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<figure class="wp-block-table aligncenter"><table><tbody><tr><td><a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg"><img class=" wp-image-156 alignleft" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/iocover.jpg" alt="" width="274" height="274"></a>
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<h2>IO (New World Records)</h2>
<p><em>“Margaret Lancaster has burst onto the scene as our leading proponent of the avant-garde flute . . . What distinguishes Lancaster is her versatility, her willingness to let her flute be the focus of anything from technopop to theater to tap dancing, along with a breathless fluidity of line that raises every performance above the merely technically correct….”</em>—Kyle Gann, Village Voice</p>
<p>This gathering of music by five composers spanning more than 70 years demonstrates the richness and possibility of the stylistic freedom that is sometimes called the American experimental tradition. Timelessly potent for their careful exploration of musical material, these are works which have no cause to be esoteric, by leading American composers who deserve much higher regard. And in the hands of a performer and new-music advocate, Margaret Lancaster, who curates her repertoire with an attention to a continuum which composer Johanna Beyer calls “future, present, past,” we are given the opportunity to gain a deeper understanding of how this tradition lives. These are all, with the exception of <em>Seegersong #2</em>, world-premiere recordings.</p>
<p><strong>Sample Track: </strong><em>Daughter of Piker</em> by Larry Polansky</p>
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<p><em>“Welcome to the stage an oracle by the name of Margaret Lancaster. Ms. Lancaster is a flautist extraordinaire, a star of the silver screen, a dancer, and a former Secretary of Education under Calvin Coolidge…Margaret ‘The Lung’ Lancaster has an amazing track record for new music…All the works on Future Flute are well recorded and dynamically performed. The six compositions from four composers cohere pleasantly, allowing the CD to function as an album rather than as a disparate collection of works. The packaging for the disc is fitting to the content: exciting, alluring, and referential to a media-driven society. I highly recommend Future Flute to any and all. As the first appearance of the voice in Once-a-thon states, ‘the more you listen, the sooner success will come.’”</em>--<br>James Bohn, COMPUTER MUSIC JOURNAL 26:4</p>
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<p style="text-align: right;"><strong>lanterne - Richard Carrick<br /><a href="https://newfocusrecordings.bandcamp.com/album/lanterne">New Focus Recordings</a><br /></strong><em><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/lanterne-cover-2.jpg"><img class="size-medium wp-image-1254 alignleft" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/lanterne-cover-2-300x300.jpg" alt="" width="300" height="300" /></a>une</em> -Richard Carrick, piano and ML, flute<br /><em>lanterne -</em> ML on bass flute<br /><em>La Scene Miniature</em> - Either/Or<strong><br /></strong></p>
<p style="text-align: right;">Title track <i>lanterne</i>, for solo bass flute, performed by Margaret Lancaster, is an exciting listen, with breath and voice vocalizations, booming sounds, repeated rhythms and held notes driving the intense climax and the final faster fade with closing yelp. Carrick joins her on piano in <i>une</i>, a short and sweet roughly one-minute musical delight! - <a href="https://www.thewholenote.com/index.php/booksrecords2/moderncontempo/30714-lanterne-richard-carrick?fbclid=IwAR36uuKza-ubyQPzArHhfocW1yBgqyQyd_Xw5Z9nvtcIscG04bTfNYV3ITQ">theWholeNote</a> </p>
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<p><strong><em><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/Feldman-Cheap-Imitation.jpg"><img class="alignright size-medium wp-image-1256" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/Feldman-Cheap-Imitation-300x297.jpg" alt="" width="300" height="297" /></a><br />Cheap Imitation</em> - John Cage/Morton Feldman</strong><br /><strong>Mode Records</strong><br />Aki Takahashi, piano<br />ML, flutes<br />David Shively, glockenspiel<br /><br />She (Aki Takahashi) plays the 1969 original and the 1980 transcription bookended by briefer works that Cage modeled on Satie’s piano music. Flute and glockenspiel are played by Margaret Lancaster and David Shively, both respectively and respectfully, in what is a performance of subtle beauty in kaleidoscope.   <a href="https://dustedmagazine.tumblr.com/post/664227698208538624/john-cage-the-piano-works-11-mode?is_related_post=1">Dusted Magazine</a></p>
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<p style="text-align: right;"><strong>The Brainwave Music Project - Brad Garton &amp; Dave Soldier</strong><br /><strong><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/BrainwaveCDcover-a2239718835_16-copy.jpg"><img class="alignleft size-medium wp-image-1258" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/BrainwaveCDcover-a2239718835_16-copy-300x300.jpg" alt="" width="300" height="300" /></a>Mulatta Records</strong><br />with ML<br />Dan Trueman<br />Terry Pender<br />William Hooker<br /><br />EEG (electroencephalic) sensors are used on this unique album by Brad Garton and Dave Soldier to use feedback loops, mixing drums, electronic noodles and guest appearances by Dan Trueman/fid, Margaret Lancaster/fl, Terry Pender/mand and William Hooker/dr. The result is akin to vintage ambient albums by Brian Eno, creating a type of sonic wallpaper. The Lancaster’s breathy flute teams up for some tape wizardry on “Bible School Vacation” - <a href="https://www.jazzweekly.com/2018/01/music-for-gray-matter-brad-garton-dave-soldier-the-brainwave-music-project/">Jazz Weekly</a><br /><br />One can imagine David Lynch sticking this on, kicking back in an easy chair, dreaming up his next feature whilst his pet log whispers sweet nothings in his ear. It’s human music at its purest form, displaying the true nature of our untameable minds. - <a href="https://ukvibe.org/album_reviews/brad-garton-dave-soldier/">UK Vibe</a> </p>
