','','','publish','closed','closed','','859','','','2023-10-16 22:17:19','2023-10-17 02:17:19','',0,'https://staging.margaretlancaster.com/?p=859',6,'nav_menu_item','',0),(860,1,'2023-10-16 22:17:19','2017-09-18 02:49:13',' ','','','publish','closed','closed','','860','','','2023-10-16 22:17:19','2023-10-17 02:17:19','',0,'https://staging.margaretlancaster.com/?p=860',5,'nav_menu_item','',0),(861,1,'2023-10-16 22:17:19','2017-09-18 02:49:13',' ','','','publish','closed','closed','','861','','','2023-10-16 22:17:19','2023-10-17 02:17:19','',0,'https://staging.margaretlancaster.com/?p=861',4,'nav_menu_item','',0),(862,1,'2023-10-16 22:17:19','2017-09-18 02:49:13',' ','','','publish','closed','closed','','862','','','2023-10-16 22:17:19','2023-10-17 02:17:19','',0,'https://staging.margaretlancaster.com/?p=862',7,'nav_menu_item','',0),(863,1,'2017-09-17 19:56:44','2017-09-18 02:56:44','[si-contact-form form=\'2\']','Contact','','inherit','closed','closed','','331-revision-v1','','','2017-09-17 19:56:44','2017-09-18 02:56:44','',331,'https://staging.margaretlancaster.com/2017/09/331-revision-v1/',0,'revision','',0),(864,1,'2017-09-17 20:02:40','2017-09-18 03:02:40','<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Margaret-10.jpeg\"><img class=\"alignright size-medium wp-image-815\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Margaret-10-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" /></a>\r\n\r\n9/9/17, 10-5\r\nCome spend Saturday, 9/9 in Burlington Vermont at the North Country Electronic Music Festival.  P<span class=\"_4n-j _fbReactionComponent__eventDetailsContentTags fsl\" data-testid=\"event-permalink-details\">resented by TURNmusic in cooperation with the South End Art Hop, and hosted by Kavlos &amp; Damian, I will be performing some gorgeous music by Eve Beglarian -- including the premiere of Tower of Ivory!!   Our set will be around 4</span> at ArtsRiot (400 Pine Street)....if you\'re in the area, please stop by!\r\n\r\n7/15/17\r\nNew York City Electronic Music Festival -- performing Sandra Gonzalez\'s Vértigo y transmutación on the 8 pm show, National Sawdust.\r\n\r\n6/22/17\r\nPerforming Arthur Kampela\'s Happy Days at Ben Richter\'s CD release concert at 26 Willow Place, Brooklyn.\r\n\r\n6/15-18/17\r\nLAOpera and Beth Morrison Projects present Kamala Sankaram\'s opera THUMBPRINT at REDCat Arts Center, LA.   We are honored and humbled to welcome Mukhtar Mai - whose extraordinary life the opera is based.\r\n\r\n5/16/17, 8 pm\r\nNIME 2017/ Copenhagen! - ML plays new interactive interface solo works by Milica Paranosic, Rikard Lindell, Jean-Francois Charles, Chris Chafe, Spencer Topel, Bob Pritchard (and sensor suit!) at Koncertkirken.  It\'s going to be a show!!!\r\n\r\n5/3/17/8 pm\r\nEnsemble Echappe performs works by Matthew Ricketts, Eric Guinivan and Fred Lerdahl, DiMenna Center.\r\n\r\n3/5/17, 6 pm\r\nEnsemble Ipse performs works by Carl, Lee, Broberg, Duykers, Diponio, and a premiere by Larry Polansky!  Shapeshifter Lab, Brooklyn\r\n\r\n2/18/17, 8 pm\r\nEither/Or performs at The Library of Congress, Washington DC.   Our beautiful band is playing works by Braxton, Ligeti, Thorvaldsdottir, Furrer, and Carrick!!\r\n\r\n2/11/17, 2 pm\r\nPercussia presents Immigrant Dream and International Express at the Queens Museum - featuring works by Quentin Chiappetta, Carlo Nicolau, and Dennis Tobenski. Queens Museum New York City Bldg, Flushing Meadows.\r\n\r\n2/2/17, 8pm\r\nEither/Or presents the Beat Furrer portrait concert at Miller Theatre.   Honored to play Ira Arca with Ken Filiano and hear my bandmates present other gems by this Austrian master!\r\n\r\n1/21/17, 9 pm\r\nI am thrilled to play a small role in James Moore\'s phenomenal residency at The Stone in a concert of the music of his grandmother, Virginia Seay!!!  Written in the 1940\'s, her compositional voice was searing -- she would have been thrilled to have her work played hours after the Women\'s March!!!\r\n\r\n12/17/16\r\nThe remarkable program Exploring the Metropolis has paired incomparable Cenk Ergun with choreographer Ursula Eagley to create a new work at the Jamaica Arts Center.  With Eric Umble and Jason Treuting, this collaboration is very special!\r\n\r\n12/15/16, 8 pm\r\nExperiments in Opera -- amazing new experimental chamber operas that include works by Lainie Fefferman, Matt Welch, Jason Cady, and Roddy Bottum\'s The Ride (for 2 rock star singers, synth, drums and 4 flutes of course!!!).  Merkin Hall\r\n\r\n12/8/16\r\nJBB and I take the visual portrait concert on the road (to beantown!) --- Entitled \"Jean Baptiste Barriere: on the Frontiers of Music and Technology,\"  JBB will present a short lecture followed by the full reconfigured Saariaho/Barriere show at Le Laboratoire Cambridge (650 Kendall Street, Boston)\r\n\r\n12/2-3\r\nML and the Feta Foundation peeps take on Art Basel......this year Juraj let me out of the cage and created a mobile installation in the form of a Wedding Party to promote love and happiness in a tense post-election world!  Joined by my darling flower girl Emma, we will explore the streets of Wynwood, Miami ---- come join the party!!\r\n\r\n11/6/16\r\nMartin turns 70!!!  Please join Lisa Moore, me and a host of superstars to celebrate the music of the brilliant Martin Bresnick as he celebrates his 70th birthday ---the music is simply gorgeous!   National Sawdust\r\n\r\n11/3/16, 7:30\r\nSolo visual portrait concert of Kaija Saariaho and Jean-Baptiste Barriere.......A collaboration between NYU Music Department and Mannes/The New School, co-sponsored by the Washington Square Contemporary Music Society, I have been reunited with 2 of my favorite collaborators to present some of my very favorite flute music in a uniquely interdisciplinary way!!!   New School\'s Tishman Auditorium, free admission.......must-see.....\r\n\r\n10/13/16, 6:30\r\nThrilled to perform at the Exploring the Metropolis benefit honoring dear friend and colleague Richard Carrick (will be playing his La Scene Miniature).  Symphony House (235 W. 56th St).\r\n\r\n9/23/16, 8 pm\r\nThe debut concert of IPSE ensemble!!! So thrilled to be a part of this killer group --- the inaugural concert features works by Harrison, Fujikura, Fure, Duykers, DiPonio, and Frasconi.  Tenri Cultural Institute.\r\n\r\n7/15/16, 6 and 6:30 pm\r\nTap it Out!!\r\nCome watch me and 100 of my tap buddies create a cappella loveliness with our feet (and hands!)!  As part of the Tap City Festival, this annual event is guaranteed to put a smile on your face and a spring in your step!!......at Five Points Foley Square (111 Worth Street)\r\n\r\n7/5/16, 7 pm\r\nExtraordinarily honored to join the brilliant forces of pianist Aki Takahashi and percussionist David Shively in a performance of the recently discovered <em>Cheap Imitation</em> by Morton Feldman at <a href=\"http://lpr.com/lpr_events/aki-takahashi-july-5th-2016/\">Le Poisson Rouge </a> in a program entitled CAGE, FELDMAN interprets CAGE, CAGE interprets SATIE.   Aki worked closely with both Cage and Feldman and her performances of their music should not be missed!!!<strong>  </strong>It is my great privilege to perform (and record!) this little known work by Feldman with her!\r\n\r\n6/30/16\r\nConvex/Concave:  the music of Arthur Kampela and Gene Pritsker at le Poisson Rouge.\r\n\r\n6/5-18\r\nNEW MUSIC ON THE POINT!!!  living in rustic, rural Vermont at this fabulous festival working on and premiering many great pieces and questionable dance moves!!.....Lake Dunmore\r\n\r\n6/4/16, 2:45 pm\r\nPercussia presents The International Express featuring works by Quentin Chiappetta, Alexis Lamb, Matthew Welch, and Carlo Nicolau at the Jackson Heights Library - - free and fun!!\r\n\r\n5/20/16, 3:15 pm\r\nPercussia presents Good Clean Fun II!!!  Ingrid and I load up her shopping cart and head to JH Laundromat (Jackson Heights, Queens) to play works by Harrison, Abdo Dagher, Irish folk tunes, Indonesian classics and video game music!!\r\n\r\n5/12/16, 7 PM\r\nComposers Concordance presents Glen Velez (and me) ---So thrilled and humbled to perform on the same program with this legendary percussionist, much less with him!!!  Works by Gene Pritsker (premiere), Robin de Raaffe, Eric Lyon (premiere), Max Duykers, and Glen Velez!!  Goddard Riverside Center (Columbus and 92nd).\r\n\r\n5/5/16, 7 PM\r\nBMP presents Keeril Makan\'s opera PERSONA at the Isabella Stewart Gardner museum (Boston).  This piece (directed by Jay Scheib) is too good to miss!\r\n\r\n4/30/16, 8 PM\r\nColumbia Composers Forum.  The inimitable Jocelin Pan and I perform Nina C. Young\'s fabulous piece L\'Heure Bleue.  St. Peter\'s Church (W. 20th st).\r\n\r\n4/14/16, 8 PM\r\nInterpretations series presents Marek Choloniewski, Roulette.\r\n\r\nApril 2, 5 and 8 pm\r\nPeriapsis Open Series presents new collaborative works between choreographers and composers including DoubleTake Dance and Emily Wagner! GK arts center, 29 Jay Street, Brooklyn.\r\n\r\nMarch 28, 8 pm\r\nRite of Spring Dance Party!  with the Experiental Orchestra conducted by James Blachly at National Sawdust.\r\n\r\nMarch 25-26\r\nThe Metropolitan Museum and Analog Arts presents the US premiere of Stockhausen\'s KLANG cycle!!  This massive, amazing work is being presented at The Met, The Cloisters and The Breuer Building.  My performances are :\r\n3/25, 5:30 - Harmonien (solo fl) at The Met in The Blanche and A.L. Levine Court.\r\n3/26, 12:45 - Schonheit (fl, bass cl, tpt) at The Cloisters, Pontaut Chapter House room\r\n3/26, 2:15 - Schonheit, The Cloisters, Pontaut Chapter House room\r\n3/26, 3:15ish? - Harmonien, The Cloisters, Langon Chapel\r\n\r\n3/11/16, 8 pm\r\nAnti-Social Music vs. Andie Springer.  Many great new very fresh works including a new theater piece by Max Duykers inspired by my favorite film, Tarkovsky\'s Stalker.   I--beam, Brooklyn\r\n\r\nMarch 1-5, 2016\r\nRomanian Spectralism!! Either/Or has set up shop at Columbia University\'s Miller Theater to work with the legendary Iancu Dumistrescu --- a visionary and sonic wizard who crafts music with  his sheer presence!    2 Pop-ups and a Portrait:\r\n\r\nMarch 1, 6 PM  Parallels and Precursors\r\nMusic of Bartók, Enescu, Niculescu, and premieres from guest composers Ana-Maria Avram and Iancu Dumitrescu.  On-stage at Miller Theatre with beer and wine!\r\n\r\nMarch 3, 6 PM - Ana-Maria Avram\r\nNew and recent chamber music from Ana-Maria Avram (including a gorgeous Bass Flute solo!!!).  On-stage at Miller Theatre with beer from Harlem Brewing Co.\r\n\r\nMarch 5, 8 PM - Iancu Dumitrescu\r\nMiller Theatre\'s Composer Portraits and Either/Or present a rare US portrait concert of the legendary Iancu Dumitrescu.  Works ranging from soloist with electronics to large ensemble, including 2 World Premieres and 2 US Premieres.\r\n\r\n2/12/16, 7:30 pm\r\nDaniel Goode\'s 80th birthday concert, #2!!!!  Some of dearest Daniel\'s greatest hits are being presented including Tunnel Funnel conducted by David Gilbert.  The Cell Theater.\r\n\r\n1/10/16, 5:30 pm\r\nNew York Flute Club presents a tribute to my dear teacher and friend Harold Jones featuring many of his colleagues and friends (including yours truly and Hubert Laws).  Baruch College.\r\n\r\n12/19, 3 and 7 PM\r\nMiller Theatre presents Saint-Saen\'s Carnival of the Animals!!  With the puppetry and direction of Lake Bell and poetry of Ogden Nash, a new holiday tradition is created ---for children of ALL ages!!!\r\n\r\n11/14/15, 7:30 pm\r\nMusic Reginae Concert Series presents Percussia in \"Made in Queens\", a program devoted to Queens-based composers including Carlo Nicolau, Anjelica Negron, Charles Griffin, and Johanna M. Beyer.  Church-in-the-Gardens, Forest Hills, Queens.\r\n\r\n11/13/15, 7:30 pm\r\nTribeca New Music presents An American Maverick: Jerome Kitzke at 60.   A huge musical celebration of this incredible composer\'s life featuring an insanely talented roster of performer/friends and truly great works including the world premiere of Pte Tokahewin Ska.  DiMenna Center, NYC.\r\n\r\n10/23-24/15\r\n<a href=\"http://www.bethmorrisonprojects.org/#!persona/c1t0c\">Persona</a> - world premiere run of a new opera inspired by the Bergman film of the same name.  Music by Keeril Makan, Libretto/Direction by Jay Scheib.  <a href=\"http://nationalsawdust.org/event/beth-morrison-projects-presents-persona-2/\">National Sawdust\r\n</a>\r\n10/22/15, 8 pm\r\nVox Novus 15th anniversary festival featuring works by Eve Beglarian, Rob Voisey and Mark Lackey.  GalleryMC.\r\n\r\n10/20/15, 7:30 pm\r\n<a href=\"https://www.facebook.com/events/1632654526988436/\">Serenade for Harold </a>-- ML performs the Gordon Jacob Flute Concerto with The Antara Ensemble in a tribute concert honoring Harold Jones (my dear friend/teacher/mentor who founded the orchestra 20 years ago).  St. Peter\'s Church, 346 West 20th Street.\r\n\r\n10/13/15\r\nThe Legend of Zelda\'s Symphony of the Goddesses performs on Late Night with Stephen Colbert!!! (insanely fun!)\r\n\r\n10/9-10/15, 7:30\r\nBonfire of the Vanities the opera.  Music by Stefania de Kennesy/libretto and direction by Michael Bergmann. El Museo del Barrio.\r\n\r\n10/8/15, 8 pm\r\nMilica Paranosic\' Tekchic Tek-Cessories inaugural launch featuring performances and a fashion show.\r\n\r\n7/11/15, 2 and 3 PM\r\nTap It Out!!  Join me and 100 tap dancing pals as we perform a cappella in Times Square as the culminating event of the American Tap Dance Foundation\'s 2015 Tap City Festival.  Father Duffy Square (46th between b\'way and 7th in times square) --- Pure unadulterated fun!!!\r\n\r\n6/25/15, 3:30  and 8 PM\r\nNYCEMF -- works by Yu Chung Tseng and Christian Banasik.  The Playhouse, Abrons Art Center.\r\n\r\n6/22/15, 8 PM\r\nNew York City Electronic Music Festival -- works by Ai Negishi and Amanda Stuart. The Playhouse, Abrons Art Center.\r\n\r\n6/13/15, 8 PM\r\nsfSoundSalonSeries presents ML and Elliot Simpson performing solo works by Larry Polansky (Piker!). Center for New Music, San Francisco.\r\n\r\n5/30/15, 8 PM\r\nPAN-demonium!  ML guests on this great solo viola show by the incredible Jocelin Pan.  Tenri Cultural Institute.\r\n\r\n5/28/15, 8 PM\r\nCircuit Bridges collaboration with Dutch composer collective Soundings. Premieres by Petrovic and Paranosic.  MC Gallery.\r\n\r\n5/17/15, 3 PM\r\nThe music and art of Alexa Babakhanian. St. Mark\'s Church.\r\n\r\n5/9/15, 9:30 PM\r\n(Con)temporary (In)sights series presents the music of Marcelo Toledo. Spectrum.\r\n\r\n4/26/15, 3 PM\r\nBowerbird presents Morton Feldman\'s <em>For Philip Guston</em>. (Dave, Rick, and I take it on the road to Philly!) The Rotunda, Philadelphia.\r\n\r\n4/22/15, 8 PM\r\nThe music of Stephen Prina.  The Kitchen, NYC.\r\n\r\n4/21/15, 7:30 PM\r\nNew York Composers Circle - works by Duykers, Legname, Marlow, Brooks, and others.  St. Peter\'s Church (Citicorp Center, NYC)\r\n\r\n4/16/15, 8:30 PM\r\nMarcelo Toledo/Arthur Kampela concert-happening at the Firehouse Space (246 Frost St, Brooklyn)\r\n\r\n3/16/15, 8 PM\r\nMilica Paranosic and her Bruka Band perform her work at Sylvana.\r\n\r\n3/15/15, 12:30 AM\r\nNew York Flute Club Flute Fair \"Premieres\" concert.  ML presents works by Pritsker and Matthusen.  Faculty House at Columbia University, Presidential Ballroom\r\n\r\n3/14/15, 9:30 PM\r\n(Con)temporary (In)sights series presents the music of Arthur Kampela. Spectrum.\r\n\r\n3/9/15, 8 PM\r\nNic Collins with Either/Or at Roulette\r\n\r\n2/27-3/1/15\r\nEither/Or performs at the CSUF New Music Festival, Cal State University Fullerton Meng Concert Hall\r\n2/27, 8 PM - Elliott Sharp concert\r\n2/28, 8 PM - music by Richard Carrick, Elliott Sharp and Pamela Madsen\r\n3/1, 2 PM - Morton Feldman\'s <em>For Philip Guston</em>\r\n\r\n2/10/15, 8 pm\r\nPrinceton Composers Concert with American Modern Ensemble, Taplin auditorium, Princeton University\r\n\r\n1/22/15, 7 pm\r\nArthur Kampela retrospective concert at the German Consulate.\r\n\r\n12/6/14, 7 pm\r\nML premieres Lady M -- a mini concerto/drama for flute and strings by Milica Paranosic that explores the tragic trajectory of the Scottish play\'s heroine.  The program entitled Sweet Concordant Strings is part of the Composers Concordance annual festival and celebrates the 450th anniversary of Shakespeare\'s birth.  West Park Presbyterian Church (165 West 86th Street, NE corner of 86th and Amsterdam)\r\n\r\n12/5/14, 8 pm\r\nEither/Or presents the music of Keeril Makan in the Miller Theatre Portrait Series.\r\n\r\n11/29/14\r\nML \'performs\' in the Composers Concordance Wingjammer concert at 7 PM -- then joins Arthur Kampela and band at 9:30 for a fun-filled night of avant-sambas, atonal bossas and virtuosic solos! -- both events at Spectrum (121 Ludlow, 2nd fl).\r\n\r\n11/8/14, 4 pm\r\nBig Screen-Small Screen.  Percussia performs music from TV themes to ringtones.  St. Mark\'s Episcopal Church (33-50 82nd St., Jackson Heights)\r\n\r\n10/14/14, 6 pm\r\nEither/Or performs the first Pop-Up concert of the season at Miller Theatre.  Works by Radulescu, Lucier and Feldman (Why Patterns?).\r\n\r\n10/12/14, 7 and 8:30\r\nIt\'s A Secret -- the immersive music theater piece by Jue Wang and Adam Mirza explores the \'challenged\' relationship between Alice James (sister of Henry) and her father.   NYU, room 220.\r\n\r\n9/29/14, 8 PM\r\nEscape, My Solo...ML joins forces with Vancouver-based mixed media wizard Bob Pritchard to create an evening of theatrical works for flute(s) and mixed media.  Music by Stockhausen, Steenhuisen, Kampela, Pritchard and Adrian Knight (world premiere).  Gallery MC (549 w. 52nd, 8th floor)\r\n\r\n7/24/14, 8 PM\r\nCircuit Bridges No. 6.  ML and Milica Paranosic team up once again (this time in matching poofy dresses!).  MC Gallery.\r\n\r\n7/9/14, 1 PM\r\nConcrete Timbre presents Voices of justice and consanguinity... as part of the undergroundzero festival 2014 - featuring music by Ann Warren.  Frances Tauvern Museum (64 Pearl St.).\r\n\r\n6/29/14, 3 PM\r\nThe Festival concludes with a special event for Either/Or\'s 10th birthday:  Morton Feldman\'s rarely heard 5 hour epic masterpiece, For Philip Guston --- This is truly one of my favorite works of all time -- it is exquisite!!   Issue Project Room (22 Boerum Place, Brooklyn)\r\n\r\n6/26/14, 8 PM\r\nEither/Or Spring Festival 2014 -- June 26th will feature E/O soloists ML, Vasko Dukovski, Aaron Baird and David Shively in a theatrical melange of works by Lucier, Kagel, Druckman and others - including Stockhausen\'s theater piece Zungenspitzentanz (from Samstag auch Licht) where ML will transform from a sweet to a very demonic kitty!!!.....Whitebox Art Center (329 Broome St)\r\n\r\n6/6/14, 7:30 PM\r\nThe music of Barbara Monk Feldman with Aki Takahashi and the Downtown Ensemble.  The DTE loft (167 Spring St, Bell #3).\r\n\r\n5/29/14, 8:30 PM\r\nPerspectives Ensemble presents The Intimate World of Toshio Hosokawa.  Thrilled to join this illustrious ensemble, ML will play Hosokawa\'s gorgeous bass flute work Atem-Lied.  Tenri Cultural Institute (43 W 13th st, NYC) - Free admission.\r\n\r\n5/10/14, 7 PM\r\nRetro-Spectrum (aka Milica\'s birthday party/concert!!!!) --- Milica Paranosic and friends present her works from the past 10 years!  Spectrum, NYC.\r\n\r\n4/29/14, 8 PM\r\nJohn Halle CD release party!  ML reprises her \"performance\" in Halle\'s legendary Full Spectrum Dominance --- no flutes on this gig -- just voice and tap shoes!!!  Galapagos.\r\n\r\n4/28/14, 8:15 PM\r\nPost-Tension: New electro-acoustic works by NYU undergraduate composers.  ML joins Tom Chiu in premieres by Douridas, Insalaco, Cotto, Nicholas, Barickman, Schmidt, Terruso, Borchers, Barickman, Steinken, Merizalde, Stein.  NYU Silver Center, Room 220.\r\n\r\n4/24/14, 8 PM\r\nCircuit Bridges series.  ML plays works by Gene Pritsker and Melissa Grey, MC Gallery.\r\n\r\n4/19/14, 8 PM\r\nComposers Concordance presents All About Japan.  ML performs works by Pritzker, Bechtold, and Cooper.  Goddard Riverside Community Center.\r\n\r\n4/12/14, 8 PM\r\nEither/Or performs new works by Columbia University graduate composers (Christopher Trapani, Alec Hall, Paul Clift, Yoshiaki Onishi, Natacha Diels, Nina C. Young, Taylor Brook), DiMenna Center, Cary Hall, NYC.\r\n\r\n4/11/14, 8 PM\r\n2014 Tri-Centric Music Festival presents Anthony Braxton\'s Composition No 146 (Moogie and Stetson) for 12 flutes, 2 tubas and percussion!!!  Roulette.\r\n\r\n3/29/14\r\nJean-Baptiste Barriere day!!!\r\nDistant Mirrors - a real-time collaboration between flutists Camilla Hoitenga, at the Musee Gadagne in Lyon, France and ML playing live on the Miller Theatre stage.  Musicians and audience alike will be able to view a large video score, which uses color and images to guide the performers\' actions, changing and adapting as the performance proceeds.  Camilla and I will play together via the internet, creating a collective memory that transcends geographic barriers.  Two performances at noon and 1 pm (duration ca. 20 minutes).  Columbia University\'s Miller Theatre (116th and Broadway).\r\n\r\nJBB Portrait Concert - Miller Theatre, 8 PM\r\nThis seamless evening showcases the scope of this multimedia pioneer\'s career spanning from his 1983 seminal electronic work Chreode to the premiere of Ekstasis.  Directed  by Aleksi Barriere, I am thrilled to present the theatrical premiere of Crossing the Blind Forest -- this is a must-see!!!!\r\n\r\n3/5-8/14\r\nWAKE -- conceived and directed by the incredible Mei Ann Teo and staring Marnie Breckinridge, this ventive music theatre work/modern tragedy investigates the  psychic effects of guilt, grief and ultimately forgiveness.......heartbreaking, uplifting, and gorgeous.......The Connelly Theater, 220 E 4th St.\r\n\r\n2/28/14, 7:30\r\nthrilled to join Tenth Intervention in Music from the Lyonosphere - the music of Eric Lyon and friends -- includes a premiere by Elizabeth Hoffman, a new version of The Lancaster Overture and a fan favorite Onceathon II: the Kiss of Constable!!!....Spectrum, NYC\r\n\r\n2/22-3/2/14\r\nthe little OPERA theatre of ny presents Rossini\'s Opportunity Makes the Thief , James Bagwell-conductor, Philip Shneidman- director, 59 E 59th - theater B.\r\n\r\n2/18/14, 8 pm\r\nNY Composers Circle -- works include premieres by Richard Brooks and Max Duykers, St. Peter\'s Church, Citicorp Center.\r\n\r\n2/15/14, 7:30 pm\r\nGlass Farm presents \'dream voyage\' -- works by Schneider, Scartazzini, and Ives with the fabulous guest artist Michael Leibundgut.  Symphony Space\'s Thalia Theater.\r\n\r\n1/24/15, 7:30 pm\r\nComposers Concordance Founders concert presents works by Joseph Pehrson, Patrick Hardish, Dan Cooper, Gene Pritzker, and Milica Paranosic, Turtle Bay Music School.\r\n\r\n1/15/14, 3:30 pm\r\nOPERA America presents The New Works Forum Showcase  -- The Summer King by Daniel Sonenberg (produced by American Opera Projects), The Dimenna Center (Cary Hall)\r\n\r\n1/10-18/14\r\nPrototype Festival: world premiere run of Thumbprint -the compelling new opera by composer Kamala Sankaram and librettist Susan Yankowitz which chronicles the journey of Mukhtar Mai (an illiterate woman gang-raped as retribution for an \'honor crime\' her brother allegedly committed who becomes the first woman in Pakistan to bring her attackers to justice and in turn vows to build schools to educate women) ---it is a powerful work about a truly singular, exceptional human being Baruch Performing Arts Center, NYC.\r\n\r\n12/14/13, 7:30 PM\r\nSticks &amp; Stones - Glass Farm Ensemble is joined by Ensemble TaG in a concert of conceptual music including works by Jacques Demierre, Christian Wolff, Peter Ablinger, Denis Schuler, and Craig Shepard.  Symphony Space\'s Leonard Nimoy Thalia theater.\r\n\r\n12/5/13, 8 PM\r\nEither/Or presents the exquisite music of Icelandic composer Anna Thorvaldsdottir as part of the Miller Theater Portrait Series ----- gorgeous music!!!!