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<p><strong>You Scream a Rapid Language - James Ilgenfritz</strong><br /><strong><a href="https://jamesilgenfritz.bandcamp.com/album/you-scream-a-rapid-language">Infrequent Seams</a><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/IlgenfritzCD.jpeg"><img class="alignright size-medium wp-image-1259" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/IlgenfritzCD-300x300.jpeg" alt="" width="300" height="300" /></a></strong><br /><em>How To Talk To Your Children About Not Looking At The Eclipse</em><br /><span style="font-family: Verdana, Helvetica, Arial;"> </span></p>
<div>...the album’s masterstroke: “How To Talk To Your Children About Not Looking At The Eclipse”.  Here flutist Margaret Lancaster breaks down breath to its most linguistically pure elements and makes them sing. - <a href="https://ecmreviews.com/2020/03/29/james-ilgenfritz-you-scream-a-rapid-language/">Edition of Contemporary Music/The NYC Jazz Record</a></div>
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<p class="has-text-align-right"><strong>Tell The Birds - Eve Beglarian</strong><br><a href="http://www.newworldrecords.org">New World Records</a><br><em>FlamingO</em> for chamber orchestra, conducted by Brad Lubman<br><em>Robin Redbreast</em>, text by Stanley Kunitz, performed by CoreNew Focus Recordings</p>
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<p><em>Robin Redbreast, for voice and piccolo (Corey Dargel and Margaret Lancaster, respectively, in fine performances), contrasts with the other pieces on the program in that it consists of a fairly straight forward melodic line in the voice, birdsong-like figuration in the piccolo part...The final work on this compelling disc is FlamingO, a large scale exercise in groovy eclectics.  It is one of the best uses of post-minimalist techniques I've heard.  The rhythmic patterns pile up in an almost Carterian maelstrom, only to resolve in a peaceful and musical satisfying swirl...The music and performances on Tell the Birds feel more lived in and spontaneous, and that's just one reason i highly recommend this disc.</em> -- Steve Hicken, Sequenza 21</p>
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<p style="text-align: right;"><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/YouFuckenSucker.jpg"><img class="alignleft size-medium wp-image-1260" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/YouFuckenSucker-300x300.jpg" alt="" width="300" height="300" /></a><strong>You Fucken Sucker - Paul de Jong</strong><br /><strong>Temporary Residence</strong></p>
<p style="text-align: right;">ML appears on <em>It's Only About Sex</em>,<br /><em>dimples</em>, and <em>The Jar Bell</em></p>
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<p><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/ghost-mountain-air-cover.jpg"><img class="alignright size-medium wp-image-1261" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/ghost-mountain-air-cover-300x300.jpg" alt="" width="300" height="300" /></a><br /><strong>Mountain Air - The Ghost Ensemble</strong><br /><strong>Indexical Records</strong><br /><br />works by:<br />Pauline Oliveros<br />Marguerite Brown<br />Teodora Stepancic</p>
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<p style="text-align: right;"><br /><strong>ReGenerate - Elliott Sharp</strong><br /><strong><a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/a1917233668_16.jpg"><img class="alignleft  wp-image-1262" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/a1917233668_16-300x300.jpg" alt="" width="252" height="252" /></a><a href="https://elliottsharp1.bandcamp.com/">zOaR Music</a></strong><br /><br />To observe his 70th year, Elliott Sharp presented concerts and recordings under the rubrik E#@70. This, the initial concert in the series took place and was recorded live at Roulette in Brooklyn on Mar. 4, 2021 and featured the world premiere of four new works created for this event and performed by E#'s open-ended ensemble SysOrk. <br /><br /></p>
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<p><strong>Tranzience - Elliott Sharp<a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2.jpeg"><img width="243" height="237" class="alignright wp-image-780" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-2-300x293.jpeg" alt=""></a><br></strong><a href="http://newworldrecords.org">New World Records </a><em><br>Venus &amp; Jupiter<br></em>Either/Or</p>
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<p><em><br></em><strong>Cycles of Evolution - Richard Carrick<a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6.jpeg"><img width="234" height="228" class="wp-image-782 alignleft" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-6-300x292.jpeg" alt=""></a></strong><br><a href="http://newworldrecords.org">New World Records</a><br><em>The Veins of Marble </em><br>Either/Or, Richard Carrick, conductor </p>