\r\n\r\n11/22/13, 8 PM\r\nPhoenix Concerts present Nordic Currents II - new music from Scandinavia featuring works by Kokkonen, Leyman, Rautavaara, Saariaho, Skouen, and Tarrodi,  curated by Thomas Bagwell. St. Matthew &amp; St. Timothy (26 W. 84th Street)\r\n\r\n11/15/13, 8 PM\r\nAACM presents Either/Or, George Lewis and Discopoet Khari B. in a one of a kind portrait concert featuring Lewis\' chamber music (including the East Coast premiere of Hexis!) and George playing his purple trombone!!!  Truly phenomenal music/composer/artist!!!....Community Church of Manhattan 40 East 35th Street (bet Madison and Park Avenues)\r\n\r\n11/1/13, 7:30\r\nGlass Farm Ensemble season opener featuring works by Krause, Guttierez, Harvey, and Troxler, Symphony Space\'s Thalia Leonard Nimoy Theater.\r\n\r\n10/26/13 in Wilmington, NC<b>\r\n</b>FABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nSaturday, October 26, 2013, at 8pm, at Kenan Auditorium, University of North Carolina, Wilmington, NC.  For tickets and more information, visit the <a href=\"http://uncw.edu/arts/fables.html\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>\r\n\r\n10/17/13, 8 PM\r\nI am joining my Either/Or buddies as a soloist in The Cage 100 Party Pieces - world premieres by 124 German and US composers!  Miller Theater, Columbia University.\r\n\r\n10/10/13 in College Station, TX\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nThursday, October 10, 2013, at 8pm, at The Academy for the Visual and Performing Arts at Texas A&amp;M University, 273 Liberal Arts and Humanities Building, College Station, TX.  For tickets and more information, visit the <a href=\"http://academyarts.tamu.edu/2013/08/09/2013-2014-season/\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n10/02/13 in Boulder, CO\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance\r\nWednesday, October 2, 2013, at 7:30pm, at Macky Auditorium at Colorado University, 1595 Pleasant St, Boulder, CO. For tickets and more information, visit the <a href=\"http://www.cupresents.org/events/armitage-gone-dance-fables-global-warming\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n09/28/13 in Lawrence, KS\r\nFABLES ON GLOBAL WARMING with ArmitageGone!dance<b>\r\n</b>Saturday, September 28, 2013, at 7:30pm, at the Lied Center of Kansas, 1600 Stewart Drive, Lawrence, KS.  For tickets and more information, visit the <a href=\"http://lied.ku.edu/events/fables.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n9/24/13 in Urbana, IL\r\nI am thrilled to join composer Corey Dargel, visual director Doug Fitch and the fabulous ArmitageGone!dance company in FABLES ON GLOBAL WARMING -- a cautionary tale of caring for the planet told through the exquisite vision of Karole Armitage.<b>.....</b>\r\nWORLD PREMIERE, September 24, 2013, at 7:30pm, at Colwell Playhouse at the Krannert Center at the University of Illinois, Urbana-Champaign, 500 S. Goodwin Ave., Urbana, IL.  For tickets and more information, visit the <a href=\"http://www.krannertcenter.com/performance.aspx?id=20137189596710128174106178\" target=\"_blank\" rel=\"noopener noreferrer\">Event Page</a>.\r\n\r\n7/2/13, 7:30 PM\r\nGlass Farm Ensemble at Symphony Space\'s Thalia Leonard Nimoy Theater featuring works by Rzewski, Jarrell, Zimmerlin, Saariaho and a new work by Paula Matthusen.\r\n\r\n5/30-31/13, 8 PM\r\nEither/Or Spring Festival at The Kitchen featuring 10 premieres including works by Miya Masaoka, Richard Carrick, and Jin Hi Kim.\r\n\r\n5/23/13, 9:30\r\nComposers Concordance Records presents the CD release concert of Samplestra - the electro-acoustic music of Gene Pritsker at DROM NYC (85 Ave A).\r\n\r\n5/9/13, 8 PM\r\nTribeca New Music Festival - Concert #1 Art of the Salon - ML makes her TNMF debut in staged performances of works by Jacob TV -- his seminal work Lipstick and and new piece written for ML entitled IT, The Cell Theatre (338 W. 23rd st)\r\n\r\n4/28/13, 1 - 2:30 PM\r\nWestFest Dance Festival, Westbeth Arts Center.\r\n\r\n4/6/13, 7:30\r\nGlass Farm presents FOCUS, a multimedia event featuring Feldman\'s Why Patterns with Sylwia Zytynska and guest performers, Symphony Space Thalia Theater.\r\n\r\n4/4/13, 8 PM\r\nRebecca Saunders portrait concert at Miller Theater. Either/Or performs the beautifully, delicate work of Saunders including the US premiere of murmurs.\r\n\r\n3/28-29/13, 8 PM\r\nKevin James\' Vanishing Languages Project with [kaj] ensemble, Speak Percussion and Ethel. Roulette.\r\n\r\n3/17/13, 10 PM\r\nThe incredible Will Lang\'s trombone recital featuring works by bach, xenakis, kurtag (the little fix for trombone, piccolo, and guitar), frith, and others, The Stone.\r\n\r\n3/17/13, 10 AM\r\nMorning New Music - ml performs Jacob TV\'s Lipstick at the 2013 New York Flute Fair, The Lighthouse (111 East 59th Street).\r\n\r\n3/3/13\r\nml joins the Lucky Dragons once again for the latest installment of Actual Reality - an omni experience......this time at MOMA\'s PS1 in LIC,  performances at 12, 1:30, 3, and 4:30, free with museum admission.\r\n\r\n2/19/13, 8 PM\r\nGlass Farm Ensemble performs music of the New York Composers Circle, St. Peter\'s Church (citicorp bldg).\r\n\r\n2/4/13, 8 PM\r\nEither/Or and other great nyc groups join forces to celebrate the life of Ralph Kaminsky and his commitment to new music....a great man who made a huge impact and will be missed......Merkin Concert Hall.  E/O opens the program with Scelsi\'s Pranam II.\r\n\r\n1/18/13, 7:30 pm\r\nGlass Farm Ensemble presents <em>Circle</em> - a program of new works by Marti, Schneider, Burkhart, Camarero at Symphony Space\'s Thalia Theater.\r\n\r\n1/9-15/13\r\nWorld premiere run of Mohammed Fairouz\'s grippingly poignant chamber opera Sumeida\'s Song in the Prototype Festival.  all performances at HERE arts center.\r\n1/9 - 8:30 pm\r\n1/10 - 8:30 pm\r\n1/11 - 8:30 pm\r\n1/13 - 4 pm\r\n1/14 - 8:30 pm\r\n1/15 - 8:30 pm\r\n\r\n12/12/12, 8 pm\r\nColumbia Composers Concert - ml performs works by Roberto Toscano and Tyshawn Sorey.  Roulette, Brooklyn.\r\n\r\n12/11/12, 8:30 pm\r\nNYU Composers Concert at Tenri Cultural Institute, NYC.\r\n\r\n12/8/12\r\nPercussia holiday concert.\r\n\r\n12/1/12, 3-6 pm\r\nComposers Concordance composers play composers marathon at Drom NYC (85 Avenue A)\r\n\r\n11/29/12, 5:15 pm\r\n<a href=\"http://http://calendar.yale.edu/cal/beinecke/month/20121125/Music/CAL-2c9cb3cc-3adcd7e8-013b-0b0c0b46-0000403fbedework@yale.edu/\">Re-Mapped, Re-Wired IV!</a>  Yale College New Music concert at the Beinecke Rare Book and Manuscript Library, 121 Wall St, New Haven, CT.\r\n\r\n11/14/12, 7 pm\r\nEither/Or presents Feldman\'s <em>Why Patterns?</em>  and Erik Griswold at Spectrum (121 Ludlow, 2nd fl)\r\n\r\n11/11/12, 3 pm\r\nML and Yvonne Troxler play a flute and piano recital!!!! Slated are works by Martin, Schnyder, Stockhausen, Reynolds, and Jolivet.  Bloomingdale School of Music (323 W. 108th Street) - FREE!\r\n\r\n10/12/12, 7:30 PM\r\nGlass Farm Ensemble presents <em>Fanfares</em> - a program of works by Leroux, Mantovani, Ligeti, Maderna and Troxler - at Symphony Space Thalia Theater.\r\n\r\n9/27/12, 1 PM\r\n<a href=\"http://www.trinitywallstreet.org/music/\">Trinity Wall Street\'</a>s contemporary music ensemble, NOVUS NY, presents Twelve in 12 - music by the last twelve winners of the Pulitzer Prize in Music - with music director Julian Wachner.  9/13/12 at 1 PM features works by John Adams (Son of Chamber Symphony), Henry Brant (Four Skeleton Pieces) and Steve Reich (Daniel Variations).  74 Trinity Place, FREE.\r\n\r\n9/19-22/12\r\nML makes harmonica debut in Kurtag\'s \"Quasi Una Fantasia\" with the <a href=\"http://www.nyphil.org\">New York Philharmonic</a>.\r\n\r\n9/14/12, 7 PM\r\n<a href=\"http://www.theredshell.com/nintendo/ds/nintendos-the-legend-of-zelda-symphony-of-the-goddesses-concert-tour-special-in-store-event-in-new-york-015043.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+TheRedShell+%28The+Red+Shell%29\">Nintendo\'s \"The Legend of Zelda:Symphony of the Goddesses\"</a> concert tour lands in NYC\'s Nintendo World Store (10 Rockefeller Plaza) featuring a chamber ensemble conducted by Eimear Noone.  Excerpts can be viewed <a href=\"http://www.youtube.com/watch?v=Y1_LHj2erdA\">here</a> and <a href=\"http://www.youtube.com/watch?v=ox8voYbDUC4\">here</a>.\r\n\r\n9/13/12, 1 PM\r\nTwelve in 12 - <a href=\"http://www.trinitywallstreet.org/music/\">Trinity Wall Street\'</a>s contemporary music ensemble, NOVUS NY, presents Twelve in 12 - music by the last twelve winners of the Pulitzer Prize in Music - with music director Julian Wachner.  9/13/12 at 1 PM features works by Jennifer Higdon, John Corigliano, and David Lang.  74 Trinity Place, FREE.  To view webcast, click <a href=\"http://www.trinitywallstreet.org/webcasts/videos/music-arts/concerts-at-one/concerts-at-one-3\">here</a>.\r\n\r\n9/5-8/12\r\n<a href=\"https://cagecentennialmiami.wordpress.com\">CageCentennialMiami</a> --  if by chance you happen to be in Miami, celebrate John Cage\'s centennial at this fabulous festival curated by Juraj Kojs.  ML will play a program of music by American Experimental composers (Tenney, Polansky, Beglarian, Alexander, Lyon, Duffalo, Matthusen) on 9/6.   On 9/8, Cage: Music and Words with Juraj and ML (Music For ..., Ryonji, One<sup>12</sup>).  Both concerts at 9 pm at Audioteque, 924 Lincoln Road, Studio 201, Miami Beach.\r\n\r\n8/21-23/12, 7:30 pm\r\nthe [kaj] ensemble - equipped with ipads - premieres Kevin James\' 100 waltzes for John Cage.  DiMenna Center, 450 West 37th Street, brownpapertickets.com for ticket info. (<a href=\"http://www.nytimes.com/2012/08/23/arts/music/kevin-james-and-kaj-take-john-cage-as-inspiration.html\">NY times review</a>)\r\n\r\n7/2/12, 1 pm\r\nInverted Sky, a kite installation/flute concerto by visual artist Erika Harsch and composer Julian Wachner, performed by ML at the River to River Festival at Rockefeller Park. (raindate, 7/3/12)\r\n\r\n6/25/12, 8 pm\r\nPaola Prestini\'s OCEANIC VERSES, River to River Festival, Schimmel Center for the Arts at Pace University\r\n\r\n6/23/12, 7:30\r\nPaola Prestini\'s OCEANIC VERSES, Kennedy Center\r\n\r\n6/15/12, 7:30\r\nGlass Farm Ensemble performs works by Troxler, Cage and Vivier at Symphony Space Thalia Theatre.\r\n\r\n5/16/12, 8:30 pm\r\n<a href=\"http://repmus.ircam.fr/improtechpny/\">ImproTech Paris-NYC 2012</a> 0pening concert at <a href=\"http://www.roulette.org\">Roulette</a>, featuring music and performances by George Lewis, Vijay Iyer, Mari Kimura, Steve Coleman and others (including me playing a wonderful multimedia work by Jean-Baptiste Barriere) -- guaranteed to be a great show!\r\n\r\n4/29/12, 3 pm\r\nWilliams College Dept of Music presents \"Composers and their Laptops\" -- ML performs the first incarnation of a new collaborative theater piece by Juraj Kojs and Kathryn Alexander. Williams College\'s Chapin Hall.\r\n\r\n4/27/12, 8 pm\r\nEither/Or Spring Festival - Night Two.....works by Cage, Lewis, Sharp, Saunders, Grisey.  The Kitchen, 512 W. 19th Street, $12.\r\n\r\n4/26/12, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or Spring Festival</a> - Night One......works by Zorn, Coleman, Thomalia, Feldman, Lewis.  <a href=\"http://www.thekitchen.org\">The Kitchen</a>, 512 W. 19th Street, $12.\r\n\r\n4/10/12\r\n<a href=\"http://www.millertheatre.com\">Miller Theatre</a> Pop-Up concert with Jean-Baptiste Barriere.  Columbia University.\r\n\r\n4/6/12, 7:30 pm\r\nAn evening of works by USF School of Music faculty member, Paul Reller (including In Praise of Buddy Hackett and the premiere of Greyfield).  Barness Recital Hall, University of South Florida (Tampa).\r\n\r\n3/24/12, 7 pm\r\nML performs in a concert of works by students of Jean-Baptiste Barriere\'s Columbia University Musical Interactivity course including a new work by Natacha Diels and a interactive musical theater piece for flute, piano, electronics, and sculptural articulation (!!) by Zosha Dicastri ---- this is a must see!  <a href=\"http://www.millertheatre.com\">Miller Theater</a>, Columbia University.\r\n\r\n3/22/12, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or</a> performs Karen Rehnqvist portrait concert at Miller Theater, Columbia University.\r\n\r\n3/18/12, 8 pm\r\nArgento Ensemble premieres 6 new works by Columbia University composers, <a href=\"http://www.stpeterschelsea.com\">St. Peter\'s Episcopal Church</a>.\r\n\r\n3/16/12, 8 PM\r\nArgento Ensemble premieres 6 new works by Columbia University composers, College of New Jersey.\r\n\r\n3/9/12, 7:30 PM\r\nGlass Farm Ensemble presents RECALL - music by Sciarrino, Berg, Benjamin, and Laveglia. <a href=\"http://www.symphonyspace.org\">Symphony Space Thalia Theater</a>.\r\n\r\n2/15/12, 8 PM\r\n<em>Actual Reality</em> by the <a href=\"http://www.luckydragons.bandcamp.org\">Lucky Dragons</a> at RPI\'s <a href=\"http://www.empac.rpi.edu/\">EMPAC</a> (Troy, NY)\r\n\r\n1/30/12, 7:30-?\r\nMC Mondays, Milica Paranosic\' marvelous monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>. ml plays??? (requests anyone?!?)\r\n\r\n1/29/12, 7 pm\r\n<a href=\"http://www.composersconcordance.com\">Composers Concordance</a> Marathon presenting composers performing their own music.  ML assists both serbian bombshell <a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a> and brazilian dynamo <a href=\"http://www.myspace.com/loopb\">Loop B</a>.  <a href=\"http://www.dromnyc.com\">Drom</a> (85 Avenue A), NYC.\r\n\r\n1/28/12, 8 pm (w/ 7:15 pre-concert installation)\r\n<a href=\"http://www.eitherormusic.org\">Either/Or</a> presents the first all-Horatiu Radalescu concert in NYC, ML performs his epic Dizzy Divinity I, <a href=\"http://www.parkavenuechristian.com\">Park Avenue Christian Church</a> (85th and Park).\r\n\r\n12/20/11, 8 pm\r\nNY Composers Circle celebrates the life of Dinu Ghezzo, St. Peter\'s Church, Citicorp Center, NYC\r\n\r\n12/9/11, 7:30 pm\r\n<a href=\"http://www.musicatfirstsite.com\">Music At First</a> series presents <a href=\"http://www.mollythompsonmusic.com\">Molly Thompson</a> and Lukas Ligeti. ML performs Molly\'s ferociously tender <em>The Great Hush</em>.\r\n\r\n12/6/11, 7:30 pm\r\nNYU Principles of Musical Analysis  composer concert.\r\n\r\n12/3/11, 8 pm\r\nLike Winter Waiting by John Foley, St. Frances Xavier, NYC.\r\n\r\n11/28/11, 7:30-?\r\nMC Mondays, Milica Paranosic\' marvelous monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>.  This time, ml kicks off the season with Telemann and the perennial holiday classics Eric Lyon\'s Fanfare for Gordon Mumma and Jacob TV\'s Jesus is Coming.\r\n\r\n11/5/11, 8 pm\r\nThe music of Michael Vincent Waller, <a href=\"http://theinvisibledog.org\">The Invisible Dog</a>, Brooklyn, NY.\r\n\r\n10/23/11, 4 pm\r\nPercussia plays works by Vinao, Negron, Douglas and Through Fire and Flames at <a href=\"http://www.saintmarks.net\">St Mark\'s Churc</a>h in Jackson Heights.\r\n\r\n9/26/11, 7:30-?\r\nMC Mondays, Milica Paranosic kicks off her monthly music lab at <a href=\"http://www.gallerymc.org/h/\">Gallery MC</a>.  ml plays treats by MP and Lynn Bechtold.\r\n\r\n9/23/11, 8 pm\r\nKOCHO -ML joins the amazing Seattle based performance troupe Fisher Ensemble in this fusionof Noh theater, chamber opera and indian-inspired music.  Directed by the fabulous Benjamin Mosse, this is a must-see!   <a href=\"http://www.galapagosartspace.com\">Galapagos Art Space</a>, DUMBO Brooklyn.\r\n\r\n9/11/11, 8:46 am --\r\nMUSIC AFTER - ML performs Eve Beglarian\'s soulful<em> I Will Not Be Sad in this World</em>, Joyce Soho, NYC.\r\n\r\n8/30/11, 7 pm\r\nPercussia really plays Live at the Gantries on a beautiful night!!!\r\n\r\nIRENE CANCELS SHOW!\r\n8/27/11, 8 pm\r\nThe music of Michael Vincent Waller at <a href=\"http://www.theinvisibledog.org\">Invisible Dog Art Center</a>.\r\n\r\nRAINED OUT!!\r\n8/9/11, 7 pm (rain date 8/30)\r\nPercussia plays Live at the Gantries - Gantry Plaza State Park, Long Island City.\r\n\r\n7/30/11, 4 pm\r\nThe NYC Summer Mahler Project - James Blachly conducts The Sheep Island Ensemble in  Mahler 1 at Trinity Church Wall Street.\r\n\r\n7/2/11, 1 &amp; 3 pm (rain date July 3)\r\nTerry Riley\'s In C at <a href=\"http://riteofsummer.com/2011/04/05/hello-world/\">The Rite of Summer Music Festival</a>, Colonels Row, Governors Island\r\n\r\n6/10/11\r\nML performing Arthur Kampela\'s Happy Days, location tba\r\n\r\n6/9/11, 8 pm\r\nThe Stone (Ave C and 2nd St)\r\nNew World Records presents ML with Matthew Gold and Larry Polansky featuring works from my NWR cd IO by Lois V Vierk, Larry Polansky, James Tenney and the premiere of a new solo work by Cornelius Dufallo.....a fashionably late (?) cd release concert!?!\r\n\r\n6/4/11, 8 pm\r\nThe Stone (Ave C and 2nd St)\r\nML guests in on Larry Polansky\'s New World Records-curated Stone set.\r\n\r\n6/3/11, 8 pm\r\nEither/Or Spring Festival\r\n<a href=\"http://www.thekitchen.org/event/262/0/1/\">The Kitchen</a>, 512 W. 19th St, NYC\r\n\r\n**\r\n\r\n<strong>Past Performances:</strong>\r\n\r\n5/20/11, 7:30 pm\r\nThe <a href=\"http://www.musicatfirstsite.com\">Music at First</a> series presents Margaret Lancaster and the Deprivation Choir. ML\'s must-see solo event of the season featuring works of Paul Steenhuisen, Arthur Kampela, Corey Dargel, Paula Matthusen, Jacob Ter Veldhuis, Wil Smith and many theatrics!!  First Presbyterian Church of Brooklyn, 124 Henry Street, Brooklyn.\r\n\r\n5/17/11, 7 pm\r\nPercussia performs for NYSCA at the Omega Institute, Rhinebeck, NY\r\n\r\n5/13/11, 8 pm\r\nFisher Ensemble at The Stone.\r\n\r\n5/10/11, 8 until??\r\nCBCB Concert (aka Milica Paranosic\' birthday party!!!) composers concordance ensemble meets bruka band!!   Come celebrate one of my favorite people - there will be food, drink, and crazy performances! -<a href=\"http://www.gallerymc.org/h/\"> Gallery MC</a> (549 W 52nd street, 8th floor)\r\n\r\n5/5/11, 8 pm\r\nML presents Betsey Biggs\' solo multimedia theater piece PARALLEL LIVES w/ director Hillary Spector at Brown University\'s Granoff Center\r\n\r\n4/28 - 5/1/11\r\nThe<a href=\"http://www.abronsartscenter.org\"> Abron Arts Center</a> presents Anita Cheng Dance and Gordon Beeferman: Habitats.  April 28-30 at 8 pm, May 1 at 5 pm.  Tickets $15.\r\n\r\n4/15/11, 8 pm\r\nEither/Or presents the music of Chaya Czernowin on the Composer Portrait Series at Miller Theater.  ML joins a truly all-star cast in the NY premiere of Winter Songs II:Stones.\r\n\r\n4/13/11, 8 pm\r\nimprov with performance artist Richard Olson in a Movement Research Open Performance program,  Dance Theater Workshop 3rd floor studio (219 W. 19th street)\r\n\r\n4/5-7/11\r\nML returns to her homeland - rehearsing, giving masterclasses and playing a killer electronic and computer music concert at the <a href=\"http://louisville.edu/music/university-electronic-and-computer-music-3.ics/view\">University of Louisville</a>\'s Bird Hall (4/7 - 7 pm).  Also featured is monster/sweetie composer/saxophonist Keir Neuringer.  Works by Keir, Kaija Saariaho, John Ritz, Zach Thomas, and the fantastic Krzysztof Wolek.\r\n\r\n3/9/11, 7:30 pm\r\n<a href=\"http://www.arts.rpi.edu/pl/iear-events/larry-polansky\">Renssalaer Polytechnic Institute </a>(RPI) and iEar present the music of Larry Polansky. Joining larry and me are devin maxwell, amy beals, and pauline oliveros!  It will be a very special night of music!!!  West Hall Auditorium, RPI, Troy, NY\r\n\r\n2/6/11, 2:30-??\r\nMomenta Quartet\'s 2nd Annual Kampelathon, after the open rehearsals, interviews, and discussions about the complexity of Arthur Kampela\'s music, much frivolity with ensue featuring ML madly performing AK\'s Happy Days (around 8), 67 Metropolitan Ave, 4th fl, Williamsburg, Brooklyn.\r\n\r\n2/5/11, 6 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble </a>presents <em>a man a woman and a dog</em> - works by Mantovani, McBride, Morton, Feuter and Ives (whoopee ti yi yo!!!), Baryshnikov Arts Center, 450 West 37th Street.\r\n\r\n1/26 - 2/5, 8:30 pm\r\n<strong>MOSHEH a videOpera</strong> composed and designed by <a href=\"http://www.yoavgal.com\">Yoav Gal</a>, directed by Kameron Steele.\r\nThis amazing (sold-out!) production featured me on stage with Moses doing 3 things that i very much like: acting, dancing, and playing the flute (just like my bio says!!)\r\n<a href=\"http://www.HERE.org\">HERE Arts Center</a>, 145 6th Ave, NYC.\r\n\r\n11/22/10, 7 pm\r\n<a href=\"http://www.eitherormusic.org\">Either/Or Ensemble</a> performs music of David Brynjar Franzson and Helmut Lachenmann, The Tank, 354 W. 45th Street, NYC.\r\n\r\n11/9/10, 7 pm\r\n<a href=\"http://ww.percussia.org\">Percussia</a> and the TransWorld Performance Arts Ensemble perform music of Ugandan composer Justinian Tamusuza, Yeh Art Gallery, St. John\'s University, Queens, NYC.\r\n\r\n10/31/10, 5 pm\r\n<a href=\"http://www.emf.org\">EMF</a>\'s Ear to the Earth festival - ml joined by a halloween parade of new music glitterati including Joan LaBarbara and Shiau-Uen Ding and forces linked telematically from IU to present Scott Deal\'s and Matthew Burtner\'s <em>Music and Media from Auksalaq</em> - a telematic work that explores glabal climate change from a northern geographic adn cultural perspective.  Using networked technology, videography, music, voice, visual arts and interviews to create an interactive, eco-musical, multi-disciplinary experience.  NYU\'s Frederick Loewe Theatre, 35 W. 4th Street, NYC.\r\n\r\n6/22/10, 6 pm\r\n<a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a>\' Give2Grow benefit!!  The Harlem Branch Library.\r\n\r\n6/18/10, 9 am\r\nNY Philharmonic\'s Very Young Composers concert - works by talented fifth graders from manhattan\'s PS 59.\r\n\r\n6/15/10, 8 pm\r\nWorld premiere of John Eaton\'s pocket opera The Curious Case of Benjamin Button, Symphony Space, NYC.\r\n\r\n6/1-2/10 - <a href=\"http://www.icmc2010.org\">2010 International Computer Music Conference</a>\r\n6/1 - ml performs works by <a href=\"http://www.krzysztofwolek.com\">Krzysztof Wolek</a> and Lydia Ayers, Miller Theater, NYC.\r\n6/2 - ml plays Towdah by Joao Pedro Oliveira, Miller Theater, NYC.\r\n5/30/10, 7 pm\r\n21st Annual Tap Extravaganza -- ml dances in the premiere of Lynn Schwab\'s <em>Waters of March</em>, Bayard Rustin High School, NYC.\r\n\r\n5/19/10, 8 pm\r\n<a href=\"http://www.milicaparanosic.com\">Milica Paranosic</a>\' multi-disciplinary <em>Goddess Tales</em> (where ml makes here guitar debut!!!), Galapagos Art Space, NYC.\r\n\r\n5/5/10, 8pm\r\n<a href=\"http://streetcannibals.com\">International Street Cannibals</a> - in this installment, ml and <a href=\"http://www.rumbatap.com\">Max Pollak</a> create theatrical madness to music by Dan Cooper, St. Marks Church, NYC\r\n\r\n5/4/10, 8 pm\r\nColumbia Composers Concert  by counter)induction, Columbia University, NYC.\r\n\r\n4/23/10, 8 pm\r\nml performs Elizabeth Hoffman\'s Tranced Placed at Stony Brook University, Staller Center for the Arts.\r\n\r\n4/21/10, 5:15 pm\r\nYale Gamelan ensemble and ml premiere <a href=\"http://www.kojs.net/Doorways.html\">Doorways</a> for fl/picc and Javanese gamelan by <a href=\"http://www.kojs.net\">Juraj Kojs</a>, <a href=\"http://calendar.yale.edu/cal/beinecke/day/20100421/All/CAL-2c9cb3cd-27da0d74-0127-f3a166a0-00004466bedework@yale.edu/\">Beinecke Library</a>, Yale University, New Haven, CT.\r\n\r\n4/19/10, 8 pm\r\nThe International Street Cannibals - ml plays works by Pehrson and Kampela and various traditional jewish songs.  The Players Theater, NYC.\r\n\r\n3/28/10, 1 pm\r\nML joins Milica Paranosic in the Composer\'s Voice concert series, Jan Hus Church, NYC\r\n\r\n3/26-27/10, 8 pm\r\n<a href=\"http://www.eitherormusic.org\">EitherOR</a> 2010 Spring Festival, Tenri Cultural Institute, NYC.