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<p><strong>Jarak Jauh - Nick Brooke<a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1.jpeg"><img width="268" height="233" class="alignright wp-image-779" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-1-300x261.jpeg" alt=""></a></strong><br><em>Jarak Jauh</em> - ML, flutes <strong>                                 </strong></p>
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<p><strong>Folding Music - Max Giteck Duykers<a href="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/Foldingmusiccoveronly.png"><img class="alignright size-medium wp-image-1264" src="https://staging.margaretlancaster.com/wp-content/uploads/2022/01/Foldingmusiccoveronly-295x300.png" alt="" width="295" height="300" /></a></strong><br /><strong>Ensemble Ipse</strong><br /><strong>New World Records</strong><br /><br />ML performs <em>Folding Music</em>, <em>Twilight for Adored and Breathless Moments</em>, and <em>Dark Body<br /><br />...</em>I do recommend you listen to the album and appreciate the fine musicianship of the Ensemble IPSE members and the highly interesting music of Duykers. Bravo!   <a href="https://classicalmodernmusic.blogspot.com/2019/07/max-giteck-duykers-folding-music.html">Classical-Modern Music Review</a></p>
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<p><strong>Melodies Alone Can Proudly Carry Their Own Death<a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan.jpeg"><img width="241" height="234" class="wp-image-783 alignleft" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-300x291.jpeg" alt=""></a><br>The Chamber Music of Gene Pritsker<br></strong>Composer Concordance Records/Naxos<br><em>Galileo Starry Messenger</em> (work #355)<br>ML-flute/Michiyo Suzuki-clarinet/Matt Herskowitz-piano </p>
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<p><strong>Soft Horizons - Barbara Monk Feldman<a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5.jpeg"><img width="244" height="240" class="alignright wp-image-781" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/Scan-5-300x295.jpeg" alt=""></a><br></strong><a href="http://newworldrecords.org">New World Records</a><strong><br></strong><em>The Chaco Wilderness</em><br>The DownTown Ensemble (ML, Daniel Goode, Larry Polansky, Joseph Kubera, Chris Nappi) </p>
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<p><strong>Pathological Curves - Elizabeth Hoffman</strong><br><a href="http://www.world-edition.com">World Edition</a> (oo17) </p>
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<p><a href="http://www.innova.mu">innova Recordings</a> (676)<br><em>Tweety</em>for flute and tape
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<p><em>Flutist Margaret Lancaster, violinist Whitney LaGrange, and alto saxophonist Taimur Sullivan, the respective performers in Tweety, Panic, and Airline, play with great dexterity and virtuosic accuracy, and their compelling performances give Krause's music a vibrant human dimension that is less evident in the computerized soundscapes.</em> - Blair Sanderson, AllMusic Guide to Classical Music</p>
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<p><strong>Open Crossings - Andy Teirstein</strong><br><a href="http://www.naxos.com">Naxos American Classics</a><br><em>The Shooting of Dan McGrew</em>- music by Andy Teirstein, text by Robert Service, narration by David M. Lutken. </p>
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<p><strong><strong><br><a href="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg"><img title="00000003_2" width="241" height="228" class="wp-image-377 alignleft" src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/00000003_2.jpg" alt=""></a></strong>culture samples: Concerti for Flute with Percussion Orchestra</strong> - Kim McCormick, flute and the McCormick Percussion Group<a href="http://www.capstonerecords.org">Capstone Records </a>(8802)<br><em>Berceuse</em> by David Rogers </p>
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<p><strong>Left At the Fork in the Road - Sean Hickey</strong><br><a href="http://www.naxos.com">Naxos American Classics</a><br><em>Pair of Pants</em>for Flute &amp; Clarinet performed by ML and David Gould, clarinet.</p>
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<p><em>"Every piece is nearly flawless, exciting and played with tremendous passion.  All of the soloists (for example, Margaret Lancaster, flute) are consistently hailed for fine playing, so another heap of praise seems superlative.  If you know the players, and you should, you know you are in for a treat."</em>-- Christopher Chaffee, American Record Guide.</p>
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<p class="has-text-align-right"><strong>Overstepping - Eve Beglarian<br><a href="http://www.oodiscs.com/">OO Discs</a><br><em>Preciosilla</em> (1990) by Eve Beglarian</strong><br><strong>text by Gertrude Stein</strong></p>
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<p><strong>Being and Time - Norman Yamada</strong><br>Tzadik<br><em>Deterioration</em> (1996) by Norman Yamada</p>
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<p class="has-text-align-right"><strong>Spank Me! It’s contemporary Classical</strong><br>BONK 98 - BFM 058<br>(<a href="http://www.bonkfest.org/">www.bonkfest.org</a>)<br>Corngun by Paul Reller </p>
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<div class="wp-block-image"><figure class="alignright"><img src="https://staging.margaretlancaster.com/wp-content/uploads/2009/04/bonk.jpg" alt="bonk" title="bonk"/></figure></div>
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<p><strong>BONK 98 Limited Edition Compact Disc</strong><br>Music from the Festivals 1994-1997<br><em>Inferno</em> by Eric Lyon</p>
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