\r\n3/26 - works by Saunders, Lang, Barrett, Kurtag, Rehnqvist\r\n3/27 - works by Hills, Baca, Beglarian, Iddon, Griswold\r\n\r\n3/25/10, 7:15\r\n<a href=\"http://www.nycemf.org\">New York City Electronic Music Festival</a> features ML playing electro-acoustic works by Allen, Fineberg, Hopkins, Leventhal, and <a href=\"http://www.krzysztofwolek.com\">Wolek</a>.  Galapagos Art Space, NYC.\r\n\r\nML joins Seattle performance troupe <a href=\"http://www.fisherensemble.org\">Fisher Ensemble</a> in <em>At the Hawk\'s Well</em>, a music theater piece based on the play of W.B. Yeats and described by the <a href=\" http://www.nytimes.com/2010/03/22/arts/music/22fisher.html?ref=music\">NY Times</a> as \"a strong, unified and strikingly individual utterance of unambiguous beauty.\"\r\n3/17/10, noon -- Cathedral of Saint Paul, Boston, MA\r\n3/20/10, 2pm &amp; 8 pm - Judson Memorial Church, NYC\r\n\r\n3/5/10, 8 pm\r\nThe 12th Biennial Symposium on Arts and Technology, ML performs Arguro by <a href=\"http://www.krzysztofwolek.com\">Krzysztof Wolek</a>.  Ammerman Center, Connecticut College (New London, CT)\r\n\r\n3/3/10, 8 pm\r\nML presents Wired Women!!  — solo show/electroacoustic extravaganza featuring new works by some of her favorite women composers: Eve Beglarian, Elizabeth Hoffman, Paula Matthusen, Milica Paranosic, Kaija Saariaho, Kamala Sankaram, Molly Thompson………<a href=\"http://www.myspace.com/womenswork\">Women’s Work</a> 2010 concert series, Greenwich House Music School.\r\n\r\n2/26/10, 8 pm\r\n<a href=\"http://www.eitherormusic.org\"><em>EitherOR</em></a> Chaya Czernowin Portrait Festival 2010.  ML performs CC\'s monumental INA for bass flute and tape. Tenri Cultural Institute, NYC.\r\n\r\n2/7/10, 4 pm\r\nGlass Farm Ensemble celebrates its 10th anniversary in a program featuring works by Tuur, Troxler, Kocher, and Andriessen.  Baryshnikov Arts Center, NYC.\r\n\r\n12/13/09, 2 pm\r\nML guests with Alaria in the world premiere of Andy Tierstein\'s The Shooting of Dan McGrew, Weill Recital Hall at Carnegie Hall\r\n\r\n12/7/09, 8 pm\r\nNYU Principles of Composition undergraduate composers\' concert.\r\n\r\n12/2/09, 4 pm\r\nPercussia, St. John\'s University, works by Harrison, Farr, Griffin and the premiere of Alejandro Vinao\'s Los Pies del Viento (trio version)\r\n\r\n11/24/09, 8 pm\r\nML plays with the Either/Or Ensemble at the Stone. works by Boccadoro, Saariaho, Kurtag, Lang, Cardew.\r\n\r\n11/20-21/09\r\nML is guest artist at New Music Miami ISCM Festival Series\r\n11/20 - woodwind and composer workshops at Florida International University\r\n11/21 - interdisciplinary solo concert with the FIU New Music Ensemble.  works by Martin Supper, Arthur Kampela, Aurelio de la Vega, Kaiji Saariaho, Orlando Garcia, Nick Brooke, Paul Steenhuisen, Paula Matthusen, Jacob Ter Veldhuis, Francesco Antonioni.\r\n\r\n11/11/09\r\nComposer workshop at NYU\r\n\r\n11/10/09\r\nFlute workshop at Greenwich House.\r\n\r\n11/6/09\r\nPercussia sets up shop at Drew University giving a lecture and concert of their gamelan inspired program incuding works by McPhee, Farr, Brooke, Vivier and others.\r\n\r\n10/28/09, 8 pm\r\nML joins The International Street Cannibals in \"from the Holding Tank #12 - Boccherini\'s Boudoir\" playing works by Kurtag, Boccherini, and Pritzker with the likes of Matt Herskowitz, Michiyo Suzuki and Max Pollak!\r\n\r\n10/16/09, 8 pm\r\nFlexible Orchestra - FLUTES PLUS!  11 flutes kept in line by the amazing Tara Simoncic playing works by Schickele, Kennan, Wechsler, Corner and premieres by Daniel Goode, Lembit Beecher, Jordan Nobles, and Kamala Sankaram.\r\n\r\n10/10/09, 3:30 pm\r\nPercussia presents works by Keesecker, Ordway, Roberts, Tobenski, Welch, Vinao.\r\n\r\n10/1-4/09\r\nGlass Farm Ensemble tours Switzerland!!  works by Laveglia, Kurtag, Ter Veldhuis, Bartok.\r\n10/1 - Luzern - <a href=\"http://www.sudpol.ch\">Sudpol Musik Tanz Theater\r\n</a> 10/2 - Zurich - Lavatersaal\r\n10/4 - Basel - Qu.Ba<a href=\"http://www.sudpol.ch\">\r\n</a>\r\n\r\n9/26-27/09, 3 pm\r\nThe Tempest, Brave New World Repertory Theater, on the Coney Island Boardwalk!\r\n\r\n6/10/09, 7 pm\r\n<a href=\"http://users.rcn.com/jpehrson/compcord.html\">Composers Concordance</a> presents <em>On the Moon and Beyond</em>, premieres by Pritzker, Cooper, Pehrson, , Hardish, Luening, Chelsea Art Museum (556 W. 22nd St @ 11th Ave), NYC.\r\n\r\n5/16/09, 5 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble</a>, works by Harvey, Fedele, Shai, Gubler, Baryshnikov Arts Center, 450 West 37th Street (between 9th and 10th Avenues)\r\n\r\n5/7/09, 6-8\r\nRichard Kostelanetz\' OPENINGS @ the <a href=\"http://www.artcurrents.org/\">AC [ Institute Direct Chapel]</a>, 547 W. 27th St, 5th Floor.\r\n\r\n4/17/09, 8:30 pm\r\nthe first workshop of Ha-Yang Kim\'s Three Childs w/ML, Nadia Sirota, Marco Cappelli, <a href=\"http://roulette.org/\">Roulette</a>, NYC.\r\n\r\n3/28/09, 8 pm\r\nML performs w/ Arthur Kampela at <a href=\"http://www. issueprojectroom.org/\">Issue Project Room</a><a href=\"http://issueprojectroom.org/\">.</a>\r\n\r\n3/15/09, 12:30 pm\r\n<a href=\"http://www.nyfluteclub.org/html/flute_fair.html\">NY Flute Fair</a> -- ML performs Saariaho, Maresz, Saariaho, Laguardia High School\r\n\r\n2/12/09 - 3/8/09\r\nMabou Mines DOLLHOUSE @ <a href=\"http://www.stannswarehouse.org\">St. Ann\'s Warehouse</a> --- after 5.5 years, this is the alleged final run -- not to be missed!!!\r\n\r\n11/30/08\r\nComposer\'s Voice concert series featuring works with text by Steenhuisen and Saariaho, Jan Hus Church, NYC.\r\n\r\n11/7/08\r\nML plays with Arthur Kampela\'s avant-samba band @ the Underscore.\r\n\r\n10/28/08\r\ncomposer workshops at Columbia University and New York University\r\n\r\n10/21/08, 8 pm\r\nPrinceton Composers Ensemble, ML performs interdisciplinary pieces by NIck Brooke and the world premiere of <a href=\"http://www.music.princeton.edu/~bb/work/parallellivesnew.html\">Betsey Biggs</a>\' <em>Parallel Lives</em> (directed by Hillary Spector), Taplin Auditorium in Fine Hall.\r\n\r\n10/10/08, 8 pm\r\nML does her solo thing at the <a href=\"http://www.slamfestival.org\">SLAM Festival</a> playing works by Ricardo Dal Farra, Rodrigo Sigal, and Arthur Kampela.  Also featured are Jorge Grossman and Marisol Jiminez,  The Chapel Performance Space, Seattle, WA.\r\n\r\n10/9/08, 8 pm\r\nML performs with Cristina Valdes at the <a href=\"http://www.slamfestival.org\">SLAM Festival</a>,  The Chapel Performance Space, Seattle, WA\r\n\r\n9/21/08\r\nthe [k a j] ensemble presents Kevin James\' <a href=\"http://www.portraitsproject.com/HTML/QuileutePage.html\"><em>Counting in Quileute</em></a>, 2, 3:30, 5, 7.\r\n\r\n9/6/08\r\nrecently released pox victim joins <a href=\"http://www.percussia.org\">Percussia</a> at the Langston Hughes library in a gamelan inspired program featuring works by McPhee, Farr, Reich, Farrin, and Welch.\r\n\r\n8/18/08\r\nML locks the door and goes into quarantine with adult chicken pox!\r\n\r\n8/12/08\r\nML joins supahbad Sound Liberation at <a href=\"http://www.fatbabynyc.com\">Fat Baby</a>, NYC\r\n\r\n7/21 - 24/08\r\n<a href=\"http://www.greekfestival.gr/archivedevent?id=156&amp;lang=en\">DOLLHOUSE Greece</a>!!!  Oopa!!\r\n\r\n6/13/08, 8 pm\r\n<a href=\"http://www.glassfarm.org\">Glass Farm Ensemble</a> presents works by Scelsi, Laveglia, Kurtag, Schneider, and Herbert, Baryshnikove Arts Center, NYC.\r\n\r\n6/3/08, 5-9:30 pm\r\nML performs Morton Feldman\'s masterpiece <em>For Philip Guston</em> at <a href=\"http://www.spoletousa.org\">Spoleto Festival USA</a>, Simons Center Recital Hall\r\n\r\n5/9/08, 8:30 pm\r\nthe music of Ha-Yang Kim at Roulette, NYC.\r\n\r\n5/4/08, 8 pm\r\nGarden Party! ML joined by post-modern balladeer Corey Dargel to present a bed of flowery treats by Dargel, Tenney, Saariaho, Lyon, and Jacob TV. The Stone, NYC.\r\n\r\n4/30/08, 8 pm\r\nML guests with <a href=\"http://www.sequitur.org\">Sequitur</a> in NY premiere of Kurt Rohde\'s Double Trouble. Other works by Mazzoli, Bresnick, Biscardi,  Belcastro, and Fiday.  Merkin Concert Hall, NYC\r\n\r\n4/19/08, 7 pm\r\n<a href=\"https://staging.margaretlancaster.com/www.sfnm.org\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Fe New Music</a> presents the music of Kaija Saariaho, Stieren Hall, Santa Fe, NM\r\n\r\nMeet the Composer New Music for Soloist Champions project presents ML in 3 premiere concerts of Joan La Barbara\'s ATMOS, a new theater work for solo flutes and sonic atmosphere (<a href=\"https://staging.margaretlancaster.com/www.meetthecomposer.org\">meetthecomposer.org</a>)\r\n\r\n3/15/08, 8 pm - Hallwalls Contemporary Arts Center, Buffalo, NY, <a href=\"https://staging.margaretlancaster.com/www.hallwalls.org/music_03.html\" target=\"_blank\" rel=\"noopener noreferrer\">hallwalls.org/music_03.html\r\n</a>3/19/08, 8 pm - Symphony Space, Peter Jay Sharp Theater, <a href=\"https://staging.margaretlancaster.com/www.symphonyspace.org/event/2248\" target=\"_blank\" rel=\"noopener noreferrer\">symphonyspace.org/event/2248</a>\r\n3/24/08, 8 pm - SUNY Purchase\r\n\r\n3/7-10/08\r\nMabou Mines DOLLHOUSE, Festival IbericoAmericano de Teatro de Bogota, Bogota, Columbia.\r\n\r\n2/25/08 - 7:30 pm\r\nWilliam Paterson University New Music Series - guest artist performing Jolivet\'s Deuxieme Concerto pour flute, Shea Auditorium.\r\n\r\n2/16/08 - 8 pm\r\nThe International Street Cannibals present STRIKE! A dance, boxing, and chamber music happening, Gleason\'s Gym - Brooklyn.\r\n\r\n1/27/08 - 4 pm\r\nPercussia performs works by Maul, Gordon, Ptaszynska, Farr, Richter, Piazzolla, Sundays Afternoons Live series, Old Greenwich, CT\r\n\r\nSanta Fe New Music presents The Colors of Music Festival, guest artist ML (<a href=\"https://staging.margaretlancaster.com/www.sfnm.org\" target=\"_blank\" rel=\"noopener noreferrer\">sfnm.org</a>):\r\n\r\n1/17/08 - Toneland Security - ML\'s solo show - Charlotte Jackson Project Space, 7 pm\r\n1/19/08 - Morton Feldman\'s For Philip Guston with Dave Tolen &amp; Debbie Wagner, SITE Santa Fe, 1 - 5:18pm.\r\n\r\n1/5/08 - 8 pm\r\nGlass Farm Ensemble, works by Laveglia, Ter Veldhuis, Kurtag, Bartok, Baryshnikov Arts Center, NYC.\r\n\r\n12/2/07\r\nPercussia performs works by Farr, McDonald, Dagher, Gordon, Griffin and others, Hart Memorial Library.\r\n\r\n11/26/07 - 7:30 pm\r\nWilliam Paterson University New Music Series - guest artist performing Crumb &amp; Sollberger, Shea Auditorium.\r\n\r\n11/10/07 - 3 pm\r\nPercussia performs works by Tobenski, Tamusuza, Maul, Richter, Gordon, Langston Hughes Library, NYC.\r\n\r\n11/8/07 - 8 pm\r\n17th Bi-Annual International Electroacoustic Music Festival, guest artist performing works by Eric Lyon, Jan Hus Presbyterian Church, NYC.\r\n\r\n10/25-11/4/07\r\nMabou Mines DOLLHOUSE, Teatro Espanol, Madrid, Spain.\r\n\r\n10/21/07 - 8:30 pm\r\nRoulette presents the music of Lois V Vierk, ML performs IO, 20 Greene St, <a href=\"https://staging.margaretlancaster.com/www.roulette.org\" target=\"_blank\" rel=\"noopener noreferrer\">roulette.org</a>.\r\n\r\n10/10-13/07\r\nMabou Mines DOLLHOUSE, Dialog Festival, Wroclaw, Poland.\r\n\r\n10/1/07\r\nMusic With A View series, ML premieres David Shohl\'s work-in-progress Swan Dive with David Cossin &amp; Peter Jarvis, The Flea Theater.\r\n\r\n8/24-28/07\r\nMabou Mines DOLLHOUSE, Edinburgh International Festival, King\'s Theatre.\r\n\r\n8/3-5/07\r\nLove or Lack Thereof - performances by Joshua Johnson, Ashley Carter Dance Company and the premiere of Crashbox, a new tap piece choreographed and performed by ML &amp; super madrileno Vanessa Martinez! The Stella Adler Studios, NYC.\r\n\r\n6/21-23/07\r\nMabou Mines DOLLHOUSE, Singapore Arts Festival\r\n\r\n6/11/07\r\nCCi\'s Serial Underground presents ML playing works by Francesco Antionioni, Ter Veldhuis, and Vierk with guests Larry Polansky &amp; Matthew Gold, Cornelia Street Cafe.\r\n\r\n5/21-23/07\r\nMabou Mines DOLLHOUSE at the Auditorium Parco Della Musica, Rome, Italy\r\n\r\n5/4/07 - 8 pm\r\nGRAB IT! Instrumental and video work of Jacob ter Veldhuis.....this is is a must see!! I\'ll be performing boombox flute solo Lipstick and it\'s FREE!\r\nWhitney Museum of American Art at Altria\r\n120 Park Avenue at 42nd Street\r\n\r\n4/19/07 - 12 pm\r\nPercussia presents a program of flute and percussion music at the Institute for Earth, Oceans and Science, University of New Hampshire, Durham.\r\n\r\n4/13/07 - 8 pm\r\nWilliams College presents EPH Musik, works by Vierk, Alexander, Adams and others.\r\nBrooks-Rogers recital hall, Williams College, Williamstown, MA\r\n\r\n3/11/07 - 8 pm\r\ncounter)induction presents Pachinko Parlor, new works by Japanese composers (Kondo, Fujikura, Michizuki, Hosokawa, Uchida, Osada).\r\nTenri Cultural Institute\r\n\r\n3/9/07 - 7:30 pm\r\nNew York Composers Circle featuring a John Eaton premiere, Leonard Nimoy Thalia at Symphony Space.\r\n\r\n2/28/07 - 7 pm\r\nSUBTROPICS Marathon\r\nworks by Brooke, Tenney, Reller, Lyon, Krause.\r\nCarnival Center\'s studio theater, Miami\r\n\r\n2/12/07\r\nCCi\'s Serial Underground series presents ML and Corey Dargel in the premiere of his BORN AND RAISED (version 2.0), Cornelia Street Cafe\r\n\r\n1/24 - 2/4/07\r\nMabou Mines DOLLHOUSE\r\nHarbourfront Centre, Toronto\r\n\r\n1/13/07 - 8 pm\r\nGlass Farm Ensemble presents JUNGLE\r\nmusic by Hurel, Mantovani, Troxler, Fitzell, Shohl.\r\nperformers: ML, Meighan Stoops, Matthew Gold, Yvonne Troxler...www.glassfarm.org\r\nTenri Cultural Institute (43A W. 13th St)\r\nsuggested donation $15\r\n\r\n1/12/07 - 7 pm\r\nGlass Farm Ensemble presents JUNGLE\r\nmusic by Hurel, Mantovani, Troxler, Fitzell, Shohl.\r\nperformers: ML, Meighan Stoops, Matthew Gold, Yvonne Troxler.\r\nBloomingdale School of Music (323 W 108th St.)\r\nfree!!\r\n\r\n11/28 - 12/10/06\r\nMabou Mines DOLLHOUSE\r\nUCLAlive series\r\nFreud Playhouse, UCLA, Los Angeles\r\n\r\n11/11/06 - 6 pm\r\nHabitats Festival\r\nVariations II by John Cage with Ne(x)tworks\r\nBrooklyn Lyceum\r\n\r\n11/10/06 - 8 pm\r\nComposers Concordance\r\nworks by Ushio Torikai, JoyEllen Snellgrove, Ron Mazurek, Harvey Sollberger, etc. ML performs with percussionist Peter Jarvis\r\nGreenwich House Music School, (46 Barrow)\r\n\r\n10/25-29/06\r\nMabou Mines DOLLHOUSE\r\nFestival de OTONO\r\nTeatro Espanol, Madrid\r\n\r\n10/20/06 - 8 pm\r\nConfessions of the Woman in the Dunes\r\nmusic and libretto by Kenji Bunch\r\nfeaturing Joan La Barbara and Ne(x)tworks\r\nIssue Project Room\r\n\r\n10/7/06 - 10 pm\r\nThe New Yorker Festival (www/festival.newyorker.com)\r\nComposers on the Edge\r\nMason Bates, Corey Dargel, Nico Muhly, and Joanna Newsom talk with Alex Ross:A Conversation with Music\r\nBargeMusic (fulton ferry landing, b\'lyn)\r\n\r\n10/7/06 - 8 pm\r\n\"STRIKE!\"\r\nGleason\'s Gym and the International Street Cannibals present a benefit to fund youth workshops for the arts...Gleason\'s Gym (83 Front Street, B\'lyn)\r\n\r\n8/8/06\r\nCCI and the Serial Underground Festival presents a ML solo concert at the <a href=\"https://staging.margaretlancaster.com/www.corneliastreetcafe.com/\">Cornelia Street Cafe</a>.....\r\nguest artist Corey Dargel, music by Nick Brooke, <a href=\"https://staging.margaretlancaster.com/www.evbvd.com/\">Eve Beglarian</a>, Ryan Carter, Molly Thompson, <a href=\"https://staging.margaretlancaster.com/www.automaticheartbreak.com/\">Corey Dargel</a> , and Steve Reich.....info:<a href=\"https://staging.margaretlancaster.com/www.composerscollab.org/upcoming_events/index.html\">CCi</a>.\r\n\r\n7/15-22/06\r\nMabou Mines DOLLHOUSE @\r\nThe Brisbane Festival, Gardens Theater, Brisbane Australia\r\n\r\n7/2/06\r\nAvant-Gong Mini-Festival - music of Nick Brooke - The Stone NYC\r\n\r\n6/13- 7/2/06\r\nShakespeare on the Sound presents MACBETH (music by Milica Paranosic), Rowayton, CT\r\n\r\nMabou Mines DOLLHOUSE:\r\n5/21-28/06 Israel\r\n5/29-6/5/06 Hong Kong\r\n\r\n5/7/06 - 4:30 pm\r\nOne-Two-Three-Go! Version 3.0 and <a href=\"http://www.strangemusic.com/\">sTRANGEmUSIC</a> presents ML in a solo electro-acoustic concert full of surprises!!! Theaterlab (137 W. 14th St.)\r\n\r\n5/6/06 - 7 pm\r\nConcordia Conservatory Annual Chamber Music Series (Bronxville, NY), ML is featured in Bach\'s Brandenburg Concerto No. 4, other performers include Elizabeth Lim and Lawrence Dutton.\r\n\r\n5/3/06 - 8 pm\r\nItalian Academy of Advanced Studies at Columbia University (Casa Italiana - 1161 Amsterdam Ave @ 118th St) - ML joins Italian pianist Emanuele Arciuli in the series entitled THREE ITALIAN MEN- music by Beethoven, Vivier, Messaien, Rzewski\r\n\r\n4/29/06\r\nNai-Ni Chen Dance Company, New Jersey Performing Arts Center, music by Joan LaBarbara.\r\n\r\n4/19/06\r\nSILOMUSIC: <a href=\"http://www.nextworksmusic.net/\">Ne(x)tworks</a> @ Issue Project Room, Brooklyn, NY -- Selections from Kenji Bunch\'s new opera Woman in the Dunes\r\n\r\n3/29 - 4/9/06\r\n<a href=\"http://www.maboumines.org/\">Mabou Mines</a> DOLLHOUSE New England Tour:\r\n3/29 - Rhode Island College/Nazarian Ctr for the Performing Arts (Providence)\r\n3/31-4/1 (2&amp;8) - Yale Repertory Theater/Long Wharf Theater (New Haven)\r\n4/4-5 - Dartmouth College/The Hopkins Center\r\n4/7 - MASS MOCA (North Adams)\r\n4/9 - Purchase College SUNY\r\n\r\n3/5/06\r\nThe International Street Cannibals, St. Mark\'s (2nd Ave at 10th St), ML performs Sciarrino, Pritzker, and Lyon.\r\n\r\n2/18/06\r\n<a href=\"http://www.talujon.com/\">Talujon Percussion Quartet</a>, with guest artists Todd Reynolds and ML, Symphony Space, featuring the music of Lou Harrison and Talujon.\r\n\r\n2/17/06\r\n<a href=\"http://www.counterinduction.com/\">Counter)induction</a>, guest artist, Tenri Cultural Institute, \"Sonati\" - a concert of music by contemporary Italian composers including Sciarrino, Scelsi, Vacchi, Francesconi, Turcotte.\r\n\r\n1/22/06\r\n<a href=\"http://www.composerscollab.org/\">Composers Collaborative Inc.</a>, APAP showcase, Cornelia St. Cafe, works by fried, distler, and busby\r\n\r\n1/13/06\r\n<a href=\"http://www.glassfarm.org/\">Glass Farm Ensemble</a>, Tenri Cultural Institute, music by Burkhardt, Shohl, Montovani, and Kagel\r\n\r\n1/3/06\r\nEaton Buffet - music of John Eaton, St. Peter\'s Church (citicorp bldg.), NYC\r\n\r\n2005\r\n\r\n12/19/05\r\nchamber music @ Maripol - musical fun w/conrad harris, dov schindlein and the fabulous kim sisters!\r\n\r\n11/30 - 12/18/05\r\nMabou Mines DOLLHOUSE @ The Museum of Contemporary Art (Chicago, IL)\r\n\r\n11/16 - 20/05\r\nMabou Mines DOLLHOUSE @ Wexner Center (Columbus, OH)\r\n\r\n11/9 - 13/05\r\nMabou Mines DOLLHOUSE @ Walker Arts Center (Minneapolis)\r\n\r\n10/17/05\r\n<a href=\"http://www.7lezards.com/\">7 Lezards</a> - 2 sets -- solo electro-acoustic and duo improv with Peter Herbert ( 10, rue des Rosiers, Paris)\r\n\r\n10/11 - 23/05\r\nMabou Mines DOLLHOUSE @ Strasbourg Festival, Theatre National de Strasbourg\r\n\r\n10/5 - 9/05\r\nMabou Mines DOLLHOUSE @ Theatre National Populaire Villeurbanne (Lyon, France)\r\n\r\n9/27 - 10/2/05\r\nMabou Mines DOLLHOUSE @ Paris Festival d\'Automne, Theatre Nationale de la Colline\r\n\r\n9/14/05\r\n<a href=\"http://www.meetthecomposer.org/\">MEET THE COMPOSER</a> at the Mercantile Library (17 E. 47th Street)- inaugural concert w/ Eve Beglarian &amp; Corey Dargel.\r\n\r\n8/16/05\r\nGene Pritzker concert at the Cutting Room (19 W. 24th St), $10 (Sorrow Like Pleasure Creates its own Atmosphere premiere)\r\n\r\n7/12-16/05\r\nLincoln Center Festival: Merce Cunningham Dance Company\'s OCEAN, The Rose Room, NYC.\r\n\r\n6/29 - 7/2/05\r\nMabou Mines\' DOLLHOUSE at Theater Der Welt, Stuttgart, Germany\r\n\r\n6/20/05 - 6:30 PM\r\nOne-Two-Three-Go! series: w/ Eve Beglarian and Corey Dargel, Opia (130 East 57th street)\r\n\r\nSPOLETO FESTIVAL USA\r\n5/26 - 6/12/05: Mabou Mines\' DOLLHOUSE\r\n6/8/05 - Music in Time Series -- solo works by Nick Brooke, Paul Steenhuisen and Jacob Ter Veldhuis.\r\n\r\n5/11/05\r\nA Portrait of James Tenney, The Whitney Museum of American Art at Altria (120 Park Avenue at 42nd Street), NYC, FREE\r\n\r\n5/8/05 - 8PM\r\nJames Tenney: Postal Pieces, The Project Room (619 East 6th Street), www.issueprojectroom.org\r\n\r\n4/29/05\r\nDowntownEnsemble presents The Flexible Orchestra, St. Peter\'s Church, NYC, works by Polansky, Vierk, Finckel, Zummo, Goode.\r\n\r\n4/15-16/05\r\nShangri-la by Susie Ibarra, The Kitchen, NYC\r\n4/2/05\r\nBONK Festival of New Music - Solo interdisciplinary show, Salvador Dali Museum (St. Petersburg, FL), works by Stockhausen, Steenhuisen, Applebaum, Constable, Brooke, Ter Veldhuis, Rogers, and premiere by Francis Schwartz.\r\n4/1/05\r\nBONK Festival of New Music - Soloist with the University of South Florida Percussion Ensemble, Tampa Bay Performing Arts Center (FL), works by Rogers and Lyon.\r\n3/30/05\r\nThe Bilitis Songbook by Eve Beglarian and Phil Kline produced by Arts at St. Ann\'s, Joe\'s Pub, NYC\r\n2/28/05\r\n21st Century Schizoid Music Series: the music of Nicholas Brooke, Cornelia Street Cafe, NYC\r\n\r\n2/5/05\r\nComposers Concordance presents \"Improvisionaries!\", The Cutting Room, NYC, works by Beglarian and Simons\r\n\r\n2/3/05\r\nNew Music by Drew Krause and Eric Lyon, solo and chamber works, North River Music Series, Greenwich House Music School\r\n\r\n1/21/05\r\nLecture and Solo Recital, Stanford University, Campbell Recital Hall, works by Varese, Stockhausen, Sciarrino, Maresz, Applebaum, Brooke and premieres by Bloland, Yang, and Steenhuisen.\r\n\r\n2004\r\n\r\n12/8/04\r\nsoloist - Bennington College Music Festival 2004, Bennington, VT, Nicholas Brooke premiere.\r\n\r\n12/3-5/04\r\nchoreographer -- The Nutcracker, Concordia Conservatory\'s Musical Adventures Series, Bronxville, NY\r\n\r\n11/6/04\r\nMiss Lancer the Dancer show, Concordia Conservatory\'s Musical Adventures Series, Bronxville, NY\r\n\r\n11/1/04\r\nsoloist at the 30th Annual International Computer Music Conference, University of Miami, Coral Gables, FL.\r\n\r\n10/29/04\r\nguest artist with pianist Emanuele Arciuli (as part of the Randomness Conference), Italian Academy at Columbia University, Carlos de Incontrere premiere.\r\n\r\n10/24/04\r\nDubuque concert series with Dafna Naphtali -- improvisations and works by Schramm, Sydeman, Naphtali, Applebaum, Varese.\r\n\r\n10/9/04 - 8 PM\r\nGlass Farm Ensemble, Tenri Cultural Institute, music and tap dance interpretation of Moser, Martin, Rasmussen, Saunders, Sciarrino.\r\n\r\n9/2-3/04\r\nIbsen Festival (Oslo, Norway) - Mabou Mines DOLLHOUSE, National Theatre.\r\n\r\n8/28-31/04 - 7 PM\r\nImagine Festival: Forgiveness (directed by Chen Shi-Zheng, composer Eve Beglarian)/Mourning (created and performed by Eiko and Koma), Asia Society\r\n\r\n6/28/04 - 9 PM\r\n21st Century Schizoid Music Series: the music of Corey Dargel\r\n\r\n5/26/04 - 8 PM\r\nthe music of Patricia Leonard, Weill Recital Hall, NYC\r\n\r\n5/21/04 - 8 PM\r\nNew York Composers Circle concert\r\n\r\n5/13/04 - 8 PM\r\nthe music of Sean Hickey, South Oxford Space, Brooklyn, NY\r\n\r\n5/4/04 - 7-9 PM\r\nThe TV Guide - music of Jacob Ter Veldhuis, The Cutting Room, NYC (19 W. 24th St)\r\n\r\n4/30/04 - 8 PM\r\nDowntown Ensemble\'s Flexible Orchestra, Washington Square Church, NYC\r\n\r\n4/22/04 - 8 PM\r\nASCAP\'s Thru the Walls series\r\nfeaturing: Tom Chiu w/Margaret Lancaster &amp; David First, Matthew Shipp w/Matt Maneri, and Polygraph Lounge\r\n\r\n4/7-10/04 - 8 PM\r\nDowntown Ensemble: the music of Christian Wolff\r\n4/7 - Greenwich House Music School, NYC\r\n4/8 - 67 Spring Street, NYC\r\n4/9 - Greenwich House Music School, NYC\r\n4/10 - Hudson Opera House, Hudson, NY\r\n\r\n3/17-19/04\r\nBONK Festival of New Music, Tampa, FL (www.bonkmusicfest.com)\r\n\r\n3/17/04\r\nflute lecture/performance/demonstration, University of South Florida, Tampa, FL\r\n\r\n2/29/04 - 4PM\r\nJennifer Griffith\'s Leap Day Licks, UNDER St. Mark\'s (94 Saint Mark\'s Place), NYC\r\n\r\n2/13-14/04\r\nThe Bilitis Songbook (by Eve Beglarian and Phil Kline), DiverseWorks Artspace, Houston, TX\r\n\r\n2/6/04\r\nGlass Farm Ensemble (music by Saariaho, Huber, Jarrell, Maresz, Crumb), Tenri Cultural Institute, NYC\r\n\r\n2/4/04\r\nNakamichi Concert Series, Stonehill College, MA\r\n\r\n2003\r\n\r\n11/19 - 12/14/03\r\nMabou Mines DOLLHOUSE (Lee Breuer, director), St. Ann\'s Warehouse, NYC\r\n\r\n12/3/03\r\nEve Beglarian Book of Days multi-media concert, Church of the Ascension, NYC\r\n\r\n11/13/03\r\nListening in the Sound Kitchen Festival, Princeton University\r\n\r\n11/5/03\r\nMakor, NYC, with Tom Chiu and Dave Eggar (Flux Quartet)\r\n\r\n10/30/03\r\nDowntown Ensemble with David First, Greenwich House Music School, NYC\r\n\r\n9/21-26/03\r\nBremen MusikFest with Absolute Ensemble\r\n\r\n9/21 - Mark Anthony Turnage\'s Blood on the Floor w/ Peter Erskine, Dave Carpenter, John Parricelli, Martin Robertson and die Deutsche Kammerphilharmonie Bremen.\r\n9/24 - L\'Apres Midi d\'un Faun/Mahler Symphony No. 4\r\n9/26 - Arabian Nights (Daniel Schnyder) featuring Marcel Khaliffe.\r\n\r\n7/10/03\r\nWNYC Overnight Music with George Preston - live interview with Heather Hitchens and Harold Meltzer\r\n\r\n6/25/03\r\nEve Beglarian Book of Days multi-media concert, Church of the Ascension, NYC\r\n\r\n6/14/03\r\nOtto Luening/Dan Cooper concert at Engine 27, NYC\r\n\r\n5/21-6/3/03\r\nSpoleto Festival USA - Music in Time Series\r\n\r\n6/1 - Common Sense Composers Collective ensemble-in- residence concert. Premieres by Dan Becker, John Halle, Ed Harsh, Melissa Hui, Mark Mellits, Belinda Reynolds, Randy Woolf, Carolyn Yarnell.\r\n6/4 - chamber music by Terry Riley, Frederic Rzewski, Kaija Saariaho, and Randy Nordchow.\r\n\r\n5/17-20/03\r\nDowntown Ensemble concerts - music by Ron Nagorcka, Peter Zummo, and Douglas Repetto.\r\n\r\n5/17 - Hudson Opera House\r\n5/18 - Deep Listening Space\r\n5/20 - Greenwich House Music School\r\n\r\n5/13/03\r\nPrinceton Composers Concert\r\n\r\n5/2/03\r\nConcordia Conservatory Chamber Music Festival, Bronxville, NY\r\n\r\n4/15/03\r\nDonnell Library with Kevin Gallagher and Milica Paranosic\r\n\r\n4/14/03\r\nVal Val at Joe\'s Pub, NYC\r\n\r\n4/6/03\r\nLois V Vierk concert, Roulette, NYC\r\n\r\n4/4-5/03\r\nSwiss composers concert (music by Balz Trumpy, Dieter Ammann, Daniel Schnyder), NYC\r\n\r\n3/4-8/03\r\nBONK Festival of New Music, Tampa, FL\r\n\r\n2/14-15/03\r\nThe Bilitis Project (Eve Beglarian and Phil Kline), Flynn Center, Burlington, VT [world premiere]\r\n\r\n2/8/03\r\nGlass Farm Concert Series (guest artist), NYC\r\n\r\n1/25/03\r\nConcordia Conservatory\'s Musical Adventures Series featuring Miss Lancer the Dancer\r\n\r\n2002 12/18/02\r\nOren Fader recital (guest artist)\r\nWashington Square Church, NYC12/12/02\r\nNorth River Concert Series\r\nEve Beglarian\'s Book of Days Project (guest artist)\r\nGreenwich House Music School, NYC11/13/02\r\nVaughan Recital Series\r\nSolo Interdisciplinary Concert\r\nDartmouth College, Hanover, NH\r\n\r\n11/14/02\r\n20th Century Music lecture, Dartmouth College\r\n\r\n11/10/02\r\nThreeTwo Festival\r\nSolo Interdisciplinary Concert\r\nSanford Meisner Theater, NYC\r\n\r\n11/7/02\r\nThreeTwo Festival\r\nFuturessence, an evening of Italian futurist plays directed by Gerhard Stabler and Kunsu Shim\r\nSanford Meisner Theater, NYC9/14/02\r\nGlass Farm Concert Series, NYC (guest vocalist) 8/29/02\r\nPaul Zukofsky\'s 2002 Musical Observations concert\r\nthe music of Jo Kondo\r\nSt. Peter\'s Church, NYC 8/23/02\r\nFireworks! New music ensemble concert\r\nThe Knitting Factory, NYC7/25/02\r\nSanta Fe New Music concert\r\nSantuario de Guadalupe (Santa Fe,NM)6/8/02\r\nMeet the Composer\'s The Works Festival\r\nMinneapolis, MN (guest artist)5/29-6/5/02\r\nSpoleto Festival USA\r\nMusic in Time Series\r\nCharleston, SC5/19 - Essential Music (music by Lang, Scelsi, Vivier)\r\n6/1 - Essential Music (Steve Reich concert)\r\n6/5 - Essential Music (music by Lyon, Thompson, Ornstein, Reynolds, Yanov-Yanovsky) 5/4-13/02\r\nDowntown Ensemble\r\nThe 2 Davids concert: music of David Mahler &amp; David Behrman5/4 -Hudson Opera House (Hudson, NY)\r\n5/5 - The Deep Listening Space (Kingston, NY)\r\n5/8 - Dartmouth College\'s Vaughn Recital Series (Hanover, NH), (mahler only)\r\n5/13 - Greenwich House Music School (NYC)4/30/02\r\nSounding Boards concert\r\nGalapagos Artspace, NYC (guest artist)4/7/02\r\nKitty Brazelton\'s CRI CD release concert, NYC (guest artist)3/27/02\r\nSongs From the Book of Days concert\r\nGalapagos Artspace, NYC (guest artist)<img src=\"https://staging.margaretlancaster.com/sidetablespacer.gif\" alt=\"sidetablespacer.gif (55 bytes)\" width=\"10\" height=\"10\" />3/5-9/02\r\nBonk Festival of New Music, Tampa, FL\r\n\r\n2/10/02\r\nFirst Baptist Church, Needham, MA (solo recital)\r\n\r\n1/18/02\r\nBloomingdale School of Music\r\nVoices New and Old series, NYC (flute and percussion recital with Matthew Gold and special guest Oren Fader)\r\n\r\n2001 12/16/01\r\n1-2-3 GO!! Concert series, NYC (guest artist for Eve Beglarian)12/11/01\r\nPrinceton Composers Concert, Princeton, NJ\r\n\r\n12/1/01\r\nAlliance Francaise recital series, Bermuda (solo recital)11/14/01\r\nThe Time Shards Music Series at the Georgia O\'Keeffe Museum, Santa Fe, NM (Santa Fe New Music recital)11/3/01\r\nConcordia Conservatory Children\'s Series, Bronxville, NY (Miss Lancer the Dancer concert with the Global Arts Percussion Trio)10/30/01\r\nThe Cutting Room, NYC\r\nThe Sally Collective (with Eve Beglarian, Phil Kline and guests Todd Reynolds and Taimur Sullivan)10/26/01\r\nRuth Crawford Seeger Symposium chamber music concert\r\nBrooklyn College, NYC10/21/01\r\n1-2-3-GO!! Concert series, NYC\r\nsolo interdisciplinary recital10/4-5/01\r\nSolo interdisciplinary recital and masterclasses (flute and composition), University of Louisville, Louisville, KY9/26/01\r\nYesterday\'s Gone Concert series\r\nLeo Koenig Gallery, NYC (flute and interactive electronics with Eric Lyon)9/14/01\r\nVisionIntoArt benefit concert for the American Red Cross, Clark Studio, Lincoln Center, NYC (soloist)8/25-26/01\r\nOught-One Festival of Non-Pop, Montpelier, VT\r\n1. solo interdisciplinary recital\r\n2. The Bilitis Project recital with Eve Beglarian, Phil Kline, and Eleanor Sandresky5/24/01\r\nComposer\'s Concordance concert\r\nNYU\'s Loewe Theater, NYC5/4/01\r\nThe Cutting Room, NYC (solo recital)3/4-10/01\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)\r\n\r\n1/31/01\r\nASCAP Thru the Walls concert #1\r\nThe Cutting Room, NYC (guest artist for Eve Beglarian)\r\n\r\n1/25/01\r\nMilton Babbitt Century Club birthday concert, NYC\r\n\r\n2000 11/18/00\r\nConcordia Conservatory Children\'s Series\r\nBronxville, NY (Miss Lancer the Dancer concert)10/8/00\r\nTwoThree Festival (Herbert Brun, featured composer), Barnard College, NYC (soloist and chamber player)10/5, 7/00\r\nBargemusic Concert Series, NYC9/18/00\r\nNew Music Connoisseur concert\r\nNYU\'s Loewe Theater, NYC (soloist)8/31/00\r\nMusical Observations chamber music concert (Milton Babbitt, featured composer)\r\nHenry Street Settlement, NYC6/11/00\r\nEssential Music concerts (2), Flea Theater, NYC6/2-7/00\r\nSpoleto Festival USA, Music in Time Series, Charleston, SC\r\n\r\n6/2 - Essential Music\r\n6/4 - Essential Music\r\n6/7 - solo recital with Essential Music 5/24/00\r\nOtto Luening Centennial Concert, Miller Theater, NYC (soloist)\r\n\r\n4/17/00\r\nDowntown Ensemble concert, Greenwich House music school, NYC\r\n\r\n3/5-10/00\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)\r\n\r\n1999 12/2/99\r\nThreeTwo Festival marathon concert (soloist)11/20/99\r\nConcordia Conservatory Children\'s Series, Bronxville, NY (Miss Lancer the Dancer concert) 10/10-15/99\r\nEssential Music residency at Dartmouth College, Hanover, NH5/16/99\r\nNo Noise Reduction concert, Center Stage Theater, NYC (soloist)4/27-29/99\r\nDartmouth New Musics Festival guest artist, Hopkins Center, Hanover, NH 4/27 - flute and composition masterclasses\r\n4/28 - solo piccolo recital\r\n4/29 - Festival concerts (soloist)\r\n\r\n3/1-6/99\r\nBonk Festival of New Music, Tampa, FL (soloist and chamber player)','Performances','','inherit','closed','closed','','50-revision-v1','','','2017-09-17 20:02:40','2017-09-18 03:02:40','',50,'https://staging.margaretlancaster.com/2017/09/50-revision-v1/',0,'revision','',0),(1137,1,'2019-02-21 22:33:04','2019-02-22 05:33:04','<em>(alphabetically)<a href=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/passport-2CROPPED-MargaretIMG_0170AfterComments.jpg\"><img class=\"alignright size-medium wp-image-796\" src=\"https://staging.margaretlancaster.com/wp-content/uploads/2009/04/passport-2CROPPED-MargaretIMG_0170AfterComments-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a></em>\n\n**world premiere\n*us premiere\n^ny premiere\n+written for ml\n\nKathryn Alexander/Juraj Kojs\nThe Harbingers**+(multimedia theater piece)\n\nJon Appleton\nStop Time**+ (tap dancing flutist)\n\nTrevor Baca\nmon seul desir**(flutes/clarinets/vln/clo)\n\nSimon Bainbridge\nMemorial**(alto fl, vla)\n\nChristian Banasik\nIk\' * (fl, electronics)\n\nJean-Baptiste Barriere\nCrossing the Blind Forest * (bass fl-picc, interactive multi-media)\nDistant Mirrors **+ (interactive installation performance via skype w/Camilla Hoitenga)\nContemplation**+(alto fl, interactive multi-media)\n\nLynn Bechtold\nShuffle**(2 fl, vln, tape)\n\nDan Becker\nFade**+ (fl, clo, pno, perc) Common Sense Composers Collective Commission\n\nEve Beglarian\nPreciosilla (Margaret\'s Mix) [fl/alto fl, tape]\nSamurai Song **+ (voice, alto flute)\nFive Things**+ (fl, bsn, speaker, woodblock)\nRobin Redbreast+ (piccolo, voice, electronics)\nI Will Not Be Sad in This World**bass fl version (bass fl/tape)\n\nEve Beglarian/Phil Kline\nThe Story of B**+\n\nGordon Beeferman\nHabitats**(fl,vla,tbn,perc)\n\nJohanna Beyer\nHave Faith! * (fl, soprano)\n\nBetsey Biggs\nParallel Lives**+(multimedia theater piece for electronics, video, and fl/actor/dancer)\n\nJohn Bischoff\nRondo ** (fl, cl, tbn, clo, perc, pno, live electronics)\n\nPer Bloland\n...walk now and then into the breath that blows coldly past... **+ (fl/tape)\n\nGreg Boardman\nA Lifetime in 9**+ (alto fl/fl/tape/live processed electronics)\n\nAnthony Braxton\nComposition No. 146 (Moogie and Stetson) ^ (12 fl/2 tubas/perc)\n\nNick Brooke\nJarak Jauh **+ (picc/fl/alto fl, tape)\n\nRichard Brooks\nWhat Goes Around ** (fl/ob)\n\nZack Browning\nNetwork Slammer ^ (fl, tape)\n\nHerbert Brun\nU Turn To** (tape, dancer)\n\nKenji Bunch (music and libretto)\nConfessions of the Woman in the Dunes **+ (voice, 2vln, vla, clo, pno, tbn, tpt, fl/alto)\n\nRobert Cantrick\nThree Mimes** (chamber opera for flute and baritone)\n\nRichard Carrick\nThe Veins of Marble *(either/or)\nLa Scene Miniature **(arr. fl,bass cl,clo, pno)\nLanterne **+ (bass flute)\nAutour **+\n\nRyan Carter\nNot One, Not Two ^ (fl, tape)\n\nMahir Cetiz\nEnfilade: Lamento/Cambiata **(argento ensmble)\n\nChris Chafe\nA Day in the Sun **+ (flute, electronics, video)\n\nQuentin Chiappetta\nThe International Express **(fl, vla, harp, 2 perc)\n\nPaul Clift\nInfinite Regress**(argento ensemble)\nSous les paves **(either/or)\n\nRobert C. Constable, Jr.\nOnceathon**+ (fl, tape)\n\nDan Cooper/Otto Luening transcription\nMoonflight **(fl, tape,  live electronics)\nThree Nocturnes** (fl, dig.delay)\n\nDan Cooper\nSuite** (fl)\nTrio**(fl, cl, pno)\n\nCaroline Cotto\nSaints and Sinners (fl/mixed media) **+\n\nViet Cuong\nNothing If Not ** (American Modern Ensemble)\n\nChaya Czernowin\nWinter Songs II:Stones ^\n\nCorey Dargel\nBorn and Raised **+ (fl, voice, electronics)\nFables on Global Warming ** (evening length theater piece in collaboration with Karole Armitage and ArmitageGoneDance!)\n\nCarlo De Incontrere\nMeeres Stille ** (bass fl/fl, piano, tape)\n\nStefania De Kenessey\nBonfire of the Vanities** (opera)\n\nZosha DiCastri\nAkkord I * (flute, pno, electronics, interactive sculpture)\n\nNatacha Diels\nA Case for Dysfunctional Persistence **(either/or)\n\nCornelius Dufallo\nMindscape 3 (solo flute and digital loops)**+\n\nIancu Dumistrescu\nCosmic Pulse(II)** (instruments and computer)\nUnstable Molecule**(ensemble)\nBlack Holes\' Collision**(ensemble and computer)\n\nMax Duykers\nDeep Lines **(fl/cl/vln/clo)\nDark Body**(fl/vln/clo/pno)\nFlame**+(interdisciplinary fl/fixed media)\nFolding Music **+ (fl,cl,vln,clo,pno,perc)\n\nJohn Eaton\nTwo Brecht Songs ^ (fl/bass, cl/bass, vla, clo, sop)\nThe Curious Case of Benjamin Button**(pocket opera)\n\nCenk Ergun\nSomething, Something Else, Something ** (American Modern Ensemble)\na place for everything and everything in its place **+(bass fl, bass cl, vibraphone)\n\nMohammed Fairouz\nSumeida\'s Song**(chamber opera)\n\nMichael Finckel\nPalisades ** (cellos, fl, tbn, concertina, gamelan)\n\nBernd Franke\nSolo 7fach - in Distanz * (flutes, tbn, 2 vln, vla, clo, perc)\n\nDavid Brynjar Franzson\non Sameness and Similarities * (fl, sax, cello, perc)\n\nMiguel Frasconi\nReading Poetry with Eyes Closed **+ (fl, cl, vln, clo, pno, perc)\narr. Suite for Percussion by Lou Harrison **+ (fl, cl, vln, clo, pno, perc)\n\nMichael Frengel\nDropped on My Head Upside Down** (fl/tape)\n\nJoel Phillip Friedman\nFlauto Oscuro**+ (fl)\nQuicksilver**+ (fl, tape)\n\nKristi Fullerton\nDesign**+ (sop, fl, vla, pno)\n\nPeter Garland\nPalm Trees - Pine Trees**+ (fl, clo, pno, 2 perc)\n\nErin Gee\nMouthpiece 33 **+ (bass fl, bass cl, el gtr, cello)\n\nDaniel Goode\nAnnTrack ** (alto fl, cl, tbn, 12 celli)\nAnnCela Express **(alto fl, cl, tbn, 12 celli)\n\nDaniel Grantham\ndeconstruct reorder conjoin repeat **\n\nAnthony Green\nHover **\n\nErik Griswold\nThe Yellow Fog**(flutes/clarinets/vln/clo)\n\nMatthew Guerrieri\nDynaflow Descant** (fl, tape)\n\nWally Gunn\nLong Distance** (American Modern Ensemble)\n\nJohn Halle\nFull Spectrum Dominance**+ (fl/tap dancer, clo, pno, perc1, perc2/narrator) Common Sense Composers Collective commission\n\nEd Harsh\nGuileless**+ (fl, clo, pno, 2 perc) Common Sense Composers Collective commission\n\nZachary Hejny\na green stream **+ (fl, pno, electronics)\n\nPeter Herbert\nThinking Out Loud**(fl, dbl bass, perc, pno)\n\nAlec Hall\nHyperWarp **(either/or)\n\nLiisa Hirsch\nImprint ** (ob, bass fl, vla, clo, 2 basses, perc)\n\nElizabeth Hoffman\nTranced Placed**+(fl/live electronics)\nDa Dum Dum Pling **+ (fl/vln/vla/clo/pno)\n\nMelissa Hui\nWish You Were Here**+ (flutes, clo, pno, perc) Common Sense Composers Collective commission\n\nJames IE Ilgenfritz III\nHow To Talk To Your Children About Not Looking At The Eclipse **+ (fl)\n\nGina Insalaco\nComposition for Bass Flute (with fixed media) **+\n\nKevin James\nCounting in Quileute **\n\nArthur Kampela\nHappy Days**(electronics, flute/actor)\n\nNoah Kaplan\nPenetralium ** (American Modern Ensemble)\n\nJohn Kennedy\nTransitional Songs** (fl, cello, pno, 2 perc)\n\nJin Hi Kim\nTilings **(either/or)\n\nJerome Kitzke\nFor Pte Tokahewin Ska**+(bass fl/picc/alto, bass cl, bassoon, cello, hammond organ, percussion)\n\nPhilippe Kocher\nErzahlung/Tale** (fl, vln, el gtr, clo, pno, elec)\n\nJuraj Kojs\nDoorways**+(fl-picc/javanese gamelan ensemble)\n\nRichard Kostelanetz\nOpenings**(interpretive performer)\n\nLeo Kraft\nA Single Voice** (alto flute)\n\nDrew Krause\nBanjo Suicide** (chamber ens)\nCoil** (fl, clo, pno)\nTweety**+ (fl/tape)\n\nJoan La Barbara\nDesert Myths (for Nai-Ni Chen\'s Isle of Dunes) **+ (voice, 2 vln, vla, clo, tpt, tbn, pno, fl/nat am fl)\nAtmos**+(sonic atmosphere, fl/actor/dancer)\n\nAlexis Lamb\nMurmuration**(fl, vla, harp, 2 perc.)\n\nClaire Laronde/Margaret Lancaster\nRencontres**+ (dancer, dancer/flutist)\n\nPhilip Lasser\nSuite for Flute and Piano**+\nSonate*\n\nLuigi Laveglia\nCode of Light **+(fl, cl, vln, pno)\nRecall**+(fl, cl, vln, clo, pno, perc)\n\nMary Jane Leach\nWolffTones E-tude** (downtown ensemble)\n\nAnne LeBaron\nSolar Music* (bass fl/alto fl/fl/picc, harp)\n\nJae-Moon Lee\nM.O.N.T.A.G.E. * (fl,cl, vln, clo)\n\nJim Legg\nThree Scenes from New York** (fl/pno)\n\nGeorge Lewis\nHexis * (fl/cl/pno/perc/vln/clo)\n\nKatarina Leyman\nSolgatt * (fl/pno)\n\nEric Lyon\nLithium for solo flute **+ (arr. Nirvana)\nPower With a Cherry on Top**+ (fl, tape)\nOnceathon II:the Kiss of Constable**+ (fl, tape)\nFanfare for Gordon Mumma**+ (treble instrument/s, tape)\nInferno* (fl, tape)\nThe Blistering Price of Power** (fl, tape)\nParadigms II:In a Field of Turnips** (alto fl, tape)\nShock and Awe (fl, vcl, pno, 2 perc) **+\nThought Crimes of the 21st Century**+ (fl, pno, perc. ens.)\nVectors 7: Perky Bits**+ ( fl, 4-hand pno)\nVectors 5: Intuitions**+ (fl, vln, clo,hn, perc, pno)\nAn American Fantasy**+ (fl, vln, clo, hn, cl, bsn, perc, pno)\nHot Pants* (picc, tape)\nHeavy Rotation**+ (fl, perc)\nInternational Male Nightmare**+ (fl, perc)\nChutes and Ladders**+ (solo piccolo)\nSensible Brutality**+ (solo piccolo)\nMy Lovely Burnt Brother and His Squashed Brain**+ (solo piccolo)\nThe Last Years of Democracy in Athens**+ (fl)\nThe New Improved Truth, Book III**+ (fl/tape)\nNew World Sonatina ^ (fl, cl, vln, clo, pno, perc)\nThe Lancaster Overture **+ (fl, perc. ens.)\n\nDavid Mahler\nAfter Richard Hugo** (fl, cl, t-bone, pno, gtr/mandolin)\n\nKeeril Makan\nPersona** (chamber opera)\nIf We Knew the Sky ** (large chamber ensemble)\n\nCecile Marti\nIm Kreis**(fl, cl, vln, clo, perc, pno)\n\nMiya Masaoka\nStates of Being, States of Becoming **\n\nPaula Matthusen\nforgiveness anthems**+(fl/tape)\nOf Whole Movements and Migrations **(fl, cl, perc, pno, electronics)\n\nGeorge Cork Maul\nCalliope**(fl, hp, perc)\nheartbreakthrough**(fl, hp, perc)\n\nEugene McBride\nFancy ** (fl, cl, vln, clo, pno, tenor)\n\nGabriel Merizalde\nDiverging Audio Flies (fl/vln/fixed media) **+\n\nMelodie Michel\nNo tempo de la **+ (fl, bsn, pno)\n\nBonnie Miksch\nInklings on the Loose ** (fl, tape)\n\nRoland Moser\nAn Anecdote, a Poem, and a Scene *(soloist)\n\nJon Myers\nTotems **+ (fl, pno)\n\nRon Nagorcka\nArtamidae **+ (flutes, cl, tbn, gtrs, synth, didjeridoo)\n\nAi Negishi\nTanpopo*(fl, perc, electronics)\n\nAmanda Nicholas\nVerdant (fl-bass fl/vln/fixed media) **+\n\nCarlo Nicolau\nEspejismos ^ (arr. fl, vla, harp, 2 perc)\nImmigrant Dream**(bass fl, vla, harp, 2 perc)\n\nMilica Paranosic\nEcho 4** (flutes, live processing)\nOde to Zumbi**+(fl/berimbau-voice/electronics)\nPostcards from India (Postcard #1) **+(flute, mixed media)\nLady M**+ (flute theater concerto; Version 1 w/string orchestra, Version 2 w/ interactive electronics)\n\nJoseph Pehrson\nLunar Tunes **+(fl, cl, pno)\n\nGagi Petrovic\nThere is nothing **+(flute, media)\n\nLarry Polansky\nPiker**+ (picc)\nCinderella**+ (fl)\nTetherball** (6 players)\nNow, My Dear Companions**+ (fl, cl, tbn, elec gtr, pno, perc, 2 singers)\nJargon ** (fl, cl, tbn, 12 celli)\nviiivvi**+(fl,cl,vln,clo,pno,perc)\n\nRobert D. Polansky\nBeatitudes for flute/narrative/dance **+\nEcho Bridge+ (fl/tape)\nSleepless Nights**+ (fl, pno)\n\nAndrew Posner\nYour Tidal Breath**+(fl, vln, vla, clo)\n\nNathan Prillaman\nLabyrinth**(fl/tape)\n\nStephen Prina\nConcerto for Modern, Movie, and Pop Music for Ten Instruments and Voice *\nThe Way He Always Wanted It XI * (flute sextet)\n\nBob Pritchard\nThe Memory of Your Touch **+ (flute, interactive electronics, RUBS suit)\n\nGene Pritsker\nSorrow, Like Pleasure, Creates Its Own Atmosphere**+ (fl, tape)\nGalileo Starry Messenger **+(fl, cl, pno)\nVariation on Pehrson\'s Motorcycle **+(fl/el gtr)\nModified #5 **+ (fl, tape)\nGears**+ (fl, gtr, udu drum, cajon)\n\nKarin Rehnqvist\nRaven Chant ** (written for Either/Or)\nAnrop/Inrop/Utrop *\n\nPaul Reller\nIn Praise of Buddy Hackett**+ (fl, tape)\nSalvation Army**+ (fl.tape)\nTres Moderne** (chamber orchestra)\nCorngun**+ (fl, vln, pno, perc ens.)\n\nDouglas Repetto\nCounting Piece for Larry** (7 parts)\n\nBelinda Reynolds\nThread**+ (fl, clo, pno, 2 perc.)\nShare**+ (alto fl, pno) Common Sense Composers Collective commission\n\nMarga Richter\nSerenade**(fl, hp, perc)\n\nJohn Ritz\nThe Umbilicus of Limbo **\n\nDavid Rogers\nLinks and Patties**+ (picc, perc)\nOnceathon IV: They Taught Her How to Kil**+l (fl, perc. ens)\nBerceuse **+ (2 flutes, perc ensemble)\n\nKurt Rohde\nDouble Trouble^(double viola concerto with chamber ens.)\n\nKaija Saariaho\nCendres* (alto fl, cello, pno)\n\nKamala Sankaram\nMirror**+(fl/tape)\nThumbprint ** (chamber opera)\n\nRebecca Saunders\nstirrings still^ (alto fl, cl, oboe, pno, perc)\nmurmurs * (either/or)\n\nJustin Schmidt\nSlower Flutes (fl/fixed media) **+\n\nDenis Schuler\nKid **(pno 4 hands and feet)\n\nFrancis Schwartz\nThe Death of Garcia Lorca **+ (fl/tape)\n\nRonen Shai\nMeeting **+(fl, cl, vln, pno)\n\nElliott Sharp\nVenus &amp; Jupiter**+(either/or)\n\nAssaf Shatil\nChimera **+ (fl, pno)\n\nCraig Shepard\nOctober Fragments * (indeterminate inst.)\n\nChatori Shimizu\nRemnants of a Toad on the Lotus**+(fl, sop sax, gtr, clo)\n\nDavid Shohl\nThe Distant Bell**+ (fl, clo, pno)\n\nWil Smith\nBlack Book**+(fl, elec.)\n\nJoyEllen Snellgrove\nIn the Dark **+ (alto fl)\n\nBrandon Lincoln Snyder\nLike Lightning**+ (fl, alto sax, pno)\n\nTyshawn Sorey\nTrio for Harold Budd**(fl, perc, pno)\n\nPaul Steenhuisen\nBread (13 instruments and soundfiles) *\ncette obscure clarte qui tombe des etoiles (fl, tape) *\npomme de terre (piccolo) **+\nToneland Security (bass flute) **+\n\nBenjamin Stein\nIn the Deep (fl/fixed media)**+\n\nWoody Steinken\nThunderstorms Over the Desert (fl/vln/fixed media) **+\n\nKarlheinz Stockhausen\nKlang Cycle (American premiere, Metropolitan Museum/Cloisters/Breuer Bldg)\nHarmonien for flute (Harmonies, 5th hour) *\nSchonheit for fl, bass cl, trumpet (Beauty, 6th hour)*\n\nAmanda Stuart\nSong of the Trees*(fl/cl/electronics)\n\nJames Tenney\nForms I-IV for ensemble *\n\nNick Terruso\nAstral: The Nightmare (bass fl/fixed media) **+\n\nJacob Ter Veldhuis\nLipstick * (fl/alto fl, tape)\nGarden of Love ** (fl,tape version)\nJesus is Coming**(fl, tape version)\nIT **+(fl/tape/video)\n\nZach Thomas\nPropulsions for solo flute **\n\nJasmine Thomasian\nSpring will Come **+ (flute quartet)\n\nMolly Thompson\nThe Great Hush**+ (fl, tape)\n\nAnna Thorvaldsdottir\nRo/Serenity * (bass fl/bass cl/pnon/perc/ 2 vln/vla/clo)\n\nAndy Tierstein\nThe Shooting of Dan McGrew**\n\nChristopher Trapani\nPast All Deceiving**(argento ensemble)\nAnyplace Else*(either/or)\n\nYvonne Troxler\nPenn 1 **+ (bass fl, bass cl, pno, perc)\n\nSpencer Topel\nSpontaneous Symmetry Breaking **+ (flute and surrogate instruments)\n\nChaz Underriner\nLandscape: Ghost  (Home) **\n\nRobert Voisey\nHunger** (voice, tape)\n\nJulian Wachner\nInverted Sky** (flute, live electronics, kite installation)\n\nShunyin Wang\nFor Whom the Bell Tolls **+ (alto fl, cl/bass cl)\n\nAnn Warren\nKeeping the Waters Troubled **+ (fl, cello, dancer)\n\nMatthew Welch\nVariasi Ombak**(fl, vla, hp, 2 perc)\n\nLawrence Widdoes\nGnome* (fl, pno)\n\nKrzysztof Wolek\nArguro^ (flutes/live electronics)\nUn Claro del Tiempo*(sop, flutes, pno, live electronics)\n\nRandy Woolf\nThe Shadow of the Sun**+ (fl, clo, pno, perc) Common Sense Composers Collective commission\n\nSam Wu\nThree Poems by Su Shi **+ (sop, fl, gtr)\n\nJustin Yang\nSleep Study **+ (bass flute)\n\nCarolyn Yarnell\n10/18^ (fl, guitar processor)\nAnd there was sorrow in her eyes....**+ (flutes, clo, pno, 2 perc) Common Sense Composers Collective commission\n\nNina C. Young\nTraced Upon Cinders (either/or)\n\nYu-Chung Tseng\nFantasy (alto fl, electronics)\n\nGeorge Zelenz\nX, Only Better**+ (fl, clo, pno, 2 perc)\nAnd Then All At Once**+ (fl, 3 hand pno)','Premieres','','inherit','closed','closed','','63-revision-v1','','','2019-02-21 22:33:04','2019-02-22 05:33:04','',63,'https://staging.margaretlancaster.com/2019/02/63-revision-v1/',0,'revision','